Emile G. Meyer Movies

Two guys looking for a good time find more than they bargained for in this low-budget action story laced with comedy. Chris Dixon (Alan Vint) and his brother Wayne (Jesse Vint) are originally from Chicago, but when the two are scheduled to go into the Army together, they decide to spend their last two weeks before reporting for boot camp drifting through the South, chasing girls, drinking beer and raising a little hell. After picking up a pretty hitch-hiker, Jenny Scott (Cheryl Waters), who has tired of small-town life and has eyes for Chris, a busted fuel pump strands the brothers in Macon, Georgia, where Sheriff Reed Morgan (Max Baer, Jr.) makes it clear they're not welcome to spend the night. Meanwhile, a pair of ex-cons on a crime spree have arrived in Macon, and they ransack Morgan's house and murder his wife while the sheriff is picking up his son Luke (Lief Garrett) from military school. When their car breaks down again, Chris, Wayne and Jenny spend the night in a nearby barn; what they don't know is they've ended up on the sheriff's property, and when he comes home and discovers his house is a crime scene, he assumes the worst after he finds Chris and Wayne. Max Baer, Jr., who plays Sheriff Morgan, also produced Macon County Line and co-wrote the screenplay; the movie was a major box-office success on its original release in 1974 and sparked a new career behind the camera for the former Beverly Hillbillies star. ~ Mark Deming, Rovi

A two-bit criminal takes on the Mafia to avenge his brother's death in this drama based on a novel by Donald E. Westlake. Earl Macklin (Robert Duvall) is a small time criminal who is released from prison after an unsuccessful bank robbery only to discover that a pair of gunmen killed his brother. As it turns out, the bank that Earl and his brother hit was controlled by gangster Mailer (Robert Ryan). Macklin learns that he's on the mob's hit list as well, so he teams up with his old partner Cody (Joe Don Baker) to take on Mailer and his second in command, Jake Menner (Timothy Carey). The Outfit also features a top-notch supporting cast, including Karen Black, Sheree North, Joanna Cassidy, Richard Jaeckel, and Anita O'Day; Marie Windsor and Elisha Cook, Jr. also appear, 18 years after their memorable turn together in The Killing. ~ Mark Deming, Rovi

Anna Kosovo (Kathleen Widdoes), a friend of Ben Cartwright, has good reason to be terrified of her antagonistic immigrant husband Nick (Michael Pataki). Trapped in her own house by her husband, Anna-and her young son-must rely upon Ben to rescue them. Written by Preston Wood and Karl Tunberg, this episode is climaxed by a prolonged and tension-filled gunfight. "Frenzy" first aired on January 30, 1972-coincidentally just before the release of the otherwise unrelated Alfred Hitchcock theatrical feature Frenzy. ~ Hal Erickson, Rovi

Chaddock (Barry Sullivan) is the straight-shooting marshall of Gloryhole, Montana. Wealthy rancher Rep Marlowe (Wendell Corey) practically owns the town by way of his gambling saloons, shady land deals and hired guns who intimidate the law-abiding citizens. Sheriff Tangley (Lon Chaney Jr.) calls on Chaddock when Marlowe holds the town hostage by damming the river and cutting off the water supply. Barbara Hale plays Sarah Cody, whose young son is killed by gunfire in the ensuing melee. The saloon girl Nora (Joan Caulfield) is a former schoolteacher forced into her tawdry occupation by the menacing Marlowe in this routine western film. ~ Dan Pavlides, Rovi

U.S. Marshal Gid McCool (George Montgomery) leads a wagon train of convicted felons to Huntsville prison in this routine western. The only female among the crooks is the dancehall girl Laura Mannon (Yvonne De Carlo), McCool's former flame. When McCool cannot be swayed from completing his lawful duty, Laura tries to endear herself to shotgun rider Mike Reno (Tab Hunter) in hopes he will set her free. The party is shadowed by some outlaws led by Aaron (John Russell), the brother of one of the condemned murderers, in hopes he can free his doomed sibling. Mike's efforts land him in chains, but McCool releases him to fight when the outlaws attack. The hero McCool comes through with only a slight scratch while his adversaries are all beaten to a bloody pulp. Silent movie star Francis X. Bushman was to have appeared in this film, but died in August 1966. His part was taken over by Donald "Red" Barry. ~ Dan Pavlides, Rovi

My Favorite Martian launches its third and final season with its first color episode, and its first (and only) two-part story. In his efforts to return to the moment just before he crash-landed on earth in 1963, Uncle Martin (Ray Walston) deploys his Cathode-Ray Centrifugal Time Breakascope--which hurls himself and Tim (Bill Bixby) way, WAY back to the St. Louis of the year 1849. Here the two time-travellers meet Marshal Brennan (Alan Hewitt), great-grandfather of Martin's perennial nemesis Detective Brennan (also Alan Hewitt), who upholds family tradition by arresting the duo as counterfeiters when they try to pass 20th Century currency. Later on, Tim and Martin confront the great-grandmother of their landlady Lorelei Brown (both roles played by Pamela Britton)--and promptly make a mistake that could grievously alter the course of the future! ~ Hal Erickson, Rovi

In this western, the trouble begins when a rancher's mother and father are killed by a young outlaw and his family who want his land. The son returns the favor and slaughters them. As the father lies dying, he manages to hire three gunslingers to track the boy down. The boy is a good shot though and kills two of the hired guns and then flees into Indian territory. There he meets an old miner, his wife and their daughter. The remaining gunslinger finds him, but is taken prisoner by the miner. Later, the saucy wife makes a pass at the young man, but he rejects her. In retaliation, she frees the gunman, steals her husband's gold and takes off. She ends up being killed by the Indians. Meanwhile, the daughter, the miner, and the rancher's son are busy fighting off an attack of their own. They then ride off after the fleeing gunman whose horse is so laden down with gold that it collapses. This allows the son to shoot him dead. Afterwards, the son and the miner's daughter get hitched and live happily ever after. ~ Sandra Brennan, Rovi

Wealthy Walter Frazer (Torin Thatcher) has always held his daughter-in-law Sue Ellen (Diana Millay), a former nightclub singer, responsible for the failures of his son Gregson (Bryan Grant), now working as a parking attendant. Hoping to get rid of Sue Ellen, Frazer offers her a huge sum to divorce Gregson, but she angrily turns him down. Not long afterward, Gregson is murdered--whereupon Frazer does an about-face, insisting that Sue Ellen is a wonderful girl and his son was a no-good wastrel. In his efforts to defend Sue Ellen on a murder charge, Perry Mason (Raymond Burr) tries to uncover the real reason behind Frazer's highly unconvincing change of heart. Watch for future TV icons Alan Hale Jr. (Gilligan's Island) and DeForest Kelley (Star Trek) in supporting roles. ~ Hal Erickson, Rovi

In this routine crime melodrama, detective Steve Keenan (Robert Knapp) is faced with several problems at one time. He has a reputation for using excessive force in dealing with criminals, so when he kills a gangland boss during an arrest, there is some room for doubt about the circumstances leading up to the killing. In the meantime, Keenan is dogged by an unidentified man out to avenge the death of the gangster. Aside from that continually evolving situation, there is some mystery surrounding a woman who gets involved with Keenan. The setting is Los Angeles, and the city plays its own role in the film. ~ Eleanor Mannikka, Rovi

An old-fashioned western, King of the Wild Stallions features a pretty widow in distress, a handsome foreman who comes to her rescue, and a nasty landowner. Martha (Diane Brewster) is troubled because unless she can come up with $500 she will lose her land to Matt (Emile Meyer), a wealthy cattle rancher. Coincidentally, Matt is offering a $500 reward for the capture of a powerful wild stallion, and anyone who can add knows that Martha has a way out of her dilemma. But at the same time, Martha's son Bucky (Jerry Hartleben) wants to keep the horse if he can catch him. Caught between her son's wishes and losing her land, Martha may have a way out, thanks to Randy (George Montgomery), her ingenious, talented, and good-looking foreman. ~ Eleanor Mannikka, Rovi

This off-beat western is a freely-adapted remake of the violent film noir Kiss of Death. The story centers on a naive thief, Dan Hardy, who is captured after a bank robbery and placed in a jail cell alongside the maniacal, vicious Felix Griffin. O'Brian gets himself into deep trouble when he tells Griffin where he hid the loot, a location that only O'Brian's partner knows. As soon as Griffin is released, he begins a shocking, and graphically depicted, killing spree as he tries to get to the cache of cash. In desperation, the lawmen arrange to release Hardy so he can find the psychotic O'Brian and stop him. ~ Sandra Brennan, Rovi

A steamship docks in San Francisco, and as one of the passengers, Philip Dressler (Raymond Bailey), is waiting for a cab after clearing customs, a baggage handler suddenly grabs one of his cases and throws it into a taxi, which takes off. In the ensuing getaway, a police officer is killed, but not before he gets off a shot that takes the fleeing cab driver's life. What Lieutenant Ben Guthrie (Warner Anderson) and Inspector Al Quine (Emile G. Meyer) can't figure out is why two men are suddenly dead within a matter of seconds, all for a seemingly inexplicable baggage snatch. The truth begins to come out when an examination reveals that a small ornamental statue in Dressler's case is loaded with half a million dollars in pure heroin. Then the bodies start turning up -- beginning with a baggage handler at the docks. Guthrie and Quine uncover a plan by a drug syndicate to use innocent, unsuspecting tourists visiting the Far East as unknowing drug couriers -- and now that the original method of retrieval at the docks has unraveled, thanks to the wheelman being an addict who got himself killed, another method is improvised.

Enter a pair of hitmen from out of town, Dancer (Eli Wallach), a soft-spoken psychopath with a perfect memory and not a trace of conscience, and his philosophical mentor and "handler," Julian (Robert Keith). Taken around San Francisco by their mob-employed driver, Sandy McLain (Richard Jaeckel), a juicehead who's not quite as good a wheelman as he thinks he is, the hitmen start collecting the latest shipment of heroin from three new arrivals: a ship's crew member who knows too much for his own good, a wealthy husband and wife, and a woman and her young daughter. They calmly go about their business, Dancer and his silenced pistol taking care of any "problems" while Julian runs interference and discusses issues of grammar and speech with him, and adds to his collection of "last words" from Dancer's victims -- until the last shipment turns up missing. It seems the little girl (Cheryl Callaway) found the bag of white powder hidden on the doll her mother bought her, and used it to powder the doll's face....Now Dancer and Julian have to disrupt the planned drop to "The Man" (Vaughn Taylor) to explain the short count, and to do that they have to keep the little girl and her mother (Mary Laroche) alive, at least long enough to tell their story. Meanwhile, Guthrie and Quine keep getting closer, following the trail of bodies and putting together a description of the two killers. But can they find them before the kidnapped mother and daughter join the other victims? ~ Bruce Eder, Rovi