Ann Miller Movies

The comedienne who shot to stardom as "the world's worst housewife" offers an intimate look at her life and career on the eve of her farewell stand-up performance. Phyllis Diller has been keeping her fans in stitches for nearly half-a-century. A gleefully self-depreciating comic whose outlandish sense of style always set her apart from the pack, Diller not only recollects her rise to stardom, but also allows viewers into her home to show just what life is like behind the scenes. A press conference leading up to her final performance showcases the quick-witted Diller at her unscripted best, with additional rehearsal and dressing room footage showing just what an incredible impact she has had on the world of show-business. Additional appearances by Rip Taylor, Don Rickles, Roseanne Barr, Red Buttons, and Lily Tomlin offer a chance for some of Diller's best known fans to reflect on their fondest memories of the star. ~ Jason Buchanan, All Movie Guide

The life and career of 1940s sex symbol Rita Hayworth (1918-1987) is affectionately but uncompromisingly recounted in this cable TV documentary, produced by Hugh Hefner and narrated by actress Kim Basinger. Born into a show business family, Rita Cansino was still a pre-teen when she attracted the attention of Hollywood with her sultry Latin looks and her remarkable dancing skills. With her first husband, the much-older Edward C. Judson, as her manager and agent, Rita managed to land a starlet contract at 20th Century Fox, then moved on to greater glory when, signed by Columbia Pictures, she was re-christened Rita Hayworth and given a more "all-American" image via cosmetic surgery, electrolysis, and a new crop of flaming red hair. Though her career was sometimes impeded by Columbia boss Harry Cohn, who was upset that she continued to fend off his advances, Rita ultimately achieved superstardom as the alluring star of such films as Cover Girl and Gilda. Alas, her private life was never quite as satisfying as her professional one: After breaking up with Judson, she entered into a well-publicized but ultimately unhappy marriage to Orson Welles, then, in quick succession, wed a foreign prince, Aly Khan; a popular singer, Dick Haymes; and a flamboyant movie producer, James Hill. Through it all, the painfully shy and retiring actress yearned to be simply a normal wife and mother, but the pressures and responsibilities of international stardom denied her this balm. Rita's final years were clouded by Alzheimer's disease, which ended not only her career but her life. Among the interviewees in this documentary are Hayworth's daughter Yasmin Aga Khan, who has devoted her life to helping other victims of Alzheimer's, and Rita's best friend, musical star Ann Miller. ~ Hal Erickson, All Movie Guide

In 1974, MGM Studios released its first compilation of musical highlights from 45 years of Hollywood extravaganzas. Entitled That's Entertainment!, it was a big box-office hit and inspired a second compilation two years later. Eighteen years went by before MGM tried again. The third installment of the series contains a total of 62 musical numbers and includes scenes from more than 100 films. The cavalcade of memories is hosted by nine stars from the old musicals: Gene Kelly, Esther Williams, Debbie Reynolds, Mickey Rooney, Lena Horne, June Allyson, Cyd Charisse, Ann Miller, and Howard Keel. The film is loaded with outtakes and unfinished numbers that didn't make the cut of the original musicals. At many points, there is a split screen, showing the finished product as filmed as well as behind-the-scenes confusion. It's as much a comic "bloopers" TV show as a tribute to the heyday of the musical. ~ Michael Betzold, All Movie Guide

The Opposite Sex is an opulent musical remake of Clare Booth Luce's The Women (1939). June Allyson stars in the old Norma Shearer role, playing the virtuous wife who loses her husband to scheming Joan Collins (as the Joan Crawford character). At first agreeing to a divorce, June decides to win hubby back by utilizing the same crafty feminine wiles that Joan had employed to lead him astray. Doloress Gray plays the counterpart to Rosalind Russell's vitriolic gossip. The original The Women boasted an all-female cast: the remake includes several male characters, played by the likes of MGM contractees Leslie Nielsen and Jeff Richards. Dick Shawn, Jim Backus and Harry James are also on hand, billed as "special guest stars." The satirical bite of The Women has been softened in The Opposite Sex, but musical fans should have a good time. Sammy Cahn, Nicholas Brodszky, Ralph Freed and George Stoll were among the songwriters; Collins, Allyson and Jeff Richards perform musical numbers in the film. ~ Hal Erickson, All Movie Guide

Hit the Deck is the second film version of the same-named 1927 hit Broadway musical. Though updated for the 1950s, the basic plot remains the same. Sailors Tony Martin, Vic Damone and Russ Tamblyn spend their entire shore leave in pursuit of three beautiful gals. Martin is "that way" about Ann Miller, Damone is stuck on Jane Powell, and Russ Tamblyn only has eyes for Debbie Reynolds. Some fun is extracted from the fact that Tamblyn is the son of by-the-book admiral Walter Pidgeon. Additional comedy relief is provided by Alan King (the same!) and Henry Slate as a pair of dumb-dumb shore patrolmen. The Vincent Youmans-Leo Robin-Clifford Grey-Irving Caesar score includes such standards as "Sometimes I'm Happy", "I Know that You Know", and the showstopping "Hallelujah". The 1930 version of Hit the Deck, starring Jack Oakie, was filmed by RKO; that version was purchased by MGM and hasn't been seen publicly in nearly 70 years. ~ Hal Erickson, All Movie Guide

Cole Porter's Kiss Me Kate is a musical within a musical -- altogether appropriate, since its source material, Shakespeare's The Taming of the Shrew, was a play within a play. Howard Keel and Kathryn Grayson star as famous Broadway singing team who haven't worked together since their acrimonious divorce. Keel, collaborating with Cole Porter (played by Ron Randell), plans to star in a musical version of The Taming of the Shrew titled "Kiss Me Kate." Both he and Porter agree that only one actress should play the tempestuous Katherine, and that's Grayson. But she isn't buying, especially after discovering that Keel's latest paramour, Ann Miller, is going to be playing Bianca. Besides, Grayson is about to retire from showbiz to marry the "Ralph Bellamy character," played not by Bellamy, but by Willard Parker. A couple of gangsters (James Whitmore and Keenan Wynn) arrive on the scene, convinced Keel is heavily in debt to their boss; actually, a young hoofer in the chorus (Tommy Rall) owes the money, but signed Keel's name to an IOU. But since Grayson is having second thoughts about going on-stage, Keel plays along with the hoods, who force Grayson at gunpoint to co-star with her ex-husband so that they'll get paid off. Later the roles are reversed, and the gangsters are themselves finagled into appearing on-stage, Elizabethan costumes and all, though that scene is less of a comic success. This aside, Kiss Me Kate is a well-appointed (if bowdlerized) film adaptation of the Porter musical. Virtually all of the play's songs are retained for the screen version, notably "So in Love," "Wunderbar," "Faithful in My Fashion," "Too Darn Hot," "Why Can't You Behave?," "Brush Up Your Shakespeare" (a delightful duet delivered delightfully by Keenan Wynn and James Whitmore), and the title song. Additionally, Porter lifted a song from another play, Out of This World, and incorporated it in the movie version of Kiss Me Kate; as a result, "From This Moment On" has been included in all subsequent stagings of Kate. This MGM musical has the distinction of being filmed in 3-D, which is why Howard Keel and Kathryn Grayson throw so many chairs, dishes, and pieces of fruit at the camera in their domestic battle scenes. ~ Hal Erickson, All Movie Guide

The reason the 1935 Astaire/Rogers film version of Roberta was unavailable for years was that, in 1952, MGM bought the property and refilmed it under the title Lovely to Look At. Inheriting one-half of a Parisian dress salon from his late aunt, Red Skelton travels to France with his showbiz friends Howard Keel and Gower Champion. The threesome hopes to convince the owners of the other half of the salon to sell their share so that Skelton, Keel and Champion can finance a Broadway show. Meeting Skelton's "partners" Kathryn Grayson and Marge Champion, the three Americans discover that the salon is all but broke, so they pool their resources and wits to make the establishment a winning proposition. The plot thickens as more and more characters are added to the storyline, including stagestruck gendarme Kurt Kaznar and chorus girl Ann Miller. Songs retained from the original Jerome Kern Broadway score for Roberta include "Smoke Gets In Your Eyes," "I Won't Dance" and, of course, "Lovely to Look At." ~ Hal Erickson, All Movie Guide

MGM's new musical screen team of Esther Williams and Howard Keel were given plenty to do in the pleasant if unambitious songfest Texas Carnival. Williams plays Debbie Telford, one-half of a carnival performing team. The other half is Corny Quinnell (Red Skelton), who breaks up the act when he is mistaken for Texas millionaire Dan Sabinas (Keenan Wynn). Living high on the hog in Sabinas' absence, Corny manages to smooth the romantic path for Debbie and ranch foreman Slim Shelby (Keel), while he dallies with the luscious Sunshine Jackson (Ann Miller). Red Skelton is given more opportunity to shine than usual, especially during a riotous poker game (this scene was a particular favorite of screenwriter Dorothy Kingsley, who felt it could have been even funnier had director Charles Walters "punched it up" cinematically). Esther Williams' particular highlight is a swimming sequence in a waterless hotel room, a bit of special-effects wizardry that only the MGM tech staff could have dreamed up. ~ Hal Erickson, All Movie Guide

Three sailors on a 24-hour pass -- Gabey (Gene Kelly), Chip (Frank Sinatra), and Ozzie (Jules Munshin) -- decide to soak up the sights and sounds of New York. Each one finds romance within those 24 hours: Gabey with aspiring dancer Ivy Smith (Vera-Ellen), Chip with lady cabbie Hildy Esterhazy (Betty Garrett), and Ozzie with paleontology student Claire Huddesten (Ann Miller). That's all, right? Wellll....Ivy passes herself off as a celebrity, but she's actually a kootch dancer in Coney Island. Claire and the boys inadvertently topple a dinosaur replica at the Museum of Anthropological History. And Hildy breaks any number of speeding laws attempting to get the lovers together and straighten out all misunderstandings. Adapted from the Broadway musical by Betty Comden, Adolph Green, and Leonard Bernstein, On the Town is one of the freshest, most exhilarating musicals turned out by the old MGM regime. The stars' verve and camaraderie are contagious, and the songs are staged by legendary musical director Stanley Donen and Kelly himself with wit and innovation. Highlights include the opening "New York, New York" number, shot on location and flat-cutting from one image to another at a dizzying pace, and Gene Kelly and Vera-Ellen's ""Miss Turnstyles Ballet."" ~ Hal Erickson, All Movie Guide

In this period musical, Ricardo (Frank Sinatra) is the son of a Mexican innkeeper who has come to California to take over a hotel owned by his family after the death of his father. Ricardo makes the startling discovery that his father was best known as a "kissing bandit," a dashing thief who aptitude for crime was matched by his gift for romancing the ladies. When tax collectors from Spain begin to overrun his homeland, Ricardo decides to follow in his father's footsteps, liberating the taxmen's ill-gotten gains and winning the heart of Teresa (Kathryn Grayson), the governor's daughter. Also starring J. Carrol Naish, Billy Gilbert and Mildred Natwick, The Kissing Bandit also features the fancy footwork of Ann Miller, Ricardo Montalban, and Cyd Charisse, who appear as specialty dancers in the production numbers. ~ Mark Deming, All Movie Guide

Eve Knew Her Apples is an pinchpenny musical reworking of Frank Capra's Oscar-winning It Happened One Night. Musical star Ann Miller takes over the Claudette Colbert role; this time she's not a runaway heiress but a runaway radio star, escaping her stuffy fiance rather than her autocratic father. William Wright assumes the Clark Gable part as the man who helps the girl on her flight for his own mercenary interests, but who eventually falls in love with her. Clocking in at 64 minutes rather than It Happened One Night's 105, Eve Knew Her Apples is more successful as a showcase for the terpsichorean talents of Ann Miller than as a romantic comedy. Columbia Pictures would attempt to musicalize It Happened One Night again with 1956's You Can't Run Away From It, filmed with ten times the budget but only half the entertainment value of Eve Knew Her Apples. ~ Hal Erickson, All Movie Guide

Within its brisk 78 minutes, Jam Session manages to accommodate the singing, dancing and acting talents of Ann Miller, a romantic main plot, a comic subplot-and no fewer than six big-name orchestras. The story is the old saw about a small-town girl named Terry Baxter (Miller), who wins a trip to Hollywood. Unable to impress any of the tinseltown bigwigs, Terry is about to pack it in and head home until she meets go-getting screenwriter George Carter Haven (Jess Barker). Several mishaps and setbacks later, Terry not only lands a studio contract, but Haven as well. In addition to the terpsichorean talents of Ann Miller, the film spotlights such major big-band names as Charlie Barnet (playing "Cherokee," of course!), Louis Armstrong, Alvino Ray, Jan Garber, Glen Gray and Teddy Powell, along with vocalists Nan Wynn and the Pied Pipers. A tantalizingly brief clip of Jam Session was featured (wildly out of context!) in the 1968 Monkees film vehicle Head. ~ Hal Erickson, All Movie Guide

In his final starring film, bandleader Kay Kyser is cast as bandleader Kay Kyser. Picking up where Kyser's previous RKO Radio film Around the World left off, Columbia's Carolina Blues finds Kay and his band returning to America after a worldwide USO tour. Phineas J. Carver (Victor Moore), the woebegone "black sheep"scion of a powerful family of industrialists, poses as one of his wealthier relatives to persuade Kyser to perform at a defense plant. When Kyser's regular vocalist Georgia Carroll quits the band to get married, Carver's talented daughter Julie (Ann Miller) steps in as replacement. Naturally, Julie is a hit, and equally naturally, she lands Kyser as a husband. Outside of the expected musical numbers (which, in addtion to Kyser's aggregation, feature such artists as The Step Brothers and the Nicholas Brothers) Carolina Blues is highlighted by the bravura performance of Victor Moore, who essays five roles in all. Ironically, singer Georgia Carroll did retire from show business in real life to get married-to Kay Kyser! ~ Hal Erickson, All Movie Guide