Victor Millan Movies

A focus on life in a gang, Boulevard Nights portrays the dangers of street violence. Richard Yniguez plays a young Chicano who tries to get out of the gang, but he keeps finding himself drawn back into it. ~ Rebecca Flint Marx, All Movie Guide

George Pal's final film is a kiddie action saga based on the popular comic strip and action book series by Kenneth Robeson. Ron Ely is all flash and charmless brawn as the blonde-haired superhero Doc Savage, the Man of Bronze. When his father is mysteriously murdered, Savage gathers together five of his cronies -- The Amazing Five -- to head off on an expedition to South America to find some answers. There he battles Captain Seas (Paul Wexler) and "the green death." Along the way, he charms native girl Mona (Pamela Hensley), who immediately falls for the blonde chiselhead. ~ Paul Brenner, All Movie Guide

Endora casts a spell on Darrin which causes him to vanish whenever he speaks Spanish. Trouble is, Darrin has been shipped off to Mexico City, where he has been hired to promote a product called "Bueno." Thomas Gomez guest stars as Darrin's client, Mr. Garcia. Written by John L. Greene, "Samantha and Darrin in Mexico City" originally aired on April 24, 1969, as the final episode of Bewitched's fifth season -- and the last episode to feature Dick York as Darrin Stephens. ~ Hal Erickson, All Movie Guide

Having previously played a homicidal kidnapper during The F.B.I.'s inaugural season, Wayne Rogers upholds his villainous tradition in this episode as a bigoted extortionist. Harboring a pathological hatred for all Latinos, Tyler Cray (Rogers) devises a nasty method of extorting $200,000 from a Mexican-American rancher (Ray Avila). Can this be the same Wayne Rogers who appeared as an upright federal agent in the 1975 TV movie Attack on Terror: The FBI vs. the Ku Klux Klan? Stephen Brooks makes his final series appearance as Special Agent Jim Rhodes in this, the last episode of The F. B.I.'s second season. ~ Hal Erickson, All Movie Guide

Erskine (Efrem Zimbalist Jr.) learns that Bishop John Atwood (Dean Jagger), a peace envoy to the US, has been targetted for assassination. Unfortunately, the trigger man, known only to the FBI as "Anton Christopher", has never been photographed or fingerprinted, making it virtually impossible to track him down. Further complicating the situation is the fact that Christopher has been hired by one of Bishop Atwood's most trusted confidantes! ~ Hal Erickson, All Movie Guide

While employed at the winery owned by Pete Crandall (James Gregory), Kimble (David Janssen) happens to be on hand when the leader of a grape picker's strike is murdered by Crandall's treacherous son Carl (Roy Thinnes). As the only witness to the killing, Kimble could easily clear his fellow worker Morales (Carlos Romero), whom Carl has framed for the crime. Unfortunately, Kimble dare not contact the police for fear of being arrested himself, so he enlists the aid of Morale's wife Elena (Pilar Seurat)--while Carl dispatches a team of hired thugs to make certain that no one will ever tell anyone that he pulled the trigger. ~ Hal Erickson, All Movie Guide

If Warner Bros.' pageantlike The FBI Story resembles an episode of Jack Webb's Dragnet at times, it's probably because the screenplay was by veteran Dragnet scrivener Richard L. Breen. The film meticulously details the history of the Federal Bureau of Investigation, from its formation in 1924 to the present day (1959, that is). The story is told through the eyes of FBI agent Chip Hardesty (James Stewart), who narrates the film. We see the FBI tackling such villains as the Ku Klux Klan, the mob, the Nazis and the communists. Subplots include the struggle by the federal agents to be given permission to carry firearms, a plight driven home when Hardesty's best friend (Murray Hamilton) is killed by gun-toting Baby Face Nelson (William Phipps). Offsetting moments like these are scenes of Hardesty's home life with his wife Lucy (Vera Miles), who at first opposed her husband's joining the bureau but who later becomesJ. Edgar Hoover's biggest fan. Excessively sentimental at times (it seems that the Hardesty family can never hold a party without receiving a terse telegram announcing yet another personal tragedy) and saddled with a rambling, stop-and-start continuity, the overall success of The FBI Story hinges upon its individual episodes, including a wowser of a pre-credits sequence involving matricidal mad bomber John Graham (Nick Adams). Since the film was made at a time when the FBI was considered to be of spotless reputation, don't expect to see any scenes of the bureau wiretapping civil rights leaders--or, for that matter, J. Edgar Hoover prancing around in drag. ~ Hal Erickson, All Movie Guide

This near-legendary western stars Sterling Hayden as George Hanson, the son of a Swedish seaman-turned-farmer (Ted Stanhope). When he runs afoul of town boss Ed McNeil (Sebastian Cabot), Hanson's father is gunned down by McNeil's henchman Johnny Crale (Ned Young). Knowing full well that he can expect no help from the town's corrupt sheriff (Tyler McVey), Hanson takes matters in his own hands. Tension mounts steadily until the unforgettable climactic showdown, wherein Hanson arms himself with a harpoon! Extremely well written by Ben L. Perry, Terror in a Texas Town was one of the last directorial efforts of cult favorite Joseph H. Lewis. ~ Hal Erickson, All Movie Guide

If it worked for Frank Sinatra... Singing star Johnny Desmond goes dramatic in the low-budget Escape From San Quentin. Desmond plays escaped convict Mike Gilbert, who goes on the lam with fellow prisoners Gruber (Richard Devon) and Graham (Roy Engel). While hiding from the law, Gilbert comes to realize that he's fallen in love with Robbie (Merry Anders), the sister of his ex-wife (Peggy Maley). Through Robbie's influence, Gilbert decides to go straight, but his cohorts aren't quite so willing to reform. Like most Sam Katzman quickies of the era, Escape from San Quentin was loosely based on a true story. ~ Hal Erickson, All Movie Guide

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, All Movie Guide

Longtime B-western favorites Tex Ritter and Ray "Crash" Corrigan are among the supporting players of the Columbia oater Apache Ambush. Star of the proceedings is Bill Williams, cast as Indian scout James Kingston. In the last days of the Civil War, President Lincoln (James Griffith) selects Kingston and two other men -- cattle driver O'Roarke (Ray Teal) and "reconstructed" Confederate major McGuire (Don C. Harvey) -- to help speed along a major cattle shipment from Texas to the Northern states. One of the obstacles facing the three men is Mexican fanatic Joaquin Jironza (Alex Montoya), who wants to get his hands on the Henry Repeating Rifles which Kingston and his confreres carry with them. Undermining the good guys is embittered ex-rebel Lee Parker (Richard Jaeckel), who is in cahoots with Jironza. So much happens in the first five reels that the titular Indian ambush is almost anticlimactic (a warning to more sensitive viewers: neither the Apaches nor the Mexicans are shown in a particularly sympathetic light). ~ Hal Erickson, All Movie Guide

Evil traders and superstitious natives in India complicate the research efforts of an American doctor. ~ All Movie Guide