Marvin Miller Movies

In this black comedy, a wealthy but flaky family tries to deal with their lives after their bizarre father suffers a fatal heart-attack on Thanksgiving and falls face first into the turkey. Now the family must somehow get their act together enough to pay bills and make funeral arrangements. ~ Sandra Brennan, Rovi

Nine Las Vegas showgirls are chosen to go fight terrorists in the Middle East (by distracting them?) in this under-par action drama with some nudity and sexual encounters. The son of a diplomat has been kidnapped by Arabs -- as usual cast in the role of villains -- who want to get their hands on the secrets for constructing a special nuclear weapon. It is the mission of the showgirls, should they accept it, to rescue the hostage, get a tan, and jump into that large shared bathtub as often as they can. ~ Eleanor Mannikka, Rovi

Faye Dunaway portrays the Argentinian title character in this four-hour TV biopic. The story traces Evita's rise to power from humble origins; she establishes herself as a radio and film actress, then meets and marries powerful politico Juan Peron (played by James Farentino, a last minute replacement for Robert Mitchum). Peron's iron-fisted rule of Argentina allows Evita to become a political power in her own right. At first she is widely beloved as a "woman of the people", but gradually many of her followers are disillusioned by her use -- and misuse -- of her authority and her influence over Peron. After Evita dies, she is all but canonized by the Faithful, and it becomes more difficult than ever to separate fact from legend. Evita Peron was clearly produced to capitalize on the Broadway musical hit Evita, though the script takes great pains not to copy its theatrical inspiration. ~ Hal Erickson, Rovi

In this crime drama, two dogged FBI agents are on the case to investigate one of the U.S.'s most infamous bank robberies. ~ Sandra Brennan, Rovi

In this comedy drama that spoofs detective pictures from the 1940s, Tucker (Michael Caine) is a private eye hired by Anglich (Michael Constantine), a wealthy man who is trying to find the whereabouts of his long lost daughter. Tucker's sleuthing leads him to Ellen (Natalie Wood) and Mianne (Kitty Winn), two members of the decidedly unusual Prendergast Family. So far as Tucker can tell, either Ellen or Mianne is Anglich's missing child, but he's not quite sure which. The supporting cast includes Timothy Carey, Thayer David, Liam Dunn, and Liz Renay; Humphrey Bogart impersonator Jerry Lacy appears in the opening credits. ~ Mark Deming, Rovi

The fourth Saturday morning TV series produced by puppeteers Sid and Marty Krofft, Land of the Lost was far more serious in tone than their earlier efforts (H.R. Pufnstuf, The Bugaloos, and Lidsville), and far more ambitious. While embarked upon an expedition of the Colorado River, camp ranger/explorer Rick Marshall (Spencer Milligan) and his children Will (Wesley Eure) and Holly (Kathleen Coleman) plunge over a waterfall and into a time vortex. They emerge in a faraway planet called Altrusia, a primitive land that had somehow become a gathering place for beings of various other time periods. The Marshalls were now surrounded by a frightening array of Paleozoic dinosaurs, a Cenozoic-era family of monkey-like humans called the Paku, and the fearsome, seven-foot-tall Sleestak, who resembled a cross between beast and insect. Also residing in Altrusia was Enik (Walter Edmiston), a superintelligent being who at first glance appeared to have come from the future, but was actually an antecedent of the Sleestak, who had devolved from a once highly advanced civilization. The resourceful Marshalls managed to carve out a new home for themselves in this land of the lost, and to befriend the Paku, who spoke in a bizarre language called Pakuni (developed for the series by Dr. Victoria Fromkin, head of the UCLA Department of Linguistics).

Though somewhat crude-looking by 21st century standards, the special effects on Land of the Lost, combining back projection, stop-motion animation, and puppetry, was quite impressive in its time, and is still nothing to be ashamed of when seen today. Also, during the first two seasons, the scriptwork maintained a lofty Star Trek-like level, thanks to the input of such eminent sci-fi/fantasy writers as David Gerrold, Larry Niven, Ben Bova, D.C. Fontana, and Theodore Sturgeon. Debuting September 7, 1974, Land of the Lost soon emerged as NBC's most successful and popular live-action Saturday morning series. This may explain why it was the Kroffts' longest-running children's TV program, ultimately lasting three seasons and 43 half-hour episodes.

That said, it must be admitted that the series' first two episodes were more impressive than its third year on the air. For season three, several changes were imposed, not least of which was the removal of Spencer Milligan as Rick Marshall. It was explained that, during an earthquake that destroyed the Marshalls' mountain living quarters, Rick was sucked through another time portal and vanished, never to return. By an astonishing coincidence, another member of the Marshall family, Will and Holly's Uncle Jack (Ron Harper), had fallen into still another time portal while searching for his lost family members and was deposited in Altrusia! While this incredible set of circumstance was hard enough to swallow, even more problematic was the fact that the Marshalls were suddenly being visited by a wide variety of misplaced persons and creatures who came and went through additional portals with the greatest of ease -- even though the Marshalls themselves were never able to find a means of escape! Thus, whereas the first two seasons of Land of the Lost was very Star Trek-ish in its approach, season three took on the juvenile trappings of Lost in Space. After finishing its NBC run on September 4, 1978, Land of the Lost entered the realm of rerun syndication. The original episodes were rebroadcast by CBS in 1985 and 1987; in 1991, a brand-new version of Land of the Lost, with a completely different cast, began a two-year run on ABC. ~ Hal Erickson, Rovi

Lending his burlesque touch to 1970s genre revision, Mel Brooks followed his hit "western" Blazing Saddles with this parody of 1930s Universal horror movies. Determined to live down his family's reputation, Dr. Frederick Frankenstein (co-screenwriter Gene Wilder) insists on pronouncing his name "Fronckensteen" and denies interest in replicating his grandfather's experiments. But when he is lured by Frau Blucher (Cloris Leachman) to discover the tantalizingly titled journal "How I Did It" in his grandfather's castle, he cannot resist. With the help of voluptuous Inga (Teri Garr), wall-eyed assistant Igor (Marty Feldman), and a purloined brain, Frankenstein creates his monster (Peter Boyle). Igor, however, stole the wrong brain, and the monster tears off into the countryside, encountering a little girl and a blind hermit (Gene Hackman). Frankenstein finds the monster and trains him to do a little "Puttin' On the Ritz" soft-shoe, but the monster escapes again, this time seducing Frankenstein's uptight fiancée Elizabeth (Madeline Kahn) with his, ahem, sweet mystery. His love life and experiment in shambles, Frankenstein finally finds a way to create the being he had planned. Shooting in gleaming black-and-white, with sets and props from the 1930s and appropriate fright music by John Morris, Brooks' cheeky attitude towards the Hollywood past attracted a large audience, turning it into one of the most popular 1974 releases after (what else?) Blazing Saddles. ~ Lucia Bozzola, Rovi

A French/Czech co-production, the dream-like La Planete Sauvage concerns the degradation of the Oms, human-like creatures on the futuristic planet Yagam. The Oms are kept as pets and beasts of burden by the Draggs, 39-foot beings who comprise Yagam's ruling class. The status quo is upset when Terr, one of the Oms, accidentally receives an education, whereupon he organizes the other Oms to demand equality with the Draggs. Based on Stefen Wul's novel Ems En Serie, Fantastic Planet was the winner of a 1973 Cannes Film Festival grand prize. ~ Hal Erickson, Rovi

In a reversal of the situation in the sixth-season episode "Encore," in which a gangster was persuaded that he had gone back in time from 1971 to 1937, the IMF must jump forward some 27 years in the seventh-season Mission:Impossible entry "Two Thousand." Vic Morrow guest-stars as master thief Joseph Collins, who has stolen 50 kg of plutonium. To find out where Collins has stashed the deadly material, the IMF contrives to convince Collins that he has been in hibernation until the year 2000 --- and that a nuclear holocaust has tranformed the US into a police state. Most of this episode was filmed on location in the ruins of a hospital leveled by the California earthquake of February 1971. Written by Harold Livingston, "Two Thousand" first aired on September 23, 1972. ~ Hal Erickson, Rovi

Steve Franken, best known to baby-boomers as the snotty Chatsworth Osborne Jr. on the old Dobie Gillis TV series, is here cast in a straight role as "The Ferret", a pro-environmental terrorist. Targetting manufacturers whom he regards as shameless polluters, the Ferret specializes in giving these "offenders" a taste of their own medicine, usually in a messy or violent fashion. It is up to Officers Reed (Kent McCord) and Malloy (Martin Milner) to locate and stop the Ferret before he ends up killing somebody. ~ Hal Erickson, Rovi

Though the title smacks of World War II, Is This Trip Really Necessary is actually a 1971-vintage drug flick. The "trip" of the title is induced by LSD, consumed by a couple of nubile film actresses at the behest of realism-obsessed director John Carradine. Hero Peter Duryea attempts to rescue the girls, but both are doomed to horrible deaths in a lovingly detailed torture-chamber set. Eighteen-year-old Carol Kane (here billed as Carole) was evidently offered no acting advice whatsoever by her veteran co-stars Carradine, Duryea, and Marvin Miller. This film was also inflicted on the public as Trip to Terror and Blood of the Iron Maiden. ~ Hal Erickson, Rovi

The Saturnians are a race of extraterrestrials (from guess where?) who look and act like demons. Anticipating global warming by several decades, the Saturninans intend to melt the Arctic Circle in order to flood the earth so they can take over everything. Though Aquaman and Aqualad mete out a lot of painful punishiment to Saturnians, it's Aqualad's walrus pal Tusky who infiltrates the enemy's submarine in order to save the world from "the big meltdown". ~ Hal Erickson, Rovi