Tomas Milian Movies

A divorced middle-aged Italian film director (Tomas Millian) is seeking meaning and love in both his life and his film. He becomes involved with an aristocratic woman, but trouble ensues when he begins to receive anonymous threats demanding that he abandon the relationship. When the woman mysteriously disappears, the director begins seeing an actress who works in experimental plays. She too leaves after telling him that she is carrying another man's child. In his quest for meaning, all the director manages to find is meaningless sex and lots of metaphors for isolation and abandonment: fog, open doors, empty landscapes. ~ John Voorhees, All Movie Guide

In this Italian police drama, a hippie cop goes to Milan to look into a murder. He is called because he grew up in the same neighborhood as the prime suspect. The suspect's alibi was that he was hiding beneath a bed when the murder occurred. ~ Sandra Brennan, All Movie Guide

A detective (Tomas Milian) goes undercover to bring justice to a crimelord (Jack Palance) accused of stealing $5 million. ~ John Bush, All Movie Guide

Police Commissioner Tanzi (Marizio Merli) is sick and tired of criminals getting coddled by the Italian justice system and proceeds to do something about it. His co-workers and superior try to rein him in, but there's no stopping him; criminals are made to pay for their crimes by this one-man vigilante force. ~ Clarke Fountain, All Movie Guide

After having been sent to a mental asylum following being raped by a policeman, Julie (Marlene Jobert) is released to a job as a governess for a rich man's nephew. When Julie and the boy are kidnapped, it becomes clear that the kidnappers plan to frame her for the death of the boy. Before they can carry out their plans, she escapes, and it eventually becomes clear who the real culprit is. ~ Clarke Fountain, All Movie Guide

A vain gambler (Fabio Testi), a pregnant prostitute (Lynne Frederick), a bumbling alcoholic (Michael J. Pollard) and a man who claims to see ghosts (Harry Baird) become unlikely traveling companions in this unusual spaghetti Western from notorious Italian horror director Lucio Fulci. The only survivors of a frontier-town massacre staged to rid the once-lawful town of its overpowering criminal element, the quartet ride the Western trail in a last-ditch bid to reach the next populated area and get back on their feet. Soon drawing the attention of a trigger-happy bandit named Chaco (Tomas Milian), the four cautiously accept him into the fold when Chaco displays a remarkable talent for hunting. When their newfound friend tortures the foursome and leaves them for dead after feeding them hallucinogens, the remaining survivors' desperate bid for survival leads them to take shelter in a ramshackle mining town inhabited only by men of questionable honor. As the birth of her child draws closer, prostitute Bunny (Frederick) looks to suave gambler Stubby (Testi) for the love and support to bring her child into the world. Though the men of the town reluctantly band together to aid Bunny in the birth of her baby, Stubby finds himself torn between the prospect of fatherhood and his unquenchable thirst for revenge against the supremely evil Chaco. ~ Jason Buchanan, All Movie Guide

This melodramatic crime film concerns a petty thief named Julio (Tomas Milian) who kidnaps pretty Mary Lou (Laura Belli), the daughter of his girlfriend's rich employer, and holds her for ransom. Much of the film features Julio's hysterical populist rants targeting the wealthy elite, whom he both envies and detests. When the bound Mary Lou mocks him, Julio's anger leads to a bloody gunfight in which nearly everyone dies. Eventually, Police Inspector Walter Grandi (Henry Silva) turns vigilante and guns down the "human trash" on a pile of garbage. Reminiscent of everything from the Dirty Harry series to the Patty Hearst kidnapping, Lenzi's preposterous film is most memorable for its overly ripe dialogue and an outlandish party scene in which Milian forces a balding, craven businessman to service him at gunpoint. ~ Robert Firsching, All Movie Guide

When the godson of San Francisco's crime lord asks permission to leave "the business," Don Antonio (Martin Balsam) agrees, but reluctantly. Such behavior by either one is a violation of the code, and a bloody mob war breaks out. It is only through the strong support of his family connections in Sicily that Don Antonio is able to survive the melee and come out on top. Aghast at the situation he has caused, the godson (Tomas Milian) becomes his leader's "consigliere," or Counselor at Crime. This Italian movie was filmed in English in San Francisco, California and Palermo, Sicily. ~ Clarke Fountain, All Movie Guide

This Italian western comedy has no shooting deaths, but a lot of fistfights. Provvidenza is a bounty hunter. He makes his living solely by catching his dim but powerful friend, the Hurricane Kid (Gregg Palmer) and turning him in for the reward money. A fully armed horseless carriage is one of the inventive elements of this film. One of the film's sillier highlights is an amazingly loud and long belch by the Kid. ~ Clarke Fountain, All Movie Guide

It was "tax shelter" time when Hollywood's Robert Blake and Ernest Borgnine headed to Italy to star in Counter Punch. Slimmer and lighter on his feet than he'd be in his Baretta days, Blake plays a young boxer, accused of murdering his crooked manager. Escaping from detective Borgnine, Blake sets about to uncover the real killer on his own. Expect a lot of heavy duty fisticuffs, with Blake doing most of his own stunt work. Adding spice to the proceedings are distaff co-stars Gabrielle Ferzetti and Catherine Spaak, the latter cast as the murder victim's daughter. Originally titled Un Uomo dalla Pelle Dura, Counter Punch was also released as Ripped-Off. ~ Hal Erickson, All Movie Guide