Richard Bebb Movies

Bel Canto, The Tenors of the 78 Era, Vol. Two: Tauber, Schmidt, and Slezak contains three episodes, each featuring musical performances by one master tenor. Celebrated singers Tauber, Schmidt, and Slezak, among several others, are referred to as tenors of the 78 era because they made recordings in 78 rpm format. The Tauber episode contains London performances of Carmen, Pagliacci, Hoffman, and the Fiedermaus overture. Professional commentators include Richard Bebb, Elisabeth Bergner, Alan Bilgora, and Charles Castle. Schmidt sings songs Africana, Marta, and Juive. The Schmidt episode received Special Jury Mention at the Musee du Louvre's 1998 Classique en images international film competition and includes commentary by Alan Bilgora, Fred Bredschneyder, Jurgen Kesting, Paula Lindbergh-Salomon, and Stefan Zucker. The Slezak episode documents performances at Lake Tegern, Bavaria. Commentators include Clemens Hoslinger, Jurgen Kesting, Fritzi Schlesinger, and Stefan Zucker. The video consists of black and white film footage. ~ Betsy Boyd, All Movie Guide

Sometimes a family title, among the nobility of England, goes to the "collateral" heirs -- people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England -- as all of the likely heirs have died one after the other in swift succession. In this comedy, the "collateral heir" is an exuberant, fence-busting All-American slob (and pretty good rock n' roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph's a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O'Toole). The trouble is, he doesn't have instincts for politics English-style, and he is constantly "putting a foot wrong," as they might say. The most difficult situation for him is when he develops a new love interest, and she's not "acceptable" to the upper crust. In addition to being hounded by the tabloids, he finds that "the good of the state" requires that he drop his new girlfriend. Things really come to a head just before Ralph's coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings. ~ Clarke Fountain, All Movie Guide

Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, All Movie Guide

In this youthful drama, based on a true story, a group of boarding school girls who have lost their virginity begin to proudly wear yellow teddy bear pins to show that they are now worldly women. One of them, a troubled 16-year old who has been ignored by her parents, is quite pleased when she finally gets her pin. Unfortunately she also gets pregnant. Her impregnator is a window washer and aspiring pop singer. She needs an abortion and is assisted by a helpful hooker who also helps her become a streetwalker so she can raise the cash for the operation. The girls father is outraged when he learns the truth, but he blames the school's biology teacher, not his daughter. He is angry with the educator because she knew all about the teddy bear club and was the one who talked about sex with them. The teacher resigns after being reprimanded. Before she does though, she gives an emotional speech to the school board. Meanwhile the troubled girl, runs away to London. ~ Sandra Brennan, All Movie Guide