Sandra Milo Movies

Fresh off of the international success of La Dolce Vita, master director Federico Fellini moved into the realm of self-reflexive autobiography with what is widely believed to be his finest and most personal work. Marcello Mastroianni delivers a brilliant performance as Fellini's alter ego Guido Anselmi, a film director overwhelmed by the large-scale production he has undertaken. He finds himself harangued by producers, his wife, and his mistress while he struggles to find the inspiration to finish his film. The stress plunges Guido into an interior world where fantasy and memory impinge on reality. Fellini jumbles narrative logic by freely cutting from flashbacks to dream sequences to the present until it becomes impossible to pry them apart, creating both a psychological portrait of Guido's interior world and the surrealistic, circus-like exterior world that came to be known as "Felliniesque." 8 1/2 won an Academy Award for Best Foreign-Language Film, as well as the grand prize at the Moscow Film Festival, and was one of the most influential and commercially successful European art movies of the 1960s, inspiring such later films as Bob Fosse's All That Jazz (1979), Woody Allen's Stardust Memories (1980), and even Lucio Fulci's Italian splatter film Un Gatto nel Cervello (1990). ~ Jonathan Crow, All Movie Guide

Four hard-working, under-appreciated waiters must deal with the rude, demanding middle-class at a wedding anniversary in this Italian comedy. The story is set at Eden, a run-down restaurant that has just been bought by Azzaro. The restaurant staff do not know whether or not they will still have jobs. The new owner brings his family, friends, and some cheesy musicians to celebrate his parent's 50th wedding anniversary. These nouveau riche, who outwardly seem so refined, quickly reveal their true nature once the party gets started. The new boss is a boor, and his father an adulterer, whose wife is severely depressed and becomes increasingly morose. The four waiters have their own problems. ~ Sandra Brennan, All Movie Guide

A criminal on the run finds going home after a decade is harder than he expects in this drama from French filmmaker Claude Sautet. Gangster Abel Davos (Lino Ventura) is wanted for murder in France, and has been living underground in Italy for ten years. Since then, Abel has married Therese (Simone France) and fathered two sons, and he's decided it's time to come home. Abel has planed an elaborate scheme in which he'll steal a fortune to finance his journey and head home with Therese and the boys, but little goes as planned, and he arrives in Paris without his wife and running from the law with two kids in tow. An underworld boss who owes Abel some favors helps him put together a plan to travel across France in an ambulance to avoid suspicion, and recruits a headstrong young gangster, Eric (Jean-Paul Belmondo), to serve as Abel's driver and right-hand-man. En route, Abel tries to settle some old score with criminal associates who betrayed him. Based on a novel by Jose Giovanni, Classe Tous Risques was the first feature film from Sautet, who previously had worked as an assistant director for some of France's most prestigious filmmakers. ~ Mark Deming, All Movie Guide

The long-forgotten Italian historical epic Herod the Great (AKA Erode il Grande, 1960), dramatizes the dark final years of the title figure, an evil Judean Tetrarch notorious for sending Christ to the cross in league with Pontius Pilate. The story begins with Herod (Edmond Purdom) and Antony's shared defeat by Rome (when the two men foolishly decide to form an allegiance and go head to head with the colossal Empire), and ends with Herod's slide into insanity following Christ's death. Throughout, the ruler exhibits utter lunacy, raving constantly and spewing forth torrents of unbridled anger; the picture's overtone thus remains bleak, despairing and relentlessly gloomy throughout (take it or leave it). Arnaldo Genoino directs; Damiano Damiani, Federico Zardo, Tourjansky and Fernando Cerchio co-scripted. ~ Nathan Southern, All Movie Guide

German filmmaker Eckhart Schmidt tracks down many high-profile Italian movie folks for the documentary portrait Federico Fellini: Through the Eyes of Others. Actresses Anita Ekberg, Anouk Aimée, and Sandra Milo provide commentary about the director's behavior on and off the set. Other interview subjects include screenwriter Tullio Pinelli, producer Dino de Laurentiis, cinematographer Giuseppe Rotunno, biographer Tullio Kezich, and novelist Gore Vidal. The film also employs archive footage and film clips. ~ Andrea LeVasseur, All Movie Guide

Marshall McLuhan's statement that the "media is the message" might well be amended by this film to say the "media creates the message." When two prisoners escape from jail and hole up in the apartment of a well-off yet middle-class family -- now held hostage -- the more forward of the two escapees calls the local television station, requesting that they broadcast his demand for a plane to get himself and his cohort out of the country. Once this concession to the power of the televised media is given, the rest follows logically behind. In essence, the television director brings his crew in to film the entire hostage crisis, but hardly satisfied with real-life drama as it unfolds, he proceeds to "direct" the drama for the camera crew, at one point even handing a gun back to the crook so his film coverage will not be interrupted. When a doctor (the apartment owner) removes a bullet from a guard whom the convicts brought with them, the director has him put the bullet back in so it can be filmed as it is taken out -- the world of "instant replay" taking on a reality that overcomes all logic. Needless to say, even when the convicts manage to escape from the building, the television crew is the first to catch up with them, recording every movement "live." ~ Eleanor Mannikka, All Movie Guide

Written and directed by Italian filmmaker Pupi Avati, Il Cuore Altrove is a romantic drama centering on Nello, a college Humanities teacher played by Neri Marcoré. His parents are well-to-do tailors who work for the Pope, and they don't approve of Nello's line of work. At their urging, Nello moves to Bologna where he meets and falls in love with Angela, a local blind girl played by Vanessa Incontrada. But their relationship isn't a simple one. Her parents don't believe that a simple teacher is worthy of their daughter, his parents protest because she is blind, and her ex-boyfriend may not be completely out of the picture. Adding one more wrench in the gears is a doctor who might be able to restore Angela's sight, leading Nello to wonder if she'll still feel for him if she isn't blind. Giancarlo Gianinni also stars as Nello's father. ~ Matthew Tobey, All Movie Guide

Juliet of the Spirits is a fantastical showcase for Federico Fellini's vibrant imagery, starring his wife, Giulietta Masina, as the titular leading character. Juliet is a wealthy housewife who constantly fears her husband, Giorgio (Mario Pisu), is cheating on her. While she yearns for a peaceful intimate evening on the night of their 15th anniversary, the egotistical Giorgio has forgotten about it and instead arrives home with his eccentric friends. After a trip to a séance, Juliet is haunted by images from the spirit world, including obsessions from her past involving religion and her late relatives. With her sisters and mother prying into her life, Juliet seems to be seeking an inner peace amidst all the sexual temptations surrounding her. She meets her neighbor, Suzy (Sandra Milo), a showy pleasure-seeker who lives in a sensual playhouse. It appears that all of Juliet's family, friends, and fantasies demand that she loosen up and embrace sexual freedom, yet she remains chaste and dowdy, lamenting over her unfaithful husband. The reasons for Juliet's repression are not clearly defined by the narrative, despite glimpses into her supposed imagination. Forced to endure the constant bombardment of sexually charged imaginings, the demure Juliet retreats on her own. ~ Andrea LeVasseur, All Movie Guide

Five screenwriters combined to create this two-part comedy, with the result of the gang-written script a predictably uneven feature. Part one concerns two circus performers. The midget is married to the fat lady, but he is having an affair with a diminutive dame. He tries repeatedly to kill his wife, but the large lady refuses to die. Part two has a childless wife who yearns to have a baby turning her husband into an infant. ~ Dan Pavlides, All Movie Guide

In this drama, a single woman approaching 40 grows bored of her affair with a married trucker and writes to a singles column. She ends up paired with an outwardly conservative bookstore clerk. During their date, he drinks and soon turns into a rude, crude, drunken slob. She is mortified until he apologizes. She forgives him and they have sex. In the morning they resume their former lives. Perhaps they will meet again. Perhaps not. ~ Sandra Brennan, All Movie Guide

With Mirror Has Two Faces (Miroir a Deux Faces), French director Andre Cayatte takes a respite from his usual broadsides against the iniquities of the French judicial system. Michele Morgan stars as a plain, middle-aged woman, miserably unhappy with her go-nowhere existence. She submits to plastic surgery, and as the years are cosmetically removed she vows to alter her life. The first major change is in her relationship with her self-involved schoolmaster husband (Bourvil). Where once he'd taken Morgan for granted, the husband now reacts with lunatic jealousy whenever anyone comes near her. ~ Hal Erickson, All Movie Guide

Alberto Sordi plays the title character in the Spanish-Italian Lo Scapolo (The Bachelor). Forever on the verge of marriage, our hero is invariably "rescued" by an inbuilt mental quirk. He is convinced that he is thoroughly satisfied with his bachelorhood, but eventually realizes he's been lying to himself. When he finally succumbs to matrimony, it is with the woman that neither he nor the audience would ever have predicted as the winner. Weaving in and out of the proceedings as a sort of Greek chorus are bandleader Xavier Cugat and his then-wife, sultry vocalist Abbe Lane. ~ Hal Erickson, All Movie Guide

This light comedy finds a troubled attorney the focus of a woman's murder plot. He answers newspaper ads of women seeking companionship only to meet up with a wife who is willing to have her husband murdered for his infidelities. When the attorney poses as a millionaire, he finds more than his share of trouble, as a rush of female suitors play up to him in an attempt to kill him to get their hands on his money. ~ Dan Pavlides, All Movie Guide