Eddie Mills Movies

Kojak moved from its traditonal Sunday-night timeslot to a new Saturday evening berth for this concluding episode of a two-part story. Though suspended from the force, Kojak is determined to track down a serial murderer known as The Clothesline Killer. It's a personal crusade for the troubled detective: Back in 1969, he allegedly shot the Clothesline Killer to death--and now there is every possibility that he gunned down the wrong man. Diane Baker appears in flashback as the detective's former love Irene. ~ Hal Erickson, Rovi

In this frantic black comedy, Harry Fishbine (Allen Garfield) is the proprietor of the F&B Ambulance Service, a low-budget free-lance rescue service which is struggling to keep up with the bigger and better funded competition after a law in Los Angeles decrees that the first ambulance to arrive at the scene of a distress call gets the job. F&B's best driver is Mother (Bill Cosby), a free-wheeling ambulance jockey who likes to drink beer and play dance music while he makes his rounds. Mother's new assistant is Speed (Harvey Keitel), a former cop who left the force after allegations of drug use; Speed is looking for a new career and a chance to prove himself. And Jugs is the accurate-if-sexist nickname for Jennifer (Raquel Welch), the company secretary who wants to get out from behind the desk and prove her skills as a paramedic. As F&B's drivers race through the streets of Hollywood, their adventures veer between the hilarious and the tragic. Mother, Jugs and Speed also features Larry Hagman, Dick Butkus, Bruce Davison, and L.Q. Jones. ~ Mark Deming, Rovi

Outbound from a small town recently besieged by Indians, a stagecoach carries several diverse characters. They include rummy sawbones Josiah Boone (Bing Crosby), dance-hall girl and prostitute Dallas (Ann-Margret), embezzling bank clerk Gatewood (Robert Cummings), pregnant army officer's wife Lucy Mallory (Stefanie Powers), policeman Curly (Van Heflin), and several others. En route, the drunken Doc Boone is forced to sober up and deliver Lucy's baby, and the travelers are joined by Ringo (Alex Cord), an outlaw falsely accused of killing his own father and brother. Despite being arrested by Curly, Ringo helps fight off Indians and falls for Dallas. Once the coach reaches its destination, Luke Plummer (Keenan Wynn) and his two sons, the real killers of Ringo's family, shoot Gatewood for his stolen loot and wound Curly. A showdown between the Plummers and Ringo is inevitable. Famed painter Norman Rockwell, who rendered cast portraits for the film's closing credits sequence, appears in a brief cameo. ~ Karl Williams, Rovi

"Von Clausewitz said that war is the logical extension of diplomacy; Monsieur Verdoux feels that murder is the logical extension of business." With his controversial "comedy of murders" Monsieur Verdoux, Charles Chaplin makes his final, definitive break with the Little Tramp character that had brought him fame and fortune. Verdoux (Chaplin), a mild-mannered family man of pre-war France, has hit upon a novel method of supporting his loved ones. He periodically heads out of town, assumes an alias, marries a foolish, wealthy woman, then murders her for the insurance money. He does this thirteen times with success, but wife #14, brassy Martha Raye, proves impossible to kill (nor does she ever suspect what Verdoux has in mind for her). A subplot develops when Verdoux, planning to test a new poison, chooses streetwalker Marilyn Nash as his guinea pig. She tells him so sad a life story that Verdoux takes pity on her, gives her some money, and sends her on her way. Years later, the widowed and impoverished Verdoux meets Nash once more; now she is the mistress of a munitions magnate. This ironic twist sets the stage for the finale, when Verdoux, finally arrested for his crimes and on trial for his life, gently argues in his own defense that he is an "amateur" by comparison to those profiteers who build weapons for war. "It's all business. One murder makes a villain. Millions, a hero. Numbers sanctify..." Sentenced to death, Verdoux remains calmly philosophical to the end. As the condemned man walks to the guillotine, a priest prays for God to have mercy on Verdoux's soul. "Why not?" replies Verdoux jauntily. "After all, it belongs to him." The original idea of Monsieur Verdoux originated with Orson Welles, who'd wanted to make a picture about notorious modern "Bluebeard" Landru. Welles wanted to cast Chaplin in the lead; Chaplin liked the idea, but preferred to direct himself, as he'd been doing since 1914. It is possible that Chaplin might have gotten away with the audacious notion of presenting a cold-blood murderer as a sympathetic, almost lovable figure. Alas, Monsieur Verdoux was released at a time when Chaplin was under a political cloud for his allegedly Communistic philosophy; too, it came out shortly after a well-publicized paternity suit involving Chaplin and Joan Barry. Picketed in several communities, banned outright in others, Monsieur Verdoux was Chaplin's first financial flop. Today, it can be seen to be years ahead of its time in terms of concept, even though the execution is old-fashioned and occasionally wearisome. Monsieur Verdoux doesn't always hit the bull's-eye, but it remains one of Charles Chaplin's most fascinating projects. ~ Hal Erickson, Rovi

An Iowa drugstore owner (Don Ameche) becomes embittered when his son is killed in World War II. The druggist believes that the boy's life was cut short before he had an opportunity to truly appreciate his existence. The grieving father is shown the error of his assumption by the ghost of his grandfather (Harry Carey), who through flashbacks details the good things about the son's short term on Earth, and the wonderful life that the druggist himself has enjoyed. Frances Dee plays Don Ameche's wife, while Ann Rutherford portrays his son's girl (who in turn is played in a flashback sequence by former Little Rascal Darla Hood). Happy Land was suitable wartime propaganda, though it doesn't play quite as movingly today. ~ Hal Erickson, Rovi

Even non-fans of the East Side Kids will get a goodly share of laughs out of the 1943 series entry Clancy Street Boys. The story commences when Muggs McGinnis (Leo Gorcey) learns that his wealthy Uncle Pete (Noah Beery Sr.) is coming to town for a visit. The problem: Muggs' mom (Martha Wentworth) has claimed that she has seven children so that big-hearted Pete will continue sending much-needed money to her fatherless family. To avoid disillusioning Pete, Muggs' pals are enlisted to pose as his siblings, with Glimpy (Huntz Hall) posing as sister Annabelle (it is explained that Scruno, the black member of Muggs' gang, was "adopted"). Uncle Pete and his pretty daughter Judy (Amelita Ward) are taken in by the ruse until local crook George Mooney (Rick Vallin) spills the beans. But all is forgiven when Muggs, Glimpy and company rescue Pete from kidnappers. Best bit: About to go into a huddle, the East Side Kids turn "en masse" towards the camera, politely tip their hats and say "Excuse us!" ~ Hal Erickson, Rovi