Graham Beckel Movies

Lisa (Lili Taylor) has been missing for two weeks, leaving Nate (Peter Krause) to stew and the rest of the family to slowly lose hope. Despite -- or perhaps because of -- her certainty that her daughter-in-law is dead, Ruth (Frances Conroy) plunges into a new romance with George Sibley (James Cromwell), the handsome mourner who comforted her during a recent funeral (see "Death Works Overtime"). The Fisher matriarch even toys with wedding her new beau until she learns of his six previous marriages and decides to proceed more carefully. David (Michael C. Hall), in contrast, decides the time for caution is over. After impulsively sleeping with his friend Patrick (David Hornsby), he dumps Keith (Mathew St. Patrick) and moves out of their apartment. Nate, too, goes in for some reckless sex; he beds Allison Williman (Anne Dudek), the troubled daughter of a serial killer (Graham Beckel) who recently received the death penalty and was buried by Fisher and Diaz. Afterwards, however, Nate feels just as empty and distraught about Lisa as ever. Not that he's ready for comfort -- at least not from Brenda (Rachel Griffiths), who gets an angry brush-off when she turns up at the house to offer her support. But Claire (Lauren Ambrose), who just happens to witness the end of their argument, does receive some assistance from Brenda, who agrees to accompany her on a trip to an abortion clinic. Originally broadcast May 18, 2003, on HBO, "Twilight" marked season three, episode 12 of the made-for-cable drama. Although her character, Bettina, had been absent from the show since mid-season, actress/director Kathy Bates steps in to helm this episode. ~ Brian J. Dillard, All Movie Guide

Four friends struggle to find themselves in the decade that brought us disco, platform shoes, and those smiley-face buttons in this miniseries, which first aired in April of 2000 on NBC. Byron Shaw (Brad Rowe), his girlfriend Eileen (Vinessa Shaw), and his sister Christie (Amy Smart) are all at Kent State University on May 4, 1970, when National Guardsmen open fire on students protesting the war in Vietnam, leaving four people dead. Byron's high-school buddy Dexter Johnson (Guy Torry) is also there -- but as a Guardsman rather than a student. Dexter quits the Guard in disgust and moves to Watts, where he opens a movie theater and becomes a key figure in the Black Power movement. Byron quits law school and takes a job with Richard Nixon's re-election campaign -- just as the Watergate scandal begins to break, Byron becomes an informant to the Justice Department and is nearly killed by a sniper. Eileen embraces the feminist movement and later seeks a career in the advertising industry, where she discovers that women's rights have not advanced terribly far. And Christie becomes a successful model, but fame and fortune do not bring her happiness as she's lured into a religious cult known as "The Path." The 70's soundtrack is loaded with period-appropriate hits, including classic tunes by Stevie Wonder, Jefferson Starship, Marvin Gaye, and Three Dog Night. ~ Mark Deming, All Movie Guide

When the police don't seem to be giving their all in the investigation of a young woman's disappearance, her sister decides to look into the mystery herself. The more evidence she finds, the more the finger of guilt points towards her brother-in-law. ~ Sandra Brennan, All Movie Guide

When the dim memories of childhood traumas resurface into the consciousness of a young housewife (Valerie Bertinelli), she finds herself sliding into madness. Unable to escape the imagery of her past victimization, she becomes a danger to not only herself, but to those around her. ~ Sandra Brennan, All Movie Guide

Based on the ground-breaking Brown vs. the Board of Education case, the made-for-television Separate But Equal follows a young Thurgood Marshall (Sidney Poitier) as a lawyer who argues the racially-charged lawsuit before the Supreme Court. When the black students of Clarendon County, South Carolina are denied their request for a single schoolbus, a bitter and courages battle for justice and equality begins. The NAACP lawyer's desparate fight for the civil rights that didn't come with the outlaw of slavery nearly a century ago becomes an all-encompassing struggle both in his personal life as well as the courtroom. Marshall's opponent is John W. Davis (Burt Lancaster) and the two argue passionately and eloquently before a Supreme Court led by Chief Justice Earl Warren $Richard Kiley). Separate But Equal is a moving and human dramatization of one of the most pivotal court cases in American history. ~ Tracie Cooper, All Movie Guide

The true story of American turncoat John Walker, Jr. is related blow-by-blow in this made-for-TV movie. Powers Boothe stars as Walker, a Navy petty officer who spends half of his career selling secrets to the Soviets. At first the soul of discretion, the hard-drinking, philandering Walker eventually becomes careless enough in his activities to arouse the suspicions of his in-the-dark wife Barbara (Lesley Ann Warren). With the skill and aplomb of the true sociopath, Walker also manages to convince his own son (Andrew Lowry) to join the "family business." The spy ring is ultimately smashed through the joint efforts of the FBI and Walker's embittered ex-wife. Based on the books Family of Spies by Pete Earley and I Pledge Allegiance by Howard Blum, Family of Spies: The Walker Spy Ring was originally telecast in two parts on February 4 and 6, 1990. ~ Hal Erickson, All Movie Guide

Filmed in quasi-documentary fashion, the made-for-TV The Face of Rage is set in a rehabilitation facility. Here a group of rapists are required to confront their victims face-to-face. The film concentrates on the bitter verbal sparring session between assaulter Richard (Graham Bechel) and assaultee Rebecca (Dianne Weist). Director Donald Wrye co-wrote the screenplay for Face of Rage with Hal Sitowicz, drawing much of the dialogue from real-life transcripts. The film was first aired as an "ABC Theatre" presentation on March 20, 1983, preceded with an all too appropriate "parental guidance" proviso. ~ Hal Erickson, All Movie Guide

The made-for-TV The Class of 63 is set at a ten-year college reunion. Joan Hackett and Cliff Gorman play a married couple who eagerly anticipate meeting old friends at the event. But Gorman's festive spirit dissipates when Hackett's old boy friend James Brolin makes an appearance. In fact, Gorman harbors dreams of eliminating Brolin for keeps. First telecast March 14, 1973, Class of '63 was filmed on location at Princeton University and USC. ~ Hal Erickson, All Movie Guide

A cop's personal code of justice begins to change after a number of incidents lead his city to a tragic wave of violence in this police drama. Eldon Perry (Kurt Russell) is a veteran cop with the LAPD's Special Investigations unit, a man who isn't above bending the law if it means putting people behind bars who deserve the treatment. As Los Angeles waits on the verdict in the Rodney King police beating trial, Perry is presenting testimony to Assistant Chief of Police Arthur Holland (Ving Rhames), who is well aware of the corruption in the SIS unit and wants to stop it. Perry, however, twists some facts as he speaks in the defense of his new partner, Bobby Keough (Scott Speedman), who is being investigated for inappropriate use of deadly force. For lack of honest testimony, Keough is let off the hook, and soon he and Perry have a new case to investigate -- a robbery at a liquor store than turned into a quadruple homicide. Perry and Keough quickly track down two likely suspects, Orchard (Kurupt) and Sidwell (Dash Mihok), but Perry is surprised when the head of SIS, Van Meter (Brendan Gleeson), tells him to let Orchard and Sidwell go, and instead points the finger at two ex-cons who should be taken off the street, even though they're innocent of this crime. Perry follows Van Meter's orders, despite Keough's misgivings, but in the wake of the L.A. riots, Perry has a change of heart, and decides to start working with Holland against Van Meter's corrupt methods. In the midst of it all, Perry is trying to hold together his troubled marriage to Sally (Lolita Davidovich), while Keough finds himself romancing a fellow officer, Beth (Michael Michele). Dark Blue was adapted from an original screenplay by noted crime novelist James Ellroy; originally set against the backdrop of the 1965 Watts riots, the story was later updated to 1992. ~ Mark Deming, All Movie Guide

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy-drama about a U.S. senator who decides to start speaking the truth. Despondent California Sen. Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a $10 million insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager Murphy (Oliver Platt) by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hiphop culture. Still reeling from insights gained by this nightlife, he arrives the next day for a fund-raising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the Civil Rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes into forgotten memories of the '60s. Outfitted in homeboy clothing, the born again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. Language and drug use brought this film an R rating. ~ Bhob Stewart, All Movie Guide