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Kathryn Beaumont Movies

1953  
G  
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A pet project of Walt Disney's since 1939, this animated version of James M. Barrie's Peter Pan reached full fruition in 1953. Eschewing much of Barrie's gentle whimsy (not to mention the more sinister aspects of the leading character), Disney and his staff fashioned a cheery, tuneful cartoon extravaganza, which cost $4 million and reaped several times that amount. The straightforward story concerns the Darling family, specifically the children: Wendy, Michael and John. Wendy enjoys telling her younger siblings stories about the mythical Peter Pan, the little boy who never grew up. One night, much to everyone's surprise, Peter flies into the Darling nursery, in search of his shadow, which Wendy had previously captured. Sprinkling the kids with magic pixie dust, Peter flies off to Never-Never Land, with Wendy, Michael and John following behind. Once in Peter's domain, the children are terrorized by Captain Hook, who intends to capture Peter and do away with him.

After rescuing Indian princess Tiger Lily from Captain Hook, Peter must save the children, not to mention his own "Lost Boys," from the diabolical pirate captain. In addition, he must contend with the jealousy of tiny sprite Tinker Bell, who doesn't like Wendy one little bit. Breaking with several traditions, Peter had been played by a girl in all previous incarnations, Tinker Bell had always been depicted by a shaft of light, etc ... this "Disneyized" version of Peter Pan may not be authentic James Barrie, but it has never failed to enthrall audiences of all ages. Adding to the fun are the spirited voiceover performances by Bobby Driscoll (Peter), Hans Conried (Captain Hook and Mr. Darling), Kathryn Beaumont (Wendy) and Bill Thompson (Smee), and the sprightly songs by Sammy Cahn, Sammy Fain, Ollie Wallace, Erdman Penner, Ted Sears, Winston Hibler, Frank Churchill and Jack Lawrence. ~ Hal Erickson, Rovi

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Starring:
Bobby DriscollKathryn Beaumont, (more)
 
1951  
G  
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This Disney feature-length cartoon combines the most entertaining elements of Lewis Carroll's Alice in Wonderland and Through the Looking Glass. Chasing after the White Rabbit, who runs into view singing "I'm Late! I'm Late!," Alice falls down the rabbit hole into the topsy-turvy alternate world of Wonderland. She grows and shrinks after following the instructions of a haughty caterpillar, attends a "Very Merry Unbirthday" party in the garden of the Mad Hatter and the March Hare, stands in awe as the Cheshire Cat spouts philosophy, listens in rapt attention as Tweedledum and Tweedledee relate the story of the Walrus and the Carpenter (a sequence usually cut when Alice is shown on TV), and closes out her day with a hectic croquet game at the home of the Red Queen. The music and production design of Alice in Wonderland is marvelous, but the film is too much of a good thing, much too frantic to do full honor to the whimsical Carroll original, and far too episodic to hang together as a unified feature film. One tactical error is having Alice weep at mid-point, declaring her wish to go home: This is Alice in Wonderland, Walt, not Wizard of Oz! Its storytelling shortcomings aside, Alice in Wonderland is superior family entertainment (never mind the efforts in the 1970s to palm off the picture as a psychedelic "head" film). ~ Hal Erickson, Rovi

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Starring:
Kathryn BeaumontEd Wynn, (more)
 
1949  
 
The oft-filmed Frances Hodgson Burnett novel The Secret Garden was given the usual plush MGM treatment in 1949. Tempestuous orphan girl Mary Lennox (Margaret O'Brien) is sent to live with her reclusive, long-widowed uncle Archibald Craven (Herbert Marshall). The embittered Craven has an invalid son named Colin (Dean Stockwell), with whom the troublesome Mary constantly clashes. Her only real friend is neighbor-boy Dickon (Brian Roper). Things soon change after Mary discovers the key to the Craven household's garden, which has been locked up and neglected since the death of Craven's wife. Through the influence of the Secret Garden, Mary learns to think of others rather than herself, Craven drops his curmudgeonly veneer, and Colin's health slowly but steadily improves. In the tradition of The Wizard of Oz, the sequences taking place in the Secret Garden are lensed in Technicolor. ~ Hal Erickson, Rovi

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Starring:
Margaret O'BrienHerbert Marshall, (more)
 
1949  
 
A "new" Lassie (once again, a male collie in drag) starred in A Challenge to Lassie, MGM's fourth entry in their series based on characters created by Eric Knight. This time, Lassie is plunked into the plotline of William Ludwig's novel Greyfriars Bobby (remade by Disney under its original title in 1963). In 19th-century Edinburgh, crusty sheepherder Jock Gray (Donald Crisp) rescues a puppy and raises it into a champion sheep dog. When Gray is murdered by rustlers, his faithful collie keeps a night-and-day watch over his late master's grave, despite local laws banning the presence of unleashed canines. The rest of the film is a battle of wills between kindly innkeeper John Traill (Edmund Gwenn) and by-the-book constable Davie (Reginald Owen) over the dog's well-being. A romantic subplot is capably handled by Geraldine Brooks and Ross Ford, both of whom went on to healthy character-actor careers. ~ Hal Erickson, Rovi

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Starring:
Edmund GwennDonald Crisp, (more)
 
1948  
 
The title of this MGM musical alone should tip you to the fact that Esther Williams is the star. In this one, she plays a movie star (what an innovation!), Rosalind Reynolds, who is on location in Hawaii to shoot a picture. Peter Lawford plays the film's naval technical advisor, Lt. Lawrence Y. Kingslee, who naturally falls deeply in love with Rosalind. As a means of expressing his ardor, Kingslee genteelly kidnaps Rosalind by "accidentally" marooning her on a desert island. To the dismay of feminists everywhere, Rosalind comes to enjoy being Kingslee's prisoner, and all ends happily. Jimmy Durante breaks up da joint in the role of an assistant director, while music is provided by MGM's all-purpose bandleader Xavier Cugat. The Technicolor process is shown to supreme advantage whenever it concentrates on Esther Williams' form-fitting gold-colored swimsuit. On an Island with You was one of MGM's premiere moneymakers of 1948. ~ Hal Erickson, Rovi

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Starring:
Esther WilliamsPeter Lawford, (more)
 
1944  
 
The inspiration for this British seriocomedy was Victor Skutezky's stage play She Met Him One Sunday. "She" is Moya Malone (Barbara White), an Irish maid living in Liverpool. "He" is Tom Stevens (Robert Beatty), a Canadian sailor. That "one Sunday" is a busy one, encompassing a few romantic strolls down the dock, Moya's renouncing of her servant status, and a run-in with crooks. Playwright Skutezky also served as producer of It Happened One Sunday. ~ Hal Erickson, Rovi

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Starring:
Robert BeattyBarbara White, (more)