Julian Beck Movies
- 1986
- PG13
One of the more effectively spooky and financially successful horror films of the '80s got an inevitable sequel with this effects-heavy installment. The Freeling family is trying to grapple with the devastation wrought by the ghosts and ghouls that destroyed their lives. The insurance company doesn't believe their story about what happened to their house, so Steve (Craig T. Nelson), Diane (JoBeth Williams), and their kids, Carol Anne (Heather O'Rourke) and Robbie (Oliver Robins), have been reduced to living in the home of Diane's mother, Jess (Geraldine Fitzgerald). Unfortunately for the Freelings, however, their new residence, just like their last, is situated on a haunted patch of unholy ground. A century before, the mad cult leader Kane (Julian Beck) slaughtered his followers nearby, and his evil spirit has returned in an effort to kidnap Carol Anne. When the Freelings realize what's happening, they call upon the psychic medium Tangina Barrons (Zelda Rubinstein) to help them again, and they also receive aid from a kindly Native American spiritualist, Taylor (Will Sampson). Noticeably absent from the sequel was older daughter Dana, who had been played by actress Dominique Dunne; Dunne was killed in 1982 by her obsessed boyfriend. ~ Karl Williams, All Movie Guide
- Starring:
- JoBeth Williams, Craig T. Nelson, (more)
Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Richard Gere, Gregory Hines, (more)
- 1983
Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement. There were occasional self-imposed exiles to Europe in the 1950s and 1960s, but the group returned full-force during the Aquarius Age to entertain a new generation of theatregoers. Appearing in several of the Living Theatre sketches featured herein is Maxine Harris, who coproduced Signals Through the Flames with Sheldon Rochlin. For more on this remarkable theatrical organization, we refer you to the 1968 taped production Emergency. ~ Hal Erickson, All Movie Guide
- 1968
The husband-and-wife acting team of Julian Beck and Judith Malina heads the cast of the "theatre on film" presentation Emergency. The film consists of three short playlets conceived and performed by the Living Theatre Group, created by Beck and Malina in 1947. The best description of what follows is "performance art", even though that particular phrase was not in common usage in 1968. The trio of avant-garde plays consists of "Frankenstein", "Paradise Now" and "Mysteries." Emergency represented the Living Theatre's return to the US after a self-imposed, four-year exile in Europe. ~ Hal Erickson, All Movie Guide
- 1968
A group of expatriates living in Holland turn to sex, dope and music to augment their daily routines. One comes to resent a couple who becomes part of the exclusive social elite. An American actor muses over his draft notice, and he becomes jealous when a beautiful model he covets takes up with a radical writer. Members of The Living Theatre provide the acting in this independent production. ~ Dan Pavlides, All Movie Guide
This updated version of the Greek tragedy from Sophocles bears some slight resemblance to the original mythology. Edipo (Franco Citti) is abandoned by his father after the father receives an oracle telling him he will die at the hands of his own son. Raised by a childless couple, Edipo goes through a series of adventures before he marries his own mother. When they discover they are mother and son, Edipo blinds himself and his mother commits suicide. It's enough to give the audience a complex. ~ Dan Pavlides, All Movie Guide
- Starring:
- Silvana Mangano, Franco Citti, (more)
