Robert Porter Movies

1975  
R  
Four high school girls learn some unpleasant lessons at the hands of a psychotic thug in this exploitation drama. Jay (Robert Gribbin) is a nice guy who likes motorcycles that, while on a road trip, comes to the aid of fellow rider Pete (Robert Porter) and his brother Al (Zalman King). Pete has a flat tire and after Jay helps him fix it, he rides off with the brothers to enjoy the desert scenery. The bikers spot another kind of scenery when they pull up beside a school bus with a handful of pretty teenage girls inside. Pam (Susan Russell), Julie (Cathy Worthington), Tina (Jill Voight) and Bobbie (Dina Ousley) have been sent on a private field trip to explore Native American ruins with their teacher Miss Tenney (Brenda Fogarty), and when bus driver Marvin (Jack Driscoll) stops for gas, Jay takes the opportunity to stop and flirt with the girls. Al, however, has a violent streak and has more dangerous games in mind after killing a gas jockey who insulted him. When Jay, Al and Pete discover the bus is stranded in the desert due to a broken fuel pump, they offer to give them a tow into town. But Al instead guides them to an abandoned shack where he proceeds to torture the girls and make his kinky sexual desires known to Miss Tenney. Trip With The Teacher features an impressively sleazy performance from Zalman King as Al, years before he became known as a writer and director of erotic dramas such as Nine 1/2 Weeks, Wild Orchid and Red Shoe Diaries. ~ Mark Deming, All Movie Guide

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1974  
 
A teacher and several students are kidnapped by a group of bikers, only to be held hostage. ~ John Bush, All Movie Guide

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1974  
R  
The setting is Atoka County, Alabama -- the time is somewhere after the peak of the civil rights movement, after cities such as Birmingham, Alabama were out of the headlines. The movement is coming to the sticks, including Atoka County, and a lot of the white residents don't like it and are prepared to commit felonious assault, rape, or murder to get their point across. In the middle of this powder keg are two men on either side of a very dangerous line -- County Sheriff "Big Track" Bascomb (Lee Marvin) and Mayor Hardy (David Huddleston). Each man is playing both ends against the middle in the impending race war -- Bascomb wants to keep the peace as best he can, blocking the local klavern of the Ku Klux Klan from their worst excesses and making sure that the Klan's business and the county's business remain separate; Hardy, who also owns the lumber company that employs most of the county and the bank on which most of the residents depend, wants a good environment for business, which includes keeping enough poor blacks around to do the most menial work for the miserable pay he's willing to fork over; this, in turn, requires that they be too scared to ask for too much, including better treatment, but not so scared that they leave the county altogether, which would wipe out his business. Between them is Breck Stancill (Richard Burton), an eighth-generation resident with lots of land but little money and even fewer friends; a wounded war veteran and loner, he still resents the lynching of his grandfather and no longer respects what the white south purports to stand for -- he's even allowed dispossessed blacks to live for free on his property, angering the poor whites around him even more. Bascomb would like Stancill to be a little less high profile, while Hardy would like him to sell out and disappear, and wouldn't mind it if the local Klan helped that process along by trying to kill him. Bascomb's balancing act fails because of two events -- Nancy Poteet (Linda Evans) is raped one night, apparently by a black man, which precipitates the murder of a black teenager and her being violently ostracized by the white community; and a civil rights rally is planned for the town, bringing in lots of "outside agitators" and getting the local klavern eager to act against them. The prime mover in all of this is Big Track's deputy, Butt Cut Bates (Cameron Mitchell), a hardcore klansman who won't be reined in by Hardy and who is not above raping a black woman prisoner (Lola Falana) that he's arrested illegally, or trying to kill Stancill; directly opposed to him is Garth (O.J. Simpson), a young black man who witnessed a Klan murder and, in response, gets a rifle and starts meting out justice on his own. Before it's over, a major part of the county is at war and the bodies are falling everywhere. ~ Bruce Eder, All Movie Guide

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Starring:
Lee MarvinRichard Burton, (more)
1973  
 
Two of Rampart's paramedics have crosses to bear in this episode. Roy (Kevin Tighe) wrestles with the prospect of amputating an accident victim's leg at the man's own request, while John (Randolph Mantooth) sweats out an audit from the IRS. Elsewhere, the staff is confronted with another case of wildly contradictory medical symptoms; a baby is trapped in a locked car; and a pregant woman may suffer heart failure if she delivers. Ray Ballard steals the show as a con artist who specializes in bilking medical insurance companies. This is the final episode of Emergency's second season. ~ Hal Erickson, All Movie Guide

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1971  
PG  
Pursued by police and rival gangs, a motorcycle gang, headed by Waco (Robert Porter) takes refuge in a convent located in a remote region of the Arizona desert. They smuggle heroin in their motorcycles. They capture one policeman (Billy "Green" Bush) who was following them, taunt him and let him go. This treatment inspires a brutal relentlessness on the cop's part, which serves them poorly. When they are forced to leave the convent, they take a novice nun (Elizbeth "Tippy" Walker) with them as a hostage. By the end of the film, she has fallen in love with Waco, and chooses secular life over monastic life. This film features numerous picturesque sequences of desert motorcycle riding. ~ Clarke Fountain, All Movie Guide

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