Greta Meyer Movies

In this remake of the 1925 silent film, the breakup of a lifelong friendship between two German millionaires is chronicled. The trouble begins as WW II erupts. One of the men becomes sympathetic to the U.S. while the other becomes a Nazi sympathizer. They spend most of the film arguing about political philosophy. The trouble really starts when the Nazi millionaire is tricked into paying for German sabotage operations. One of the vehicles he inadvertently destroys carries his own son. ~ Sandra Brennan, All Movie Guide

James Stewart's last Hollywood film before entering military service, Come Live with Me teams Stewart with the hauntingly beautiful Hedy Lamarr. Lamarr plays a wealthy Austrian emigree, in love with a married American publisher. The girl must quickly find an American husband or she'll be deported. Along comes Stewart, an idealistic (and starving) writer given to quoting poetry in moments of crisis. He marries her on a "strictly business" basis...but Love finds a way, especially after Stewart wins fame by writing a story about his companionate marriage. Come Live with Me served as the screen debut of 80-year-old actress Adeline de Walt Reynolds, who as Jimmy Stewart's grandmother launched a twenty year career as everyone's favorite matriarch. ~ Hal Erickson, All Movie Guide

This cautionary pre-World War II drama stars Joan Bennett as an American girl who falls in love and marries a German (Francis Lederer) in 1938. At first he seems charming, but Joan discovers that her husband is slowly being seduced by the Nazi Party. Determined to leave, Bennett is forced to battle Lederer for custody of their child, whom the husband plans to raise as a budding Fascist. The Nazi is foiled by his father(Otto Kruger), who crushes Lederer's "iron will" by informing his son that his own mother was Jewish. At 77 minutes, The Man I Married cuts out all slack, and the result is a taut, exciting melodrama. ~ Hal Erickson, All Movie Guide

Previously filmed in 1933, Noel Coward's sentimental operetta Bitter Sweet was transformed by MGM seven years later into a Jeanette MacDonald-Nelson Eddy vehicle, complete with Technicolor. Set in late 19th century Vienna, the story focuses on the romance between music teacher Carl Linden (Eddy) and his prize pupil Sarah Milick (MacDonald). Eloping with Sarah, Carl writes an operetta specially tailored for her talents, which earns her fame and fortune. Alas, poor Carl does not live long enough to see Sarah's triumph, but it is clear that she will never forget him. Chock full of memorable tunes and familiar character faces in the supporting cast (best of all is Herman Bing as a Viennese shopkeeper), Bitter Sweet is musical moviemaking at its best. ~ Hal Erickson, All Movie Guide

No Place to Go is a remake of the 1932 Chic Sale vehicle The Expert, which in turn was adapted from the George S. Kaufman-Edna Ferber play Old Man Minick. Fred Stone plays elderly retiree Andrew Plummer, who moves in with his well-to-do son Joe (Dennis Morgan) and Joe's wife Gertrude (Gloria Dickson). Before long, Andrew makes a bloody nuisance of himself with his well-intentioned interference in his son's affairs. In the original The Expert, the main character finally realizes he's just in the way and voluntarily heads to an old folk's home. No Place to Go takes a slightly different plot turn, with Andrew accepting a job with Joe's business firm, only to decide over his son's protests that he'd be better off in a retirement home-or as he puts it, "a club for gentleman". In both films, the ageing protagonist finds a kindred spirit in a pugnacious street urchin: Dickie Moore in the original, Sonny Bupp in the remake. ~ Hal Erickson, All Movie Guide

Choreographer Bobby Connolly and prolific screenwriter Crane Wilbur teamed up on the direction of Warner Bros.' The Patient in Room 18. Patric Knowles delivers a delightfully comic performance as Lance, an outwardly normal young man obsessed with detective stories. When his obsession threatens to lapse over into lunacy, Lance is sent to the hospital for a nice long rest. It isn't long before he gets mixed up in a genuine murder mystery, using his second-hand knowhow to solve the case. Up-and-coming Ann Sheridan is quite amusing as Lance's nurse and confidante, while the murderer is played by a fellow who is usually cast as the murder victim. ~ Hal Erickson, All Movie Guide

MGM's Paradise for Three is based on Erich Kaestner's novel Three Men in the Snow. Frank Morgan stars as American businessman Rudolph Tobler, who wants to get closer to his German roots. Travelling incognito, Tobler shows up at a German alpine village, hoping to find out what the local population is really like. Before long, the old duffer is smack-dab in the middle of a breach of promise suit with predatory Mrs. Mallebre Mary Astor. Coming to the rescue is young go-getter Fritz Hagedorn Robert Young, who also finds time for romance with Tobler's daughter Hilde Florence Rice. Though it presumably takes place in Germany in 1938, there are no swastikas or storm troopers to be found anywhere in Paradise for Three; perhaps MGM, like the rest of the world, felt that if you ignored the Nazis, they'd go away. ~ Hal Erickson, All Movie Guide

Marriage Forbidden is the film version of Eugene Briaux' once-notorious 1912 stage drama Damaged Goods. This pioneering study of the consequences of venereal disease had been praised by none other than George Bernard Shaw; the film version likewise boasted a "famous name", muckraking novelist Upton Sinclair, who is credited with the adaptation. George (Douglas Walton), a young man from a good family, makes the mistake of going "all the way" with Margie (Phyllis Barry), a girl with a bad reputation. Feeling guilty, George tries to wriggle out of his upcoming marriage to Henrietta (Arletta Duncan), the daughter of a congressman. The wedding proceeds as planned, however, with the expected long-range tragic results for Henrietta and her child. Acting as the "voice of reason" is Pedro de Cordoba as kindly Dr. Walker. Produced in 1936 by Phil Goldstone (who directed under the name of Phil Stone), the film was first released as Damaged Goods in 1937, then under its Marriage Forbidden cognomen the following year. Neither version was able to earn a production code seal, and both ran into heavy censorship problems when distributed nationally. ~ Hal Erickson, All Movie Guide

In this drama, a girl from a small town in Pennsylvania dreams of being a star while she goes to school. The trouble is, no one notices her. Later a mentor turns her into a successful Broadway entertainer. She returns to her former college to get sweet revenge. Songs include: "When Love Is Young," "Did Anyone Ever Tell You" (Harold Adamson, Jimmy McHugh). ~ Sandra Brennan, All Movie Guide

A remake of 1929's The Greene Murder Case, Paramount's Night of Mystery was the first "Philo Vance" thriller not to use the words "Murder Case" in the title. The story is set in the Greene Mansion in midtown New York, where a passel of greedy relatives attend the wealthy and reclusive Mrs. Tobias Greene (Elizabeth Patterson). When murder inevitably rears its ugly head, dilettante sleuth Philo Vance (Grant Richards) shows up to investigate, condescendingly second-guessing DA Markham (Purnell Pratt) and Sgt. Heath (Roscoe Karns). Among the clues is a revolver which keeps appearing and disappearing, seemingly at will. Part of the appeal of the original Greene Murder Case was the offbeat casting of then-ingenue Jean Arthur. In Night of Mystery, the Arthur role is filled by Ruth Coleman, who is almost as ill-suited for the part as is the colorless Grant Richards as Philo Vance. Strange that director E. A. Dupont, one of the giants of the German silent cinema, couldn't inject any more excitement into this weary yarn. ~ Hal Erickson, All Movie Guide

Norwegian skating star Sonja Henie reached an early pinnacle with this romantic comedy co-starring Tyrone Power as a Ruritanian prince impersonating an American reporter. They fall in love, of course, and the whirlwind romance threatens to interrupt an important treaty between three rival principalities. In between Henie's skating extravaganzas -- which reportedly involved more that 100 skaters and a rink 100 by 145 feet in length -- vocalist Leah Ray and the company perform "My Secret Love Affair," "Over Night," and "My Swiss Hilly Billy," all by Lew Pollack and Sidney D. Mitchell, while comedienne Joan Davis takes care of "I'm Olga From the Volga" by Mack Gordon and Harry Revel. Both Thin Ice and Paramount's simultaneous (and better) Easy Living were partially based on a 1922 Hungarian play, Der Komet, leading Fox to briefly entertain the idea of suing the rival company. ~ Hans J. Wollstein, All Movie Guide

Johanna Spyri's perennial children's favorite Heidi was retailored to the talents of Shirley Temple, resulting in one of her best vehicles. Orphaned early in the proceeding, Heidi is left in the care of her bitter, misanthropic grandfather Adolph Kramer (Jean Hersholt). It doesn't take long before the sweet little child has melted grandpa's hardened heart, and the two "outcasts" become inseparable. But things take a sinister turn when Heidi's cruel and avaricious aunt (Mady Christians) kidnaps the girl and sells her into servitude in the home of wealthy Segemann (Sidney Blackmer). Making the best of the situation, Heidi befriends Segemann's invalid daughter Klara (Marcia Mae Jones), encouraging the girl to walk unassisted for the first time in years. The grateful Segeman promises to reunite Heidi with her grandfather, but Jones's wicked governess Fraulein Rottenmeier (Mary Nash) contrives to keep the girl and her grandpa separated once more -- until the very, very last moment! Perhaps feeling that the Alpine setting of Heidi did not allow Shirley Temple full scope for her musical talents, the screenwriters contrived to include a dream sequence, wherein Heidi imagines herself to be in Holland and clogs to the tune of "In My Little Wooden Shoes." ~ Hal Erickson, All Movie Guide

This lavish Shirley Temple starrer is set in New York, sometime in the 1850s. While lovable pickpocket "Professor" Eustace Appleby works the crowd, his talented granddaughter Dimples (Temple) dances for pennies. Dimples demands that Appleby stop his thieving ways, but every time he tries to follow the straight and narrow, he comes out the loser (most memorably when he's hoodwinked by a dapper con man played by John Carradine). While Dimples entertains at the home of society matron Mrs. Caroline Drew (Helen Westley), Appleby pilfers several valuable objects. This time he's caught with the goods, but Dimples gallantly takes the blame. Touched by this, Mrs. Drew adopts the little girl, enabling her to find success on the legitimate stage. ~ Hal Erickson, All Movie Guide