Charles B. Middleton Movies

Universal's three Flash Gordon serials have, over the years, been edited down to feature-length form. In 1991, these various abridgements were further whittled down into a six-hour-and-six-minute videotape compendium, titled The Original Flash Gordon Collection. Appearing throughout this ersatz "saga" is Buster Crabbe as Flash Gordon, Charles Middleton as Ming the Merciless, and Frank Shannon as Dr. Zarkhov. Jean Rogers plays Dale Arden in the scenes culled from Flash Gordon (1936) and Flash Gordon's Trip to Mars (1938) but is replaced by Carol Hughes in Flash Gordon Conquers the Universe (1940). The Original Flash Gordon Collection serves as a tantalizing introduction to the Gordon serial trio, though these remarkable efforts are best scene in their entirety. ~ Hal Erickson, All Movie Guide

Feudin', Fussin' and A-Fightin' starts off on a tense note as a struggling man is led through the streets of a western town, presumably headed for his own execution. Within a few minutes, however, we discover that the "victim" is a reluctant trainee for an upcoming foot-race between the feuding towns of Rim Rock and Big Bend. With an appalling lack of local talent in Rim Rock, it looks as though Big Bend is once again going to win the annual event. Into this melancholy situation walks travelling salesman Wilbur McMurtry (Donald O'Connor). When he proves to be very light on his feet, Wilbur is kidnapped by the townsfolk and ordered to run on behalf of Rim Rock -- with the understanding that if he loses, he really loses. Musical highlights include Donald O'Connor's duet with Penny Edwards (a western ingenue who seldom got a chance to demonstrate her dancing skills), a vocal contribution by the Sportsman Quartet of Jack Benny Show fame, and the byplay between Rimrock mayor Maribel Mathews and stableman Billy Caswell, played by Ma and Pa Kettle co-stars Marjorie Main and Percy Kilbride. ~ Hal Erickson, All Movie Guide

Usually associated with erudite, urbane comedies, the legendary screen team of Katharine Hepburn and Spencer Tracy goes intensely dramatic in the expensive western Sea of Grass. Tracy plays cattle baron Colonel James Brewton, who staunchly opposes opening the western frontier to homesteaders. Standing steadfastly beside Brewton-at least at the beginning--is his headstrong wife Lutie (Hepburn). Eventually disillusioned by the stern implacability of her husband, Lutie leaves Brewton and goes off to Denver, where she falls in love with liberal attorney Brice Chamberlain (Melvyn Douglas), the champion of the homesteaders' cause. Upon giving birth to Chamberlain's son, Lutie confesses her indiscretion to Brewton, who takes the news with commendable restraint, even offering to accept the baby as his own. Unfortunately, the Brewtons' standing in the community is weakened by the revelation of Lutie's infidelity, causing her to leave her husband for a second time. Years later, Lutie's grown-up boy Brock (Robert Walker) drifts to the wrong side of the law, leading to his death at the hands of a posse. Though it hardly seems possible under the circumstances, Brewton and Lutie are at long last reconciled through the intervention of their daughter Sara Beth (Phyllis Thaxter). Elaborately produced in the traditional MGM manner and adroitly directed by Elia Kazan, Sea of Grass is still one of the lesser Tracy-Hepburns. ~ Hal Erickson, All Movie Guide

Albert Dekker plays a crooked investment agent who embezzles a large sum from an estate, hoping to cover his crime by marrying the estate's heiress (Catherine Craig). The girl is already engaged, so Dekker arranges to have the fiance killed. The hit man's only means of identifying the victim-to-be is his picture in the society columns. But the girl changes her mind and agrees to marry Dekker--meaning that it is his picture that will appear in the columns, thereby condemning him to death. Desperately trying to contact the hit man, Dekker discovers that the man is dead...but the assassin's successor is still at large. A cheap but tidy "hoist on his own petard" melodrama, The Pretender was produced and directed by W. Lee Wilder, brother of the more famous (and frankly more talented) Billy Wilder. ~ Hal Erickson, All Movie Guide

Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, All Movie Guide

Road to Rio was the first of three "Road" pictures jointly produced by stars Bing Crosby and Bob Hope. On the run from the law again, musicians Bob and Bing stow away on an ocean liner. They try to come to the rescue of heiress Dorothy Lamour, who is doomed to an arranged marriage to caddish George Meeker. All gratitude and effusions for their assistance, Dorothy surprises Bob and Bing on their next meeting by slapping them in their faces and declaring "I hate you! I loathe you! I despise you!" The explanation? Dorothy is being hypnotized by her scheming aunt Gale Sondergaard, who has set up the marriage for mysterious mercenary reasons of her own. When Dorothy is "herself" again, Bob and Bing smuggle her off the ship and into their Rio de Janeiro hotel room. The boys plan to save Dorothy from her unwanted marriage by passing her off as a nightclub singer, and themselves as band leaders. Trouble is, they have no band. Enter the Wiere Brothers, three Rio street entertainers. Bob and Bing hire the threesome on the spot, unmindful that they have booked themselves into Nestor Paiva's nightclub on the promise that they're delivering an American band. Since the Wieres speak only Portuguese, Bing teaches each brother an American phrase by rote: "You're in the groove, Jackson", "You're Telling Me," and "This is Murder." Naturally, it isn't long before the boys' ruse is discovered, and this coupled with the newly hypnotized Lamour's threats to have Bob and Bing arrested, leaves our heroes broke and stranded once more. Still, they pose a menace to Sondergaard, thus she contrives a method of disposing of them. Hypnotizing them both, Sondergaard orders Bob and Bing to kill each other. They snap out of the spell just in time, but still there's the problem of rescuing Dorothy. And now there's a new angle: mysterious stranger Frank Puglia informs the boys that the only way to stop the wedding is to retrieve (pause; a furtive glance left; a furtive glance right) "The Papers." Said papers are in the possession of Sondergaard, obliging Bob and Bing to show up at the pre-nuptial festival in disguise (with Bob in drag). Managing to hypnotize Sondergaard's henchmen Frank Faylen and Joseph Vitale, Bob and Bing uncover the precious Papers, and Dorothy is saved. But how can those papers stop a wedding? We won't give away the surprise, nor will we tell you whether Dorothy ends up with Bob or Bing, nor even what the heck Jerry Colonna is doing in the picture leading a cavalry charge. Not the best of the "Road" pictures, Road to Rio is nonetheless one of the most memorable--and quotable (how many of your high school pals used to confound the teacher by declaring "You're in the groove, Jackson"?) ~ Hal Erickson, All Movie Guide

The Killers uses Ernest Hemingway's short story as a springboard for a complex film noir. Two mysterious men (William Conrad and Charles McGraw) muscle their way into a small town and kill an aging boxer (Burt Lancaster, making his screen debut), who offers no resistance and seems to be welcoming his death. An insurance investigator (Edmond O'Brien) is hired to locate the beneficiary to Lancaster's policy, and in the course of his investigation reopens a long-dormant robbery case. In a series of flashbacks, O'Brien makes the connection between Lancaster and the robbery and tracks down the "brains" behind the operation. He also comes in contact with Lancaster's former girlfriend (Ava Gardner), whose duplicity played a big part in Lancaster's demise -- and his indifferent reaction to it. Siodmak's hard-edged, moody direction of the Oscar-nominated screenplay by Anthony Veiller, makes The Killers one of the definitive films noirs, including what is considered to be one of the greatest opening sequences in movie history. ~ Hal Erickson, All Movie Guide

Produced by Gower Gulch maverick Robert L. Lippert and filmed in not-so-glorious two-strip Cinecolor near Idyllwild, California, this Northwest Mounted melodrama starred the veteran Bob Steele as a rather surly mountie who, against his own better judgment, is persuaded to escort a patronizing Eastern girl (Joan Woodbury through the wilderness to her uncle's logging camp. Constantly bickering with her guide, the girl is carrying $20,000 in her purse, payroll money which is promptly stolen. At the logging camp, Steele runs into trouble with the local sergeant, Means (John Litel), who may not be all he appears to be, a wife-beating saloon-keeper (George Meeker, and sundry other more or less mysterious persons, most of whom were aware of Miss Woodbury's travel plans. Steele, who was nearing the end of his starring career (four Grade-Z Westerns were to come), also headlined Wildfire (1945), another Cinecolor "experiment" for Lippert's Action Pictures. Northwest Trail, however, was all but stolen by Miss Woodbury, whose feisty character made up for Steele's aging inertia. Troubled silent star Madge Bellamy made her final screen appearances as the mistreated wife of the saloon proprietor and real-life circus performer Poodles Hanneford played himself Like so many low-budget mountie melodramas, this one implied a non-existent connection to pulp writer James Oliver Curwood. ~ Hans J. Wollstein, All Movie Guide

Undoubtedly inspired by Agatha Christie's Ten Little Indians, filmed the same year by United Artists as And Then There Were None, this 15 chapter serial told the drawn-out story of a family who is about to be decimated, one by one, by a mysterious master criminal. Just like in the classic Christie whodunit, the culprit fakes his own death to be able to continue his rampage undetected. Adhering to serial traditions, the murderer makes himself heard occasionally as "The Mystery Voice." Former Fox leading man Robert Kent played the detective, who in the final chapter unmasks "The Guilty One," with Amelita Ward as the love interest and vaudeville comic Tim Ryan providing comedic relief. The serial was produced for Columbia by penny-pinching entrepreneur Sam Katzman. ~ Hans J. Wollstein, All Movie Guide

An earnest rural melodrama set among Norwegian immigrants in Wisconsin, Our Vines Have Tender Grapes is a slightly updated version of George Victor Martin's 1940 novel. Edward G. Robinson stars as Martinius Jacobson, a farmer devoted to his wife Bruna (Agnes Moorehead) and precocious seven-year-old daughter Selma (Margaret O'Brien), whom he lovingly calls "Jente Mi." Along with her freckle-faced five-year-old cousin, Arnold (Jackie "Butch" Jenkins), Selma lives a carefree, joyous life, which is only temporarily clouded by the sudden death of Ingeborg Jensen (Dorothy Morris), an emotionally disturbed young women whose stern father (Charles Middleton) had refused to let her attend school despite the pleas of newly arrived schoolmarm Viola Johnson (Frances Gifford). The latter is quietly falling in love with Nels Halvorson (James Craig), the town newspaper editor, but cannot envision herself as a rural wife. She changes her mind when, inspired by young Selma, the entire town of Fuller Junction come to the aid of Bjorn Bjornson (Morris Carnovsky), who has lost his livestock when lightning struck a newly erected barn. When Selma generously donates her pet calf to the impoverished farmer, the townspeople in general, and Martinius in particular, follow suit, prompting Viola to reconsider her harsh views of country life and retract her letter of resignation to the school board. ~ Hans J. Wollstein, All Movie Guide

A 15 chapter Columbia serial, The Desert Hawk employed camels instead of horses and bedouins rather than cowboys, but remained a "Western" at heart. Gilbert Roland played Kasim, the honorable Caliph of Abad who is kidnapped by his evil identical twin, Hasson (also Roland). Kasim manages to get away from his captors and returns to the capital, where his brother now rules in his name. To regain the throne, the frustrated former Caliph assumes the identity of The Desert Hawk, finding an ally along the way in Hasson's bride-to-be, Princess Azala (Mona Maris) . Well-known serial villain Frank Lackteen, who hailed from Lebanon in the Middle East, played Faud, one of Hasson's henchmen. A rare visitor to the serial genre, Gilbert Roland had assumed the dual role of Kasim and Hasson when the serial's original leading man, Western star James Ellison, suffered an accident while filming episode one, "The Twin Brothers." ~ Hans J. Wollstein, All Movie Guide

The title of this "Lum 'N' Abner" comedy isn't explained until the film is half over. Chester Lauck and Norris Goff repeat their radio characterizations of Lum and Abner, proprietors of the Jot-Em-Down Store in Pine Bluff, Arkansas. This time, the boys journey to Chicago, where Abner hopes to collect his share of an inheritance, only to find out that they're responsible for their "benefactor's" debts. Required to take a medical exam, Abner is incorrectly informed that he has only two weeks to live (from the motion picture of the same name). In their efforts to raise enough money to square their debts, Our Heroes get mixed up with a Nazi spy ring. When this plot point is abruptly dropped (indeed, it looks as though the script was being made up as it went along), Abner agrees to take an experimental rocket trip to Mars for a huge cash sum. The climactic special effects are as ridiculous as the rest of the film; even so, Two Weeks to Live did well at the box-office thanks to the popularity of the Lum 'N' Abner radio show. ~ Hal Erickson, All Movie Guide