Dolores Michaels Movies

This run-of-the mill children's story features little prince Simon (Vidal Peterson) who has had to run away from his kingdom because his father Wulfrich (Edward Morrow) has been killed by the black-hearted magician Shurka (Thom Christopher). Now that Shurka has taken over the kingdom, Simon cannot fight him off alone. So he enlists the help of Kor (Bo Svenson), a lumbering, over-the-hill warrior who still has considerable punch left -- mainly because of his size. ~ Eleanor Mannikka, All Movie Guide

Real-life WW II hero Audie Murphy stars in this war drama that follows the exploits of a civilian who works closely with Filipino resistance fighters against the Japanese invaders. The man has come to the islands to find his new wife after they are separated during their honeymoon in Manila. She is alive but thinks that her hubby died under enemy fire. She then begins to fall in love with one of the underground leaders. Meanwhile, her husband and his buddy must fight the Japanese and the jungle until at last they find her. As soon as they are reunited, the guerrilla gracefully bows out, leaving the couple to head home and resume their lives. ~ Sandra Brennan, All Movie Guide

Warlock offers us a mean-spirited, mercenary Henry Fonda and an honest, peaceloving Richard Widmark. A Wyatt Earp-like frontier marshal, Fonda agrees to protect the small town of Warlock from an outlaw gang, but only if he's permitted to plunder the town's cash reserve. Widmark, the town deputy, is a reformed outlaw whose willingness to fend off the invading criminals is motivated by his fondness for his new neighbors. Looming large in the proceedings is Anthony Quinn as the glory-grabbing Fonda's sidekick. Adapted by Robert Alan Aurthur from a novel by Oakley Hall, Warlock is a good example of the "thinking man's westerns" prevalent in the late 1950s-early 1960s. ~ Hal Erickson, All Movie Guide

This off-beat western is a freely-adapted remake of the violent film noir Kiss of Death. The story centers on a naive thief, Dan Hardy, who is captured after a bank robbery and placed in a jail cell alongside the maniacal, vicious Felix Griffin. O'Brian gets himself into deep trouble when he tells Griffin where he hid the loot, a location that only O'Brian's partner knows. As soon as Griffin is released, he begins a shocking, and graphically depicted, killing spree as he tries to get to the cache of cash. In desperation, the lawmen arrange to release Hardy so he can find the psychotic O'Brian and stop him. ~ Sandra Brennan, All Movie Guide

John Steineck's novel The Wayward Bus was retranslated into pop-entertainment terms for the screen. Most of the story takes place on the charter bus owned by driver Rick Jason. Travelling slowly through a treacherous California mountain region, the passengers -- including Jason's spiteful, alcoholic wife Joan Collins-- undergo a variety of life-altering experiences. The journey has its most profound effects upon an iconoclastic travelling salesman (Dan Dailey) and lonely stripper (Jayne Mansfield). This is one instance in which the oblong CinemaScope lens is inappropriate to the intimacy of the story. ~ Hal Erickson, All Movie Guide

April Love is a musicalized remake of 1944's Home in Indiana. Pat Boone stars as a potential juvenile delinquent who is sent to work on a Kentucky farm. When he meets apple-cheeked local girl Shirley Jones, Boone decides that mending his ways might be an option. Before long, he is devoting himself to the task of training a horse to become a winning trotter. Nominated for an Academy Award, the film's title song proved to be one of Pat Boone's most durable hits. April Love benefits from its actual Lexington, Kentucky locations, lovingly photographed in CinemaScope and Deluxe Color by Wilfred Cline. ~ Hal Erickson, All Movie Guide

Like so many other films that were once considered "lewd" and "scandalous", The French Line seems as harmless as Pollyanna when seen today. Essentially a remake of The Richest Girl in the World, the film stars Jane Russell as Mary Carson, an incredibly wealthy Texas oil heiress. Lucky in investments but unlucky in love, poor Mary can never keep a fiance: either they're fortune-hunters or they don't want to marry anyone so rich and powerful. Thus, while on an ocean voyage to France, Mary poses as the model of dress designer Annie Farrell (Mary McCarthy), hoping to attract a man who is interested in her for herself, and not her millions. That man turns out to be dashing stage star Pierre (Gilbert Roland), but there's many comic complications and misunderstandings before the happy ending. What shocked the censors in 1954 was Jane Russell's sizzling musical number "Lookin' for Trouble", in which she performed an uninhibited bump-and-grind while wearing nothing more than a seven-ounce glorified bikini. While Ms. Russell herself was offended by her skimpy costume, she saw nothing wrong with the dance itself, pointing out that she intended it as a parody of a "burleycue" number. The professional blue-noses disagreed, however: the film was condemned by the Catholic Legion of Decency and denied a Production Code Seal. Eventually, producer Howard Hughes got the Seal--along with a million dollars' worth of free publicity, which is what he intended all along. Filmed in 3D, The French Line is the film that was ballyhooed with the classically tasteless ad campaign "J.R. in 3D--It'll knock both your eyes out!" ~ Hal Erickson, All Movie Guide