Frank Miller Movies
Ricochet, a suspenseful, exciting police thriller that loses its way at the end, is the story of a good cop whose life is destroyed by an obsessed psychotic criminal whom he sent to prison years before. Nick (Denzel Washington) is a successful happily married police officer with a distinguished record. He is drugged, kidnapped and framed by Blake (John Lithgow) who has never forgiven him for arresting him years before. Nick must redeem himself both to the police force, his family and the public who had come to love and respect him. Denzel Washington is excellent in his role of the good man in an impossible situation. John Lithgow, while always interesting, is completely over-the-top as the psychotic criminal, and the film looses plausibility during an extended and highly improbable and unbelievable final chase sequence around the Watts Towers. Despite these flaws, Ricochet is an exiting suspense film with a fine performance by Washington and worth watching despite its disappointing conclusion. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Denzel Washington, John Lithgow, (more)
- 1988
- R
After late-night carousing on too many weekends and having her parents impose a curfew upon her, a teen-age girl (Kyle Richards) speeds home to keep from winding up in hot water again but finds when she gets home that two escaped convicts (Wendell Wellman, John Putch) have taken her family hostage. ~ John Bush, All Movie Guide
- Starring:
- Kyle Richards, Wendell Wellman, (more)
Director Joe Dante infuses this science fiction comedy with the visual razzle-dazzle and manic, goofball performances typical of his cartoon-inspired sensibilities. Navy test pilot Lt. Tuck Pendleton (Dennis Quaid) has volunteered for a highly dangerous medical experiment. A submersible craft, with Tuck at the controls, is to be shrunk down to molecular size and inserted into the body of a living rabbit. If successful, the test could result in radical breakthroughs in surgical techniques, but some high-tech thieves attempt to steal Tuck and his ship while both are in miniature form. Enter Jack Putter (Martin Short), a mild-mannered, hypochondriac retail store clerk, a nerd who suddenly finds himself injected with Tuck and his tiny ship. Now poor Jack's got to rise above his mundane existence to help an American hero get back to safety, while also trying to reunite Tuck with his beautiful estranged girlfriend Lydia (Meg Ryan). Innerspace (1987) won an Academy Award for Best Visual Effects. ~ Karl Williams, All Movie Guide
- Starring:
- Dennis Quaid, Martin Short, (more)
- 1982
- PG
Gary Coleman stars as the title character, the bratty son of wealthy parents, who is kidnapped by a pair of bumbling crooks. The experience winds up teaching the pampered boy the realities of childhood. ~ Jason Ankeny, All Movie Guide
- Starring:
- Gary Coleman, Paul Le Mat, (more)
Based on the novel by Ursula K. LeGuin, The Lathe of Heaven is a special-effects lover's smorgasbord. Set in futuristic Portland, Oregon, the film stars Bruce Davidson as a man prone to fantastic dreams. When these dreams start coming true, only Davidson at first is aware of it: "my dreams changed everything that came before them-and nobody knows it but me!" Well, that's not entirely true. Davidson's psychiatrist Kevin Conway proves beyond doubt that Davidson's dreams are coming true. Unfortunately, Conway is of an avaricious nature, and he fully intends to harness Davidson's subconscious for his own gain-all the while convincing himself that he's doing it for the good of Mankind. Advertised as PBS' "first major" made-for-TV movie, The Lathe of Heaven premiered January 9, 1980. ~ Hal Erickson, All Movie Guide
A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.
Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.
With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, All Movie Guide
Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.
With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Keir Dullea, Gary Lockwood, (more)
