Silvio Minciotti Movies
Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Vera Miles, (more)
- 1956
Loosely based on a novel by James M. Cain, this romantic drama centers on the struggles of a humble vineyard worker (real-life opera star Mario Lanza) who rises to become a renowned opera star. In the original book, Damon, the protagonist, has a homosexual relationship with the patron who boosts his career, but in the film, the patron is a wealthy and manipulative young woman named Kendall (Joan Fontaine). As charming as she is selfish, poor Damon cannot help but fall in love with Kendall. Unfortunately, she is a fickle creature and soon grows bored with him, thereby breaking his heart and causing him to choke during his audition for the Met. Afterward, he flees to Mexico. There he comes down with a mysterious, debilitating movie disease. Fortunately, Juana, a beautiful ex-bullfighter's daughter is there to help him recover. Damon falls in love with her, but just as it looks like happiness will finally be his, conniving Kendall reappears. In addition to singing numerous selections from popular operas, Lanza also sings a pair of Sammy Cahn/Nicholas Brodszky pop tunes: "Serenade" and "My Destiny." ~ Sandra Brennan, All Movie Guide
- Starring:
- Mario Lanza, Joan Fontaine, (more)
- 1956
When Emily Rocco (Judy Holliday) waddles into view at the beginning of Full of Life, her appearance marked a cinematic breakthrough; seldom had so pregnant a leading lady ever appeared on an American movie screen. With her baby's birthdate only a month away, Emily and her husband Nick (Richard Conte) prepare for first-time parenthood. What they aren't prepared for is Nick's Italian-bricklayer father (Salvatore Baccaloni) who descends upon their humble household with the intention of ruling the roost. Most of all, Papa wants Nick and Emily to go through a proper Catholic wedding, since he doesn't consider their civil ceremony valid. This situation is good for a few laughs, but far funnier is the all-too-typical erratic behavior of expectant mother Emily. Adapted by John Fante from his own novel, Full of Life effortlessly runs the gamut from warm family comedy to outrageous slapstick and back again. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Richard Conte, (more)
Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Meeker, Albert Dekker, (more)
- 1953
In this fourth of the "Francis" series, former Army officer Peter Stirling (Donald O'Connor) becomes a reporter for a big city newspaper. His greatest source of news tips is his talking mule Francis (voice by Chill Wills), who has become friendly with all the police horses. When asked how he manages to stay abreast of the news, Peter tries to explain about Francis, and is not unexpectedly labelled a looney-tune. But when Peter is brought to court on a homicide charge, Francis breaks his self-imposed rule of talking only to Peter and testifies on his master's behalf. With Francis' aid, Peter cracks the murder case and is graduated to star reporter. At fadeout time, Francis is seen wooing a female zebra, explaining "Don't let the striped pajamas fool ya." Francis Covers Big Town is harmless fun, bolstered by an expert supporting cast, including the always reliable Gene Lockhart (as Peter's editor) and Gale Gordon (as a flustered D.A.). ~ Hal Erickson, All Movie Guide
- Starring:
- Donald O'Connor, Yvette Dugay, (more)
The opening credits appearing over a turbulent ocean serve as a foreshadowing of things to come in this standard-issue love triangle that shifts into high drama thanks to taut direction by Fritz Lang and a sizzling performance by Barbara Stanwyck. Returning to live with her brother, Joe (Keith Andes), at her family's home in a small fishing village, Mae Doyle (Stanwyck) has reached rock bottom. Reeling from the pain of her previous romances, Mae slowly pieces things together and begins dating Jerry (Paul Douglas), a simple-minded fisherman. More along Mae's speed is Jerry's slick, boozy pal Earl Pfeiffer (Robert Ryan), a film projectionist who makes his feelings for her known right away despite the fact that he is married. Mae spurns his advances and decides to marry Jerry. Meanwhile, Joe has grown close to ditzy factory worker Peggy (Marilyn Monroe). Some time later, Mae and Jerry have had a baby, and things appear happy, but Mae is not in love with Jerry, and soon finds herself in Earl's arms. Jerry discovers the affair, and during a confrontation with the deceitful couple, Mae reveals that she is leaving to be with Earl. After some booze and a pep talk from his Uncle Vince (J. Carrol Naish), Jerry confronts Earl and proceeds to nearly strangle him until Mae arrives. Jerry storms off, but when Mae comes to their home to retrieve the baby, she discovers that Jerry has taken the child. Desperately upset, she explains the situation to Earl, but as they talk, she begins to arrive at a new realization about her life and what it takes to find happiness. ~ Patrick Legare, All Movie Guide
- Starring:
- Barbara Stanwyck, Paul Douglas, (more)
- 1951
Strictly Dishonorable is a musicalized version of Preston Sturges' cynical Broadway comedy of the same title, previously filmed sans songs in 1931. Ezio Pinza, fresh from his stage triumph in South Pacific, stars as Augustino Caraffa, an opera star whose amorous adventures are legend. Janet Leigh plays green-as-grass Southern belle Isabelle Perry, Caraffa's biggest fan. To rescue her idol from a vengeful publisher (Hugh Sanders), Isabelle agrees to an "in name only" marriage, hoping that Caraffa will eventually fall in love with her for real. Several romantic complications later, Caraffa finally begins to change his rakish ways. In keeping with Sturges' original scenario, Strictly Dishonorable is set in the late 1920s, allowing for a scene in which Isabelle is amorously inspired by a silent John Gilbert-Greta Garbo picture (accompanied on the Mighty Wurlitzer by organist Kathleen Freeman). ~ Hal Erickson, All Movie Guide
- Starring:
- Ezio Pinza, Janet Leigh, (more)
- 1951
Up Front is based on the wartime newspaper cartoons by Stars and Stripes contributor Bill Mauldin. Tom Ewell and David Wayne play Willie and Joe, the mud-caked, unshaven, war-weary protagonists of Mauldin's classic panels. The film is on the right track whenever using direct quotes from the original cartoons ("When we ain't fighting, we gotta ack like soljers?"), but soon the necessity for a plotline weighs down the humor. Also, the film waters down Mauldin's satirical jabs at insensitive Army officers and contradictory rules of conduct (Hollywood was still not permitted to find fault with anything military). Thus, we're left with a moderately entertaining piece of semi-slapstick about Willie and Joe's misadventures up and down the Italian front. Tom Ewell returned to play Willie in Up Front's sequel Willie and Joe Back at the Front (52), but David Wayne was replaced by Harvey Lembeck. ~ Hal Erickson, All Movie Guide
- Starring:
- David Wayne, Tom Ewell, (more)
- 1950
The real-life deportation of gangster Lucky Luciano was the inspiration for this romanticized and slightly crackbrained crime drama. Jeff Chandler plays the Luciano counterpart, who once he arrives in Italy renews his criminal activities. Chandler masterminds a black-market racket, capitalizing upon wartime shortages in Europe. He falls in love with a Contessa (Marta Toren), who is the benign patroness of the small village where he lives. Under her influence, Chandler abandons his life of crime, turns his back on the ill-gotten gains that he's already smuggled into Italy, and becomes a pillar of the community. And if you believe that, We have some land in Florida we'd like to show you. ~ Hal Erickson, All Movie Guide
- Starring:
- Märta Torén, Jeff Chandler, (more)
- 1949
Eliot Ness may have gotten lots of publicity (especially long after the fact) for breaking the Capone mob, but as Joseph H. Lewis' The Undercover Man reminds us, it was the accountants and the numbers-crunchers that brought down Capone and his mob. Frank Warren (Glenn Ford) started out as an accountant, but now serves as an investigator for the Treasury Department. His job has frequently required him to go undercover, masquerading as a criminal to get the goods on the top-level tax-law violators that his unit targets. But now his assignment is to gather evidence on the operations of the nation's number-one crime boss and get proof of the income that he and his lieutenants are not declaring, and this proves not only frustrating but dangerous. Potential stoolies are murdered and witnesses intimidated, and when one otherwise "respectable" lawyer (Barry Kelley) starts mentioning Warren's wife (Nina Foch) in casual conversation, he takes the hint. He's ready to quit until the mother (Esther Minciotti) of a witness-turned-victim tells him about what life was like in Italy under the Black Hand, and why she came to America to raise her sons. Warren and his men (James Whitmore, David Wolfe) make one last attempt to get the proof they need, tracing signatures and handwriting to get evidence implicating a small man in the operation, using it to turn him and going for bigger fish. Finally, even the shyster lawyer who has been dogging Warren every step of the way ends up in the sights of the feds, and the mob turns its attention to getting rid of this new "liability" and taking care of Warren as well. ~ Bruce Eder, All Movie Guide
- Starring:
- Glenn Ford, Nina Foch, (more)
House of Strangers is the first of three film versions of Jerome Weidman's I'll Never Go Home Any More, each of which was scripted by Philip Yordan. Edward G. Robinson plays a Giannini-like Italian-American banker, Gino Monetti, who runs roughshod over his four grown sons. The ruthless Gino engages in several illegal activities to build up his business, and is arrested as a result. Though the sons have always been fully aware of their father's questionable business practices, they refuse to help him stay out of prison; led by oldest son Joe (Luther Adler), three of the sons take over the business and kick their father out. Only son Max (Richard Conte) remains loyal to his father, whereupon his three brothers conspire to have Max thrown into prison as well. Max promises the dying Gino that he'll exact vengeance on the treacherous sons; but when he is released, Max hasn't the stomach for revenge, not even after one of his brothers (Efrem Zimbalist Jr.) tries to kill him. Max leaves his brothers to stew in their own juices, and heads to California for a new life with his fiancée, Irene Bennett (Susan Hayward). Subsequent film versions of the Jerome Weidman novel included Broken Lance (1954) and The Big Circus (1961). ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Susan Hayward, (more)
