Hugh Miller Movies

Blind Alleys is basic comic material paced like a melodrama by Paramount's workhorse director Frank Tuttle. Thomas Meighan stars as a Merchant Marine captain who returns to New York with his new South American bride Gretta Nissen (a Swede playing a South American-well, it was a silent film). No sooner do they hit dry land than Meighan and his missus are separated during a traffic accident. Meighan spends the rest of the picture combing Manhattan in search of his wife, taking time out for a near-dalliance with Evelyn Brent. Blind Alleys was based on a play by Owen Davis Sr. ~ Hal Erickson, All Movie Guide

Three adventurous young men find themselves duped by a double dealer in this thriller. The story begins after the young lads have convinced a wealthy man into providing financial backing for their African treasure-hunting expedition. While they are away, he immediately entraps one of the fiancees of the young men by encouraging her to run up an enormous gambling debt. In order to save her father, who has also been tricked by the con man, the girl becomes the wealthy lecher's mistress. The young men return. Their journey has been successful and they are quite wealthy. When they learn that the backer will not follow through on his promises, and has sullied the young woman, they decide that he must be killed. They decide which one will do the deed by drawing cards. He is killed, and the murderer is revealed--but as the coroner decided it was a suicide, the killer is not convicted. ~ Sandra Brennan, All Movie Guide

Stowaway Doyle develops a friendship with Capt. Mollison who is running guns to the Arabs. They both fall for the same woman, Arab Desni, who spurns both men leading them to form a successful partnership. ~ All Movie Guide

The French revolutionary Robespierre vows to get revenge on the Scarlet Pimpernel who has been helping the aristocracy escape from the dreaded guillotine in this sequel to 1934's The Scarlet Pimpernel. To do so Robespierre kidnaps the Pimpernel's wife and takes her to France. Unfortunately, he is not clever enough for the roguish hero and he soon frees her. Together they return to England. ~ Sandra Brennan, All Movie Guide

In this drama, "The Rat" is the moniker for a notorious jewel thief whose life suddenly changes when a friend facing life imprisonment asks him to take care of his daughter. She does a good job of helping in the thief's home, but then a woman falls for him and throws her own boy friend out. The jilted lover decides to get revenge, goes to the Rat's home, and attempts to kidnap the young girl, who fights back so hard she kills him. The kindly thief then takes the rap for the murder, but at the last moment in court, the other woman appears and provides him with a real alibi causing the girl to go to prison. Fortunately, in lieu of the circumstances, she is given a light sentence. ~ Sandra Brennan, All Movie Guide

After making his first appearance as the title character in Paramount's "Bulldog Drummond" series, John Lodge was rushed to England to star in the quota quickie Bulldog Drummond at Bay. Though lacking the polish of Hollywood's Drummond pictures, this one is closer to the original concept of series creator H. C. Neile (aka "Sapper") than any other film. The plot is motivated by the nefarious activities of a gang of munitions smugglers, disguised as a pacifist organization. The leader of the gang is Gregoroff (Victor Jory), justifiably nicknamed "The Mystery Man of Europe." Gregoroff masterminds the kidnapping of the inventor of a revolutionary new robot airplane. Adopting strong-arm tactics that border on the fascistic, soldier-of-fortune Bulldog Drummond (Lodge) tackles the villains, while Scotland Yard remains in the background, presumably twiddling its collective thumbs. ~ Hal Erickson, All Movie Guide

The Loves of Mme. DuBarry was the American title of the 1935 British operetta I Give My Heart, based on the stage musical The DuBarry. German actress Gitta Alpar stars as Jeanne, the young 18th century Parisian milliner who sleeps her way to the uppermost rungs of French aristocracy, emerging at last as the glamorous Madame DuBarry, mistress of Louis XV (Owen Nares). Refusing to gloss over DuBarry's sexual peccadilloes (as previous films with Norma Talmadge and Dolores del Rio had done), the film presents the "heroine" as a whore, pure and simple-or, on second thought, not so pure and simple! Particularly troublesome for American censors was a scene in which DuBarry is depicted as a resident of a bawdy house. Otherwise, The Loves of Madame DuBarry is standard historical-drama fare, allowing dozens of top European actors to play "dress-up" for 90 minutes. ~ Hal Erickson, All Movie Guide

There's dirty work backstage in the British melodrama My Sister and I. Sally Ann Howes plays Robina Adams, an aspiring actress who lands a job at the provincial repertory company managed by Miss Havisham-like Mrs. Camelot (Martita Hunt). Still carrying a torch for her late husband, Mrs. Camelot makes everyone's life miserable until she is found dead of gas poisoning. The solution to the murder is hinted at in the film's title, which is all that can be revealed for now. A subplot concerns the romantic tug-of-war between Robina and her two would-be swains, actor Graham Forbes (Dermot Walsh) and lawyer Roger Crisp (Patrick Holt). ies. ~ Hal Erickson, All Movie Guide

His career as a western star having recently come to an end in the US, Wayne Morris is the star of the British The Dynamiters. Morris plays an American insurance investigator, trying to get the goods on an elusive gang of London thieves. The crooks invariably wipe out all evidence by dynamiting the places they've plundered. While snooping around, Morris takes a break in a nightclub, where a musical number called "Soho Mambo" is thrust upon us. One nice side effect of The Dynamiters was that, by working in London, Wayne Morris was available to co-star in Stanley Kubrick's prestigious antiwar drama Paths of Glory. ~ Hal Erickson, All Movie Guide