Torben Meyer Movies

Sour-visaged Danish actor Torben Meyer entered films as early as 1913, when he was prominently featured in the Danish super-production Atlantis. Despite his Scandinavian heritage, Meyer was usually typecast in Germanic roles after making his American screen debut in 1933. Many of his parts were fleeting, such as the Amsterdam banker who is offended because "Mister Rick" won't join him for a drink in Casablanca (1942). He was shown to excellent advantage in the films of producer/director Preston Sturges, beginning with Christmas in July (1940) and ending with The Beautiful Blonde of Bashful Bend (1949). Evidently as a private joke, Sturges nearly always cast Meyer as a character named Schultz, with such conspicuous exceptions as "Dr. Kluck" in The Palm Beach Story (1942). Torben Meyer made his last movie appearance in Judgment at Nuremberg (1961), playing one of the German judges on trial for war crimes; Meyer's guilt-ridden inability to explain his actions was one of the film's most powerful moments. ~ Hal Erickson, All Movie Guide
1947  
 
Douglas Fairbanks Jr. is the title character, a young king exiled by evil conspirators. Forced to live far from his homeland, Fairbanks is harassed by the wicked Henry Daniell, who has been appointed to keep the young monarch from reclaiming his throne. After falling in love with commoner Paula Croset (later billed as Mara Corday), Fairbanks decides to take on the corrupt elements that have ousted him, and he dispatches Daniell in an exciting sword duel stage in an old windmill. Many of Fairbanks' more dangerous stunts were handled by David Sharpe, who received credit as second-unit director. Filmed in black and white, The Exile was originally released to theatres in "Sepiatone", a process which enhanced the film stock with a light brown tint. ~ Hal Erickson, All Movie Guide

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Starring:
Nigel BruceFred Cavens, (more)
1946  
 
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A remake of the 1939 French film Battement de Couer, Heartbeat reunites star Ginger Rogers with her Kitty Foyle director Sam Wood. Ms. Rogers plays Arlette, a reform school alumnus who is recruited by Faginlike Professor Aristide, headmaster at a school for pickpockets. Before long, Arlette becomes Aristide's prize pupil, and is being groomed for bigger things. Assigned by a corrupt foreign ambassador (Adolphe Menjou) to steal a valuable watch from wealthy and handsome diplomat Pierre (Jean Pierre Aumont), Arlette not only bungles the job, but also falls in love with her would-be victim. Heartbeat wasn't the first mediocre American remake of a French film, and it certainly wouldn't be the last. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersJean-Pierre Aumont, (more)
1946  
 
It's The Champ all over again, with Wallace Beery as a down-and-out prizefighter and Dean Stockwell as the small boy whom he adopts. Mighty McGurk also borrows from Beery's earlier The Bowery (33) by placing its story in that New York neighborhood in 1900. The final echo from Wally Beery's movie past is Aline McMahon, who costarred with Beery in Ah, Wilderness (35). The plot of Mighty McGurk involves Beery's rescuing of the orphaned Stockwell, an English lad, from the clutches of his evil guardian Edward Arnold. The boy in turn inspires Beery to return to the boxing ring after several years of boozy grub work as a Bowery waiter. ~ Hal Erickson, All Movie Guide

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Starring:
Morris AnkrumEdward Arnold, (more)
1946  
 
Danny Kaye's The Kid From Brooklyn is a virtual scene-for-scene remake of Harold Lloyd's The Milky Way (1936), with music and Technicolor added to the proceedings. Kaye is cast as timid milkman Burleigh Sullivan, who through a fluke knocks out prizefighting champion Speed McFarlane (Steve Cochran). Sensing a swell publicity angle, McFarlane's manager Gabby Sloan (Walter Abel) promotes Burleigh as the next middleweight champ-and to insure this victory, Gabby fixes several pre-title bouts. Unaware that his fighting prowess is a sham, Burleigh develops a swelled head, which alienates him from everyone he cares about, including his sweetheart Polly Pringle (Virginia Mayo). The truth comes out during the climactic title fight, but a chastened Burleigh emerges victorious thanks to a series of incredible plot twists. The strong supporting cast includes Vera-Ellen as Burleigh's sister Susie, Eve Arden as Gabby's wisecracking girl friday Ann Westley, and, repeating his role from Milky Way, Lionel Stander as Speed's lamebrained trainer Spider Schultz. Danny Kaye does his best to play Burleigh Sullivan rather than Danny Kaye, though his efforts are undermined by the interpolated "specialty" number "Pavlova," which just plain doesn't belong in this picture. Like The Milky Way, The Kid From Brooklyn was adapted from the Broadway play by Lynn Root. ~ Hal Erickson, All Movie Guide

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Starring:
Danny KayeVirginia Mayo, (more)
1945  
 
Vicki Baum, the author of the novel Grand Hotel, also wrote this similarly structured tale about a group of disparate characters brought together in a towering hotel in Germany as the nation teeters on the verge of collapse near the end of World War II. Martin Richter (Helmut Dantine), a member of Germany's anti-Nazi underground, has escaped from a prison camp and is now on the run from the Gestapo; he's hiding out at the Hotel Berlin, once a palace of luxury but now a shadow of it's former glory. Martin used to work with Johannes Koenig (Peter Lorre), once a renowned scientist before he was forced to use his gifts for his Nazi captors; he now lives under an assumed name and scrapes by as a waiter rather than support the Axis war machine. Arnim Von Dahnwitz (Raymond Massey) is a disgraced Nazi general on the outs with Gestapo leader Joachim Helm (George Coulouris), who has a lot on his mind -- he's looking for Martin, he's riding herd over Arnim, and he has designs on Arnim's mistress, Lisa Dorn (Andrea King). Lisa, a stage actress of some success, is one of the few at the hotel who is able to live in some semblance of the glamour of Berlin's glory days; her wardrobe makes her the envy of Tillie Weiller (Faye Emerson), the hotel's concierge who pretends to be everyone's friend but is actually keeping tabs on the anti-Nazi activities of her tenants and is preparing to turn them in to the Gestapo. Hotel Berlin was completed in great haste, since midway through production it became obvious that Berlin would soon fall and the war in Europe would be over. Warner Bros. was so eager to get the film into theaters -- before the war's end would make the film seem dated -- that Hotel Berlin went through the studio's editing department in less than a week. ~ Mark Deming, All Movie Guide

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Starring:
Helmut DantineAndrea King, (more)
1945  
 
Ernst Lubitsch was the original director for A Royal Scandal, but illness forced him to bow out; his replacement was Otto Preminger, who did his utmost to retain the "Lubitsch touch." Based on a play by Lajos Biro and Melchior Lengyel, the film dwells upon a fictional incident in the life of Russia's Catherine the Great, here played with blue-blooded bawdiness by Tallulah Bankhead. Catherine falls in love with a handsome young army officer (William Eythe), who turns out to be an insurrectionist planning her downfall. At the last moment, Catherine relents, allowing the officer to escape with his true love, lady-in-waiting Anne Baxter. A bit too cute for its own good, Royal Scandal has some choice moments: Most notable are Tallulah Bankhead's pained reaction upon being hailed as "The Mother of All Russias," and supporting actor Grady Sutton's southern-accented reference to the "U-ral Mountains". ~ Hal Erickson, All Movie Guide

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Starring:
Tallulah BankheadCharles Coburn, (more)
1944  
NR  
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Based on Norman Corwin's satirical radio play My Client Curley, Once Upon a Time is an engaging bit of whimsy, completely dominated by the personality of star Cary Grant. It all begins when fly-by-night Broadway producer Jerry Flynn (Grant) learns of a trained caterpillar (!) that dances to the tune of "Yes, Sir, That's My Baby." In short order, Jerry has promoted Curly the Caterpillar to international stardom-and in the process he alienates both Pinky Thompson (Ted Donaldson), the impressionable 9-year-old who owns Curley, and Pinky's attractive older sister Jeanne (Janet Blair). Eventually, Flynn comes to his senses and regains his essential decency-though it's too late to continue capitalizing on Curley, who has turned into a non-dancing butterfly! Full of delightful contemporary references and "cameo appearances" by such celebrities as producer Walt Disney and radio commentator Gabriel Heatter (both played by uncredited impressionists), Once Upon a Time proved an agreeable diversion for wartime audiences. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantJanet Blair, (more)
1944  
 
It took nerve for writer/director Preston Sturges to lampoon the whole concept of hero worship in the middle of World War II, but once more Sturges' oddball sense of taste and propriety paid off at the box office in Hail the Conquering Hero. Eddie Bracken plays the son of a World War I Marine hero who is the first in his small town to sign up for military service. When Bracken is discharged from the Marines for hay fever, he hasn't the nerve to go home and tell his mother and the rest of the townsfolk. Fortunately, he is befriended by a bunch of good-hearted Marines, led by sergeant William Demarest. Bracken's new buddies decide to help him save face by accompanying him to his home and telling one and all that Bracken has served valiantly in the Pacific. Lauded as a hero thanks to this subterfuge, the hapless Bracken finds himself being coerced into running for mayor! When he finally does confess the truth, the townspeople decide that only a real hero would own up to his lies in public. As always, Preston Sturges' richly varied supporting cast makes the most of every scene they're in, especially Raymond Walburn as a blustering politico and Franklin Pangborn as a persnickety councilman. Special mention must be made of Ella Raines as a refreshingly non-cliched heroine, and ex-boxer Freddie Steele as a morose Marine with a Mother complex. While Eddie Bracken's nerdish mannerisms can wear on the viewer, he is kept marvelously in check throughout Hail the Conquering Hero. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie BrackenElla Raines, (more)
1944  
 
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"Some are born great, some achieve greatness, some have greatness thrust upon 'em." Firmly in the latter category is Norval Jones (Eddie Bracken), a feckless wartime 4-F who must stand by helplessly as his sweetheart Trudy Kockenlocker (Betty Hutton) entertains every visiting GI in town. One morning after a particularly wild night, Trudy labors under the apprehension that last eve, she'd married a soldier named Ratzkywatzky or something. Evidently something had happened that night, for soon Trudy discovers that she's pregnant. Hiding this information from her bombastic policeman father (William Demarest), Trudy begs Norval to tell the world that he's the father. He agrees, but only after secretly wedding Trudy under an assumed name. Complications and disasters pile up thick and fast, and before long Norval is facing arrest on a variety of charges. Providentially, Trudy gives birth to sextuplets-and suddenly Norval is a national hero! This vintage Preston Sturges farce plays so fast and loose with the censorial restrictions of mid-1940s Hollywood that critic James Agee was moved to comment that, "the Hays office must have been raped in its sleep." As usual, Sturges populates his cast with steadfast members of his stock company-- including, in guest roles, Brian Donlevy and Akim Tamiroff, the stars of his previous film, The Great McGinty. Originally filmed in 1942, Miracle was held from release from two years, not because of censor problems but because its parent studio, Paramount, was overloaded with product. Miracle of Morgan's Creek was remade (and considerably laundered) as the 1958 Jerry Lewis vehicle Rock-a-bye Baby. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie BrackenBetty Hutton, (more)
1944  
 
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The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain Dana Andrews speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director Lewis Milestone with the same fervor that he'd expended on his anti-war masterpiece All Quiet on the Western Front (1930). ~ Hal Erickson, All Movie Guide

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Starring:
Dana AndrewsRichard Conte, (more)
1944  
 
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Those willing to accept Carmen Miranda as a "typical" 1920s type will be able to swallow the rest of the lavish but rather silly 20th Century-Fox musical Greenwich Village. Most of the action takes place in a New York speakeasy managed by tough guy Danny O'Mara (William Bendix). Providing entertainment in this rowdy establishment is songwriter Kenneth Harvey (Don Ameche), singing sensation Bonnie Watson (Vivian Blaine) and fortune-teller/dancer Princess Querida (Carmen Miranda). Harvey aspires to become a serious composer, while O'Mara has yearnings to produce a hit Broadway show. Everything works out to everyone's satisfaction by fadeout time, and Harvey (of course) falls in love with Bonnie. Specialty acts included the ballroom dance team of Tony and Sally De Marco, the precision-tap specialists The Four Step Brothers, and an up-and-coming group of nightclub comedians called The Revuers (Judy Holliday, Adolph Green, Betty Comden and Alvin Hammer), whose main routine, alas, ended up on the cutting room floor. ~ Hal Erickson, All Movie Guide

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Starring:
Carmen MirandaDon Ameche, (more)
1944  
 
After producing, writing and directing one hit film after another, Preston Sturges finally misfired with the biopic The Great Moment. Sturges was always fascinated with the saga of W.T.G. Morton, the 19th century Boston dentist who, after inventing the first truly effective anesthesia, was forced to give up his proprietary interest in the invention and ended up dying in poverty and obscurity. Joel McCrea stars as Morton, a young oral surgeon determined to find a painless method for exracting teeth-which he does, virtually by accident. Betty Field costars as Morton's faithful spouse Elizabeth, while Sturges regular William Demarest offers a gem of a performance as Morton's best friend-guinea pig Eben Frost (his persistence upon recalling his first meeting with Morton -- "I was in excru-ci-ating pain"-is one of the film's highlights). Completed in 1942, The Great Moment was taken out of Sturges' hands and heavily re-edited and re-arranged by the Paramount executives: as a result, the story is confusing and downright incomprehensible at times (the film's present ending, for example, originally occured in the middle of the film). The result was varying runtimes for the film of 80, 83, 87, and 90 minutes. An enormous box-office flop in 1944, the film proved to be the beginning of the end for Sturges, who was never able to completely recover from its failure. ~ Hal Erickson, All Movie Guide

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Starring:
Joel McCreaBetty Field, (more)
1943  
 
In this provocative WW II drama, an American agent sneaks into a Nazi spy ring to learn the identities of certain double-agents. The hero works for the FBI, but was born in Germany and speaks the language like a native. First he assumes a dead spy's identity and in that guise, contacts the Nazi superiors. He is then placed aboard a U-boat and sent to the US. Things go well until his cover is blown. Fortunately, he manages to escape. He then is forced to appear in a lengthy court case to help convict the treacherous spies. ~ Sandra Brennan, All Movie Guide

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Starring:
George SandersAnna Sten, (more)
1943  
NR  
The Norwegian resistance to the Nazi occupation of their country inspired several wartime films from Hollywood, including this Warner Bros. production, filmed in and around Monterey, California. In October 1942, a German observation airplane discovers a seaside village named Trollness where the Norwegian flag is flying over the town square. A ground patrol discovers an empty town littered with corpses, including a number of Nazi officials. The story of the massacre is told in flashback. Errol Flynn plays Gunnar Brogge, a fisherman engaged to Karen Stensgard (Ann Sheridan), whose father, Martin (alter Huston), is the village physician. Gunnar and Karen are working to undermine the Nazis. The town is divided, with the minister leading a contingent which believes that violence, even against the sadistic Germans, is morally wrong. Karen is concerned about the imminent arrival of her brother, who is known to be friendly to the German occupiers; she fears he may learn of plans by the British to deliver a supply of guns to the resistance. The Nazi commandant, Captain Konig (Helmut Dantine), keeps up the pressure to learn of any opposition to his administration, eventually deciding to execute a selected number of the villagers to force someone to reveal the extent of the resistance's schemes. ~ Tom Wiener, All Movie Guide

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Starring:
Errol FlynnAnn Sheridan, (more)
1943  
 
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This ambitious filmed biography of writer-adventurer Jack London is somewhat compromised by its too-tight budget. Michael O'Shea is well cast as London, whose rugged adventures range from the high seas to the Klondike. London's insatiable wanderlust causes friction in his marriage to the lovely Charmian (Susan Hayward), but she stands nobly by his side in good times and bad (it should be noted that the script is based on Mrs. London's memoirs). In the interests of topicality, the film contrives to have London endeavor to warn America of Japanese military expansion some four decades before Pearl Harbor. It is this story element that makes Jack London a bit difficult to watch today, despite the strong performances of O'Shea, Hayward and a superb supporting cast. ~ Hal Erickson, All Movie Guide

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Starring:
Michael O'SheaSusan Hayward, (more)
1942  
 
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As for the opening reels, the principal motivating factor is money. After a deliberately confusing pre-credit sequence (not explained until the film's punch line), Tom Jeffers (Joel McCrea) and Gerry Jeffers (Claudette Colbert) are married. "And so they lived happily ever after," exults a title card, "...or did they?" Well, they didn't. After five years of marriage, Tom hasn't raised a dime with his pie-in-the-sky inventions. Using the sort of logic common to Sturges heroines, Gerry decides that the only way to help her husband is to divorce him, marry a wealthy man, and use the second husband's money to finance Tom's schemes. Borrowing money from a generous self-made business mogul known only as the Wienie King (Robert Dudley), Gerry boards a train to Palm Beach, FL, where all the rich folk go. En route, she is "adopted" by the Ale & Quail Club, a group of perpetually drunken millionaires whose idea of a good time is to shoot their rifles at everything that moves (among the club members are such Sturges regulars as William Demarest, Robert Warwick, Jimmy Conlin, Robert Greig, Jack Norton, and Dewey Robinson). Taking refuge from this rowdy crew, Gerry makes the acquaintance of likeable stuffed shirt John D. Hackensacker III (Rudy Vallee), who happens to be one of the wealthiest men in the Western Hemisphere. While Gerry spoons with Hackensacker in Palm Beach, the confused Tom (remember him?) dallies with Hackensacker's man-crazy sister, Princess Centimillia (Mary Astor). How all this straightens itself out is better seen than described, which is pretty much the case whenever one discusses Sturges' singular work, and The Palm Beach Story is vintage Sturges with one side-splitting sequence after another. ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertJoel McCrea, (more)
1942  
 
Berlin Correspondent is a cut-rate variation of Hitchcock's Foreign Correspondent, courtesy of 20th Century-Fox. In one of his first important film roles, Dana Andrews plays Bill Roberts, an American radio commentator station in Berlin in the months before Pearl Harbor. Having witnessed Nazi brutalities first hand, Roberts hopes to alert his listeners of impending dangers, and does so by sending out coded messages during his broadcasts. The Gestapo begins to suspect something and assigns glamorous secret agent Karen Hauen (Virginia Gilmore) to spy on Roberts. When she discovers that her own father (Erwin Kaiser) is supplying Roberts with vital secrets, she turns her back on the Nazis and joins our hero in his efforts. The film winds up with an exciting airborne escape from Hitler-land. Arte Johnson fans please note: At one point, the head Gestapo officer (Martin Kosleck) actually says "Verrrry interesting"! ~ Hal Erickson, All Movie Guide

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Starring:
Virginia GilmoreDana Andrews, (more)
1942  
 
An innocent man is put on trial, but is he really as innocent as he claims? Diplomat David Talbot (William Powell) and his bride Lucienne (Hedy Lamarr) are enjoying a honeymoon in Paris when David is confronted by extortionists who demand money in exchange for not turning him in to the police. David has no idea what the men are talking about and ignores their threats, but the men prove good to their word, and David finds himself on trial for a series of thefts. At the trial, David's name is cleared when Henri Sarrow (Basil Rathbone) testifies that he knew the man who committed the crimes, a friend of his who recently died. However, after the trial, David meets Sarrow, who informs David that he lied under oath; according to Sarrow, David did indeed commit the robberies while suffering from amnesia after a severe blow to the head, and if he wants to keep the facts quiet, he'll do whatever Sarrow says. ~ Mark Deming, All Movie Guide

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Starring:
William PowellHedy Lamarr, (more)
1942  
NR  
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One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

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Starring:
Humphrey BogartIngrid Bergman, (more)
1942  
 
The fifth film in Universal's "Frankenstein" series goes for the box-office gold by combining two--count 'em, two!--of the studio's star monsters. We all thought that Larry Talbot (Lon Chaney Jr.), alias The Wolf Man, had been shot dead in his own starring film in 1941, but the opening scenes of Frankenstein vs. the Wolf Man prove us incorrect. Brought back to the land of the living, the anguished Talbot commiserates with gypsy lady Maria Ouspenskaya, who advises him that the only way he'll stay dead is to confer with Dr. Frankenstein. The good doctor has passed on, but his equipment is intact. With the help of scientist Patric Knowles and Frankenstein descendant Ilona Massey, Talbot attempts to have the life forces sucked from his body and transferred to that of Frankenstein's monster. The latter character is played by Bela Lugosi, who'd turned the same role down in 1931 because he felt it was beneath his dignity. By 1943, however, Lugosi was in no position to refuse the part of the lumbering monster. The actor was relieved to learn that the monster would have the power of speech, a leftover from 1942's Ghost of Frankenstein; likewise held over from that previous film was the monster's blindness, which would give Lugosi an opportunity to do some swell sightless emoting. But when the preview audience heard the Monster bemoaning his fate in Lugosi's voice, they laughed till they cried. As a result, Universal ordered that all of Lugosi's dialogue be cut. Worse still, the studio also cut all expository dialogue alluding to the monster's blindness, so the film as it stands finds poor Lugosi flailing about with his eyes closed for no apparent reason. At least Lon Chaney Jr. was permitted to portray his Wolfman character without molestation, and this he does very well. So successful was this "monster rally" that Universal rapidly concocted two follow-ups, House of Frankenstein and House of Dracula, both of which added Dracula (John Carradine) to the witches' brew. ~ Hal Erickson, All Movie Guide

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Starring:
Lon Chaney, Jr.Ilona Massey, (more)
1941  
 
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In Preston Sturges' classic comedy of Depression-era America, filmmaker John L. Sullivan (Joel McCrea), fed up with directing profitable comedies like "Ants in Your Plants of 1939," is consumed with the desire to make a serious social statement in his upcoming film, "Oh Brother, Where Art Thou?" Unable to function in the rarefied atmosphere of Hollywood, Sullivan decides to hit the road, disguised as a tramp, and touch base with the "real" people of America. But Sullivan's studio transforms his odyssey into a publicity stunt, providing the would-be nomad with a luxury van, complete with butler (Robert Greig) and valet (Eric Blore). Advised by his servants that the poor resent having the rich intrude upon them, Sullivan escapes his retinue and continues his travels incognito. En route, he meets a down-and-out failed actress (Veronica Lake). Experiencing firsthand the scroungy existence of real-life hoboes, Sullivan returns to Hollywood full of bleeding-heart fervor. After first arranging for the girl's screen test, he heads for the railyards, intending to improve the lot of the local rail-riders and bindlestiffs by handing out ten thousand dollars in five-dollar bills. Instead, Sullivan is coldcocked by a tramp, who steals Sullivan's clothes and identification. When the tramp is run over by a speeding train, the world at large is convinced that the great John L. Sullivan is dead. Meanwhile, the dazed Sullivan, dressed like a bum with no identification on his person, is arrested and put to work on a brutal Southern chain gang. With its almost Shakespearean combination of uproarious comedy and grim tragedy, Sullivan's Travels is Sturges' masterpiece and one of the finest movies about movies ever made. ~ Hal Erickson, All Movie Guide

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Starring:
Joel McCreaVeronica Lake, (more)
1941  
 
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(Preston Sturges) wrote and directed this classic romantic comedy starring Henry Fonda and Barbara Stanwyck, who are involved in a scintillating battle of the sexes, as Sturges points up the terrors of sexual passion and the unattainability of the romantic ideal. Henry Fonda plays Charles Pike, the heir to the Pike Ale fortune ("The Ale That Won for Yale"). An ophiologist (a snake expert), he just spent a year "up the Amazon" looking for rare snakes with his cynical and protective guardian/valet Muggsy (William Demarest). He arrives to board the S.S. Southern Queen bound for New York, and immediately becomes the main order of business for a collection of single women looking to nab the eligible bachelor. Amongst those watching Charles board are a trio of con men and cardsharps -- Colonel Handsome Harry Harrington (Charles Coburn), his partner Gerald (Melville Cooper), and the Colonel's daughter Jean (Barbara Stanwyck). All three see Charles as a pushover and at dinner, while all the women are ogling Charles, Jean wins the day by sticking out her foot and tripping him. Complaining to Charles that he should watch where he is going, she gets him to escort her to her cabin so that she can replace her broken heel. Charles is sexually attracted to Jean, but when Charles is about to make a pass at her, she pulls back, telling him, "You ought to be put in a cage." Back in the dining room, Charles is introduced to the Colonel and the three play cards, Charles winning $500 from the Colonel and $100 from Jean. But Charles is merely being set-up for the next game when the Colonel will come in for the kill. Back at Jean's cabin, Charles and Jean sit close and something happens she hadn't planned -- she becomes attracted to Charles too. The next morning, Muggsy warns Charles that the Colonel and Jean are cardsharks, but Charles won't hear of it. Meanwhile, the Colonel is looking forward to fleecing Charles, but Jean doesn't want any part of it. Jean participates in the card game between Charles and the Colonel, making sure than the Colonel doesn't cheat. But while Jean waits on deck for Charles after the game, the Colonel plays Charles a game of double-or-nothing, with Charles losing $32,000. Jean, angry with her father, makes the Colonel tears up Charles' check. The next morning, Muggsy proves to Charles the three are con artists. Devastated, Charles shows Jean the photograph, claiming he knew she was a criminal the morning after he met her. Jean is determined to get even with Charles ("I hate that mug!"). Docking in New York, the Colonel reveals he merely palmed the $32,000 check. But that's not enough revenge for Jean. Impersonating an aristocratic English woman, Lady Eve Sidwich, Jean has herself introduced to Charles. Planning to make Charles to fall in love with her again, she intends to break his heart like he broke her own. As she explains, "I've got some unfinished business with him -- I need him like the axe needs the turkey." ~ Paul Brenner, All Movie Guide

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Starring:
Henry FondaBarbara Stanwyck, (more)
1941  
 
Sunny was one of three RKO Radio Broadway-musical adaptations tailored to the talents of British favorite Anna Neagle by her soon-to-be-husband Herbert Wilcox (the other two were No No Nanette and Irene). The story has been updated a bit and transposed to New Orleans' Mardi Gras, but remains at base a "Cinderella" yarn, replete with a poor girl/rich boy romance. Circus entertainer Sunny Sullivan (Neagle) falls in love with Larry Warren (John Carroll), wealthy scion of an auto-manufacturing family. Accepting his invitation to meet his family at a fancy weekend party, Sunny elects to hide the fact that she's in (horrors!) show business. Just as she's won over the entire family, who should arrive but her circus cohorts, immediately blowing her cover. The shamefaced Sunny returns to the big top, but Larry will not be dissuaded from his intention to make her his bride. The film is at its best when the talented Anna Neagle trades steps with loose-limbed dancer Ray Bolger. A more faithful (but less enjoyable) version of this Otto Harbach-Oscar Hammerstein II-Jerome Kern musical was made in 1930, with the original "Sunny" Marilyn Miller repeating her Broadway role. ~ Hal Erickson, All Movie Guide

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Starring:
Anna NeagleRay Bolger, (more)
1940  
 
Edward G. Robinson portrays real-life German medical researcher Paul Erlich, the man who discovered and perfected "Formula 606," the cure for syphilis. The world at large would prefer to treat the disease as though it does not exist, so Erlich spends most of his life underfunded and frustrated. A no-nonsense dowager (Maria Ouspenskaya) has faith in Erlich, however, and thus provides the necessary funds to develop Formula 606. Once the serum is released to the public, Erlich's reputation is threatened when a handful of syphilitics die, ostensibly as a result of the "cure." Brought up on criminal charges, Erlich is exonerated by his old colleague Dr. Von Behring (Otto Kruger). Considered daring in its time for its exploration of a "taboo" subject, Dr. Erlich's Magic Bullet holds up as one of Warner Bros.' most solid biopics, with a convincing performance from a nearly unrecognizable Edward G. Robinson. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonRuth Gordon, (more)
1940  
 
This modest Preston Sturges comedy stars Dick Powell as an office clerk dreaming of better things and Ellen Drew as his more pragmatic girlfriend. Powell convinces himself that his fortune will be made if he can win a slogan contest sponsored by a coffee company. Powell's contribution: "If you can't sleep at night, it isn't the coffee, it's the bunk!" Three of Powell's fellow workers decide to have some fun with him; they fake a telegram which announces that he's won the contest. The deception snowballs to the point that even the head of the coffee firm (Raymond Walburn) labors under the misapprehension that Powell has won. When the painful truth is revealed, Powell finds himself broke (because of all the creature comforts he's bought) and jobless, but at least he's retained the love of his wife. A cute deus ex machina to the story appears in the person of William Demarest, the foreman of the "jury" that is judging the slogan contest. ~ Hal Erickson, All Movie Guide

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Starring:
Dick PowellEllen Drew, (more)

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