Tomas Milian Movies

The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women. ~ Sandra Brennan, All Movie Guide

Directed by the comparatively unknown Mauro Bolognini, the Italian Bell' Antonio is distinguished by its screenplay, cowritten by directorial giant Pier Paolo Pasolini. Marcello Mastroianni and Claudia Cardinale are happily married until she finds out he's impotent. It takes her a year to find this out, which ought to give an indication of how seriously we're supposed to take this film. Also risible is the fact that Mastrioanni bears the reputation of a fabulous lover, as do practically all the members of his family. Nonetheless, he stands by like a dummy when Cardinale's father forces her to annul the marriage and wed another. It's all nonsense, of course, but Pasolini and his collaborators weave their tale so persuasively that one forgives the film's utter lack of credibility. ~ Hal Erickson, All Movie Guide

Released in the US by 20th Century-Fox, Boccaccio '70 is a compendium of short subjects directed by three of Italy's top filmmakers. Each story is written in the style of the famed Italian essayist Boccaccio, albeit told in contemporary terms. First up is "The Raffle", written by Cesare Zavattini and directed by Vittorio De Sica: Sophia Loren (wife of Boccaccio '70 producer Carlo Ponti) plays the sexy operator of a shooting gallery, who offers herself as first prize to the best shot. In "The Job", written by Suso Cecchi D'Amico and directed by Luchino Visconti, Romy Schneider carries a torch for her philandering boss Tomas Milian. The final segment is "The Temptation of Dr. Antonio", directed by Federico Fellini and scripted by Fellini, Ennio Flaiano and Tullio Pinelli; in this one, Anita Ekberg is an image on a poster who comes to life for the benefit of a drooling middle-aged professor (Peppino De Filippo). A fourth episode, "Renzo and Luciana", directed by Mario Monicelli, was cut from U.S. release. ~ Hal Erickson, All Movie Guide

Disorder was a French/Italian co-production, released as Le Desordre in France and Il Disordine in Italy (somebody was in a rut). This leisurely paced modern fable stars Renato Salvatore as a poor young man, struggling to pay for his mother's medical bills. Virtually everyone whom Salvatore approaches for help fails him: An industrialist reneges on a promise, a well-to-do friend laughs in his face, and a priest is defrocked before he can do any good. When the young man is finally able to raise the necessary money, he discovers that the ex-priest has sold all his possessions in order to help Salvatore's mother. Thus it is the film's one Good Samaritan whose life ends up in "disorder." ~ Hal Erickson, All Movie Guide

Leo (Rod Steiger) is an aristocrat whose family fortunes have plummeted in this downbeat melodrama. He seeks to reverse his money problems by courting the wealthy Mariagrazia (Paulette Goddard), throwing over his former lover Lisa (Shelley Winters) in his quest to continue his posh lifestyle. Mariagrazia is too caught up in the attention of the charming, conniving Leo to notice that he also makes a play for her daughter Carla (Claudia Cardinale). Mariagarzia continues to want Leo even after he gains control of family fortune and property. Meanwhile, Carla's brother Michele (Tomas Milian) takes up with the jilted Lisa. Finally, in a most poignant scene, the ailing matron finally realizes she has been used by Leo. Excellent performances all around. ~ Dan Pavlides, All Movie Guide

Prostitutes from Athens are transported by truck for the pleasure of the occupying Italian Army in this World War II drama. The 15 women are driven by a young lieutenant who gives a ride to a fascist major. Tension mounts between the two soldiers as the truck is attacked, and some of the women are killed. Love blossoms between one of the prostitutes and the lieutenant, and he encourages her to return home knowing he will never see her again. Two versions exist: the 136-minute original and an obviously chopped up 97-minute version. ~ Dan Pavlides, All Movie Guide

Jonathan Corbett (Lee Van Cleef) is one of the top lawmen in the State of Texas. He's so good at what he does, that he's been approached by Brokston (Walter Barnes), a wealthy speculator and power-broker, about running for the United States Senate. But there's one job that needs doing first which, if Corbett can finish it, will put him in an unchallengable position -- he has to hunt down and capture (dead or alive, with the emphasis on "dead") Cuchillo Sanchez (Tomas Milian), who's wanted for raping and killing a 12-year-old girl. Corbett does what he does best, pursuing Sanchez relentlessly and on his own level of intense brutality, past the border and into Mexico -- but along the way, Corbett learns what life is like for peasants like Sanchez, and what men like Brokston have to do with it. And he discovers that Sanchez may not be the murderer that Corbett thinks he is. ~ Bruce Eder, All Movie Guide

Death Sentence is the literal English translation of Setenza di Morte, the original Italian title of this spaghetti western. Robin Clarke stars as a vengeful frontiersman whose brother has been killed. In the tradition of the Budd Boetticher classic Seven Men From Now, Clarke methodically hunts down the four men responsible. Hollywood's Richard Conte is second-billed as one of the culprits. Tomas Milian steals the show as an albino gunman prone to epileptic fits. ~ Hal Erickson, All Movie Guide

A skillful thief with a penchant for knives attempts to outwit a slew of bloodthirsty treasure hunters in this brutal Italian Western from director Sergio Sollima. The gold they seek may be enough to finance the Mexican Revolution -- depending on who gets to it first and what they intend to do with it. Whether it's the thief Cuchillo (Tomas Milian), his passionate fiancée, the sheriff-turned-bounty-hunter, the ruthless bandits, or the fearsome American agents who end up with the gold, two things are certain -- the stakes are high and the competition is literally cutthroat. Run, Man, Run! also features music by Bruno Nicolai and the legendary film composer Ennio Morricone. ~ Jason Buchanan, All Movie Guide

This gripping crime thriller from director Carlo Lizzani was based on a true story. A daring gang of bandits pull off a series of risky heists in Milan, murdering several innocent bystanders in the film's exciting opening getaway scene. Lizzani then moves the story backwards in time, painting a portrait of Milan as a seething hotbed of vice. Gian Maria Volonte gives an increasingly flamboyant performance as the gang's egomaniacal leader, whose Nazi-like belief in his own superiority proves to be the flaw which foils his plans. Tomas Milian, in a rare nonvillainous turn, shines as the dedicated young police inspector who brings Volonte down, and gun moll Carla Gravina has an amusing (if stereotypical) scene in which Volonte teaches her to drive. The thrilling car chase is among the best in the Italian crime genre, and even Riz Ortolani's typically annoying musical score does not detract from the film's appeal. ~ Robert Firsching, All Movie Guide

When his farm is destroyed by the Brazilian Army, peasant Milian establishes a group of guerrilla fighters eventually joined by mercenary Pagliani who had been hired to capture Milian, but changes his mind. ~ All Movie Guide

In this 1968 Italian production, Francesco Maselli directs this light-hearted and fast-paced caper comedy with Rock Hudson as New York City police captain Mike Harmon, who becomes involved with sex bomb Esmeralda Marini (Claudia Cardinale). Esmeralda, using the ploy that Harmon was an old friend of her father, convinces him to help her return some hot jewels to their former owners. Soon enough, Harmon and Esmeralda are jetting to Austria, where Harmon disables the victims' home-security system and sneaks the jewels back into their rightful place. But Esmeralda has tricked Harmon into replacing the real gems with fake ones, and now Harmon is a jet-set thief along with Esmeralda. Harmon, having gotten a taste of criminal high life, wants to split fifty-fifty with Esmeralda on the next heist. Esmeralda, however, wants to call it quits and get married. Harmon, doesn't see it that way, and Esmeralda, a one-man woman all the way, follows him as he heads off to his next nefarious adventure. ~ Paul Brenner, All Movie Guide