Sherry Miller Movies

Two kids with nothing in common are brought together in a very unexpected way in this comedy. Nell (Samaire Armstrong) is a pretty but hopelessly geeky teenage girl who loves Shakespeare and wants little more than to study literature at Yale when she graduates from high school in a few months Woody (Kevin Zegers), who lives next door, is the quarterback on the school's football team, and seems like a sure bet to land a lucrative football scholarship despite the fact he isn't especially bright. Nell and Woody are not at all friendly and normally have nothing to say to one another, but one day during a class field trip to a historical museum, the two fall under the spell of an Incan icon and when they awake the next morning, Woody's mind is in Nell's body, and vice versa. Neither is comfortable with their sudden gender switch or having to assume the other's personalities, but they quickly realize that until they can find a way to reverse the spell, they have to work together if Nell is to go to Yale and Woody is to get his scholarship and move away from this loutish parents (Sharon Osborne and Maury Chaykin. Elton John was an executive producer on It's A Boy Girl Thing, and songs from his back catalog appear on the soundtrack. ~ Mark Deming, Rovi

Originally telecast over Canada's CTV network on January 29, 2002, A Killing Spring was a one-shot attempt to revive the popular Joanne Kilbourn Mysteries series (aka Criminal Instincts), starring Wendy Crewson as the ex-police-detective-turned-university-lecturer created by Gail Bowen. Missing from this feature-length whodunit is Joanne Kilbourn's longtime co-star Victor Garber, though Shane Doyle fills in admirably as the "official" representative of the law. In this one, Joanne Kilbourn returns to Lanholm College, where she had once been a professor, when the Dean of Journalism is found dead, evidently the result of autoerotic suffocation during "rough sex." Although she risks losing an important internship, Joanne insists upon investigating the death, and in the process unearths a hotbed of moral depravity and academic backstabbing. Throughout, there is one person who is willing to commit murder rather than allow Joanne to expose his innumerable peccadillos -- and the result, inevitably, is two additional corpses. In the United States, A Killing Spring was picked up by the Lifetime cable channel. ~ Hal Erickson, Rovi

This haunted house chiller is the second feature from Dark Castle Entertainment, the mid-budget outfit put together in 1999 to remake the cheesy horror genre pictures of William Castle by his daughter, Terry Castle, and producers Gilbert Adler, Robert Zemeckis, and Joel Silver. Financially ravaged and widowed by a fire that is consuming him with guilt, Arthur Kriticos (Tony Shalhoub) is left to raise two kids on his own: beautiful teenager Kathy (Shannon Elizabeth) and grade school student Bobby (Alec Roberts). Good news suddenly drops into their lives when a lawyer visits and reveals that they have inherited a lavish home from a late uncle, Cyrus (F. Murray Abraham), an eccentric ghost hunter. The Kriticos family moves into the remote house only to discover its odd secret: the dwelling contains a state-of-the-art, elaborate system of moving glass walls that trap spirits inside. Soon the ghosts, which can only be seen through the use of special high-tech spectacles, are loose in the elaborate contraption and are none too thrilled about their predicament. With the exits sealed, the family members try to learn the secret of Uncle Cyrus' bizarre mansion and survive supernatural assaults with the help of sassy housekeeper Maggie (Rah Digga), neurotic psychic Rafkin (Matthew Lillard), and Kalina (Embeth Davidtz), an activist championing the civil rights of ghosts. The eyeglasses through which the spirits can be viewed in Thirteen Ghosts (2001) were part of a ballyhoo gimmick involving pairs of spectacles handed out to audiences for screenings of the 1960 original, which was presented in "Illusion-O." ~ Karl Williams, Rovi

The romantic misadventures of a handful of gay and lesbian friends living in a working-class section of Pittsburgh set the stage for this made-for-cable series, based on a popular (and controversial) British television serial. Brian (Gale Harold) is a professionally driven advertising executive whose take-charge attitude extends to his love life; he's looking for a good time and has little use for commitment. One of Brian's few close friends is Lindsay (Thea Gill), a photographer and art instructor he met in college; Lindsay and her longtime lover Melanie (Michelle Clunie), a lawyer, recently had a child using sperm donated by Brian. One of Brian's biggest admirers is Michael (Hal Sparks), a comic-book artist and bookstore manager who has known Brian since high school; Michael, however, has just entered into a relationship with David (Chris Potter), a sensible older doctor who has only been out of the closet for a few years (after divorcing his wife) and is looking for a stable, long-term relationship. Justin (Randy Harrison) is a 17-year-old high-school student who was picked up by Brian at a club; Justin is convinced he's in love, though Brian hardly feels the same way. Rounding out Brian's circle of acquaintances are Ted (Scott Lowell), a shy accountant who has had bad luck with relationships and spends too much time looking for lust on the Internet, and Emmet (Peter Paige), a flamboyant club maven and owner of a cutting-edge boutique. Queer As Folk kicked off with a two-hour movie on December 3, 2000, and subsequently aired as a series of one-hour episodes; the show's appearance on the premium cable network Showtime allowed the producers to approach the material in a much bolder fashion than any conventional network would allow. As a result, the series is recommended for adults only. ~ Mark Deming, Rovi

Fed up with her dissatisfying marriage, a woman joins a support group dedicated to the purpose of helping wives kill their husbands. ~ Rebecca Flint Marx, Rovi

Nikita (Peta Wilson) poses as the long-lost daughter of Helen Wicke (Alberta Watson), a sociopath who runs a vicious arms-dealing operation with her husband, John (Wayne Best). It's all part of a scheme hatched by Operations (Eugene Robert Glazer) to retrieve a stolen nuclear trigger. Not surprisingly, the plan has its flaws, and before long both Helen and Nikita are eminently expendable. ~ Hal Erickson, Rovi

Jean Townsend (Ann Jillian) is happily married to the dull but dependable Roger (Garrett M. Brown), who does not object to her evenings out to attend various classic-film festivals. On one of these occasions, Jean befriends Tom Doster (Lee Horsley), a fellow film enthusiast likewise mired in a comfortable, conformist marriage. Over the next several weeks, Jean begins socializing with Tom, and it isn't long before the couple is toying with notion of an extramarital affair. But how far will things go--or, to be more specific, how far are Jean and Tom willing to go beyond their own deeply ingrained middle-class values? Essentially a Brief Encounter for the 1990s, the made-for-TV The Care and Handling of Roses was first broadcast by CBS on October 8, 1996. ~ Hal Erickson, Rovi

In a near-future world in which the fast-paced digital lifestyle has given rise to a worldwide plague called Nerve Attenuation Syndrome, Johnny (Keanu Reeves), a data courier, accepts an assignment that he hopes will allow him to pay for the restoration of the childhood memories he dumped in order to outfit his brain with the microchip necessary for him to carry out his profession. Narrowly escaping a Yakuza ambush in which his employers are killed and the mnemonic trigger capable of unlocking the data in his brain is partially destroyed, Johnny travels from Beijing to New Jersey, where he hopes to recover the data before "neural seepage" destroys his mind. Teaming up with would-be bodyguard Jane (Dina Meyer) and a rebel group known as the LoTeks who live in an abandoned bridge, he tries to outrun the assassins of mysterious businessman Takahashi (Beat Takeshi Kitano) -- and the Street Preacher (Dolph Lundgren), a bionic madman. Along the way, he meets a mysterious electronic entity, a sentient dolphin, and Spider (Henry Rollins), a cybernetics expert, all of whom attempt, with various degrees of success, to learn why the data in Johnny's head is so important. Science fiction author William Gibson's original short story Johnny Mnemonic helped usher in the age of cyberpunk when it appeared in Omni magazine in 1981; it later appeared in the collection Burning Chrome (alongside the story that provided the basis for Abel Ferrara's New Rose Hotel). Although Gibson himself wrote the screenplay for Johnny Mnemonic, the film diverges considerably from the story. Molly Mirrors, a recurring character in Gibson's fiction, was replaced by the figure of Jane to fend off licensing conflicts with any future film version of Neuromancer, the author's most celebrated novel. Other plot elements -- most notably the LoTeks' bridge habitat -- were borrowed from later Gibson fiction such as the novel Virtual Light. ~ Brian J. Dillard, Rovi

Due South regular Daniel Kash exits the series in spectacular fashion when his character, Chicago detective Louis Gardino, is killed by a bomb intended for Ray (David Marciano). His grief exacerbated by a thirst for vengeance, Ray goes after the man whom he thinks is responsible for Gardino's death: Mafia boss Frank Zuko (Jim Bracchita), who grew up in Ray's neighborhood. Complicating matters is the growing romantic relationship between Ray and Zuko's sister Irene (Carrie-Ann Moss)--a relationship that leads inexorably to another tragedy. First broadcast on Canadian television, this episode made its US debut on February 2, 1996. ~ Hal Erickson, Rovi

An unhappily married husband takes off to Mexico in hopes of finding a fulfilling romantic interlude, and scores nothing but zeros. Meanwhile, the wife and kids, who have been left at home, decide to go on their planned ski vacation anyway. Up on the slopes, the mom tries to resist the continual advances of her good-looking ski instructor, but it's just a matter of time before the inevitable romance erupts, and the stranded mom learns she can have fun, too. ~ Rovi