Irving Metzman Movies

Woody Allen's tenth film as writer/director, Stardust Memories opens with a scene reminiscent of the opening of 8 1/2 and continues to use that film for inspiration. Sandy Bates (Allen) sits in a train at a train station, the car filled with very unhappy looking people. In a train on another set of tracks, Bates sees a wonderful party going on. A beautiful woman blows him a kiss as the happy train pulls out of the station. Bates is a famous film director who has been invited to attend a festival of his work being held at the Stardust hotel. He attends the event, but is ceaselessly harassed by fans who accost him and repel him in equal measure. While consistently hearing the complaints from fans, critics, and even space aliens that his earlier comedies are superior to his dramatic work, Bates juggles a trio of women in his private life. His encounters during the course of the retrospective force Bates to take a long look at himself. Sharon Stone makes one of her first film appearances as the woman who blows Sandy a kiss. ~ Perry Seibert, Rovi

Paul Newman stars as an essentially decent cop patrolling that decimated, drug-and-gang-ridden borough known on the city maps as the Bronx, but known to its denizens as "Fort Apache". While Newman tries to hold on to his basic humanity and to treat even the sorriest of the people on his beat with dignity, he can't do much to convince his superiors that blind brutality is not the answer to social blight. When he witnesses fellow-cop Danny Aiello cold-bloodedly murdering a crime suspect, Newman is advised to sweep the whole incident under the rug. He refuses to do so, and as a result becomes "persona non grata" to his former friends on the force. Ed Asner co-stars as the beleaguered captain who has given up trying to treat his job as anything but a necessary evil, while Rachel Ticotin is Newman's love interest. ~ Hal Erickson, Rovi

Trying to recreate the screwball comedy success of his collaborations with Peter Bogdanovitch, actor Ryan O'Neal headlined this sporadically funny mixture of light farce and social satire. O'Neal stars as Bobby, an intellectual English professor who leaves his job when his father Jack (Jack Warden) appeals to him for help. A garment manufacturer, Jack is in serious debt to humongous loan shark Eddie (Richard Kiel), and he desperately needs his business to provide the capital to pay Eddie back. Completely by accident, Bobby invents the solution to his dad's problem: see-through denim blue jeans with strategically placed holes in the rear that expose one's backside. The fickle public goes mad over the "sexy" new style, and the money starts flowing in, but Bobby exacerbates his father's problems greatly when he falls for and begins dating the amorous Lira (Mariangela Melato), whose husband is none other than Eddie. So Fine was the feature directorial debut of popular Blazing Saddles (1974) writer Andrew Bergman, who would wait eight years before getting behind the camera again with the much more successful The Freshman (1990). ~ Karl Williams, Rovi

In Still of the Night, a mystery thriller written and directed by Robert Benton, a psychiatrist falls in love with a woman who is suspected of the murder of one of his patients. Dr. Sam Rice (Roy Scheider) is treating a married museum curator. When the man is killed, Sam is visited by his dead patient's mistress and co-worker Brooke Reynolds (Meryl Streep) who wants him to return a watch -- that was left at her home -- to the patient's wife. Sam is immediately attracted to the cool, aloof Brooke, who has been discussed during numerous therapy sessions. When he hears about the mysterious death of Brook's father, and he himself is stalked by a woman who resembles Brook, he begins to both desire and fear her. Despite its rather leisurely pace, and some dream sequences which distract from the suspense, Still of the Night is an effective thriller despite a contrived surprise ending when the killer is revealed. Scheider is believable as the doctor in love, but Streep is rather strained in a role that demands a sexual allure and eroticism which she seems uncomfortable portraying. Benton's cinematography is moody and frightening, particularly when Scheider is followed through Central Park. Despite its flaws, Still of the Night should please fans of psychological thrillers. ~ Linda Rasmussen, Rovi

Set in 1963, The Flamingo Kid finds 18-year-old Brooklynite Matt Dillon, the son of blue-collar Hector Elizondo, getting a taste of the Good Life by joining several of his friends at "El Flamingo", a swank Long Island beach club. Wealthy car salesman Richard Crenna, the uncle of Matt's girl friend Janet Jones, befriends the boy and takes him under his wing. Thanks to Crenna's influence, Matt secures a good job at the Flamingo. The boy is bedazzled by Crenna's sumptuous lifestyle, and most especially by the older man's reputation as the Flamingo's reigning gin rummy champ. Dillon begins taking on airs, which alienates his down-to-earth father. Watch for a scene in which, while channel-surfing with his new remote control, Richard Crenna watches a fleeting clip from the old TV sitcom The Real McCoys--featuring Richard Crenna. ~ Hal Erickson, Rovi

In this rather routine adaptation of the French hit, The Tall Blond Man with One Black Shoe, Richard (Tom Hanks) is a bicycling violinist who is innocently drawn into a nasty struggle for control of the CIA. Cooper (Dabney Coleman) is the unscrupulous current head honcho of the notorious U.S. agency, Ross (Charles Durning) is his nemesis, and Maddy (Lori Singer) works for Cooper. After Richard the violinist is forced into the picture, Maddy fights off an attraction to the rather dull man, and complications introduce enough gadgetry to fill a James Bond movie, almost. ~ Eleanor Mannikka, Rovi

In this charming comedy that lives up to its title, Judge Reinhold stars as Joe Gower, a librarian's assistant posing as a police officer and trying to win the heart of a beautiful police officer, Rachel Wareham (Meg Tilly). A complex chain of events is put in place when Joe agrees to help out a good friend who's a policeman by taking his place at an audition for the cop's annual benefit show. Once at the auditions, Joe falls for Rachel, who will be dancing in the benefit. Joe starts hanging out with the choreographer in order to spend more time with Rachel. Unfortunately, this gets him into his borrowed police uniform more than he would like, and soon he's carrying out the duties of a beat cop while wearing his disguise. ~ Eleanor Mannikka, Rovi

Hands of a Stranger was adapted by playwright Arthur Kopit from the best-selling novel by Robert Daley. Armand Assante plays a New York City narcotics officer who aids DA Blair Brown in her investigation of a rape case in which drugs were involved. In the subsequent days, Assante becomes something of an expert in rape evidence. Thus, when his wife Beverly D'Angelo is sexually assaulted while en route to a rendezvous with her lover, Assante suspects something even though D'Angelo remains mum about the incident. Conducting his own investigation, Assante determines the rapist's identity while wiretapping a phoned-in attempt to blackmail his wife. Will Assante forget everything he's learned about police procedure and attempt to take the law into his own hands? Co-starring in Hands of a Stranger is Arliss Howard as the scummy rapist. Preceded by a warning that the film contained scenes of a violent and graphic nature, Hands of a Stranger was originally broadcast in two parts, on May 10 and 11, 1987. ~ Hal Erickson, Rovi

Tune in Tomorrow is based on Mario Vargas Llosa's novel, Aunt Julia and the Scriptwriter. In New Orleans, circa 1951, a news writer for a local radio station, Martin Loader (Keanu Reeves), meets and falls in love with his aunt Julia (Barbara Hershey), a divorced woman who is looking for a new husband. Meanwhile, new-in-town eccentric radio-soap-opera writer, Pedro Carmichael (Peter Falk) has been hired to help boost the station's bad ratings. Pedro begins manipulating Martin and Julia's affair and using it as the basis for his radio show. Director Jon Amiel uses the same story-within-a-story construction from The Singing Detective, the miniseries that he directed for British television. ~ Linda Rasmussen, Rovi

Havoc reigns supreme at a diabetes clinic where several patients suddenly die or go into a coma at an alarming rate. The detectives trace this disastrous situation to a hacker that has invaded the clinic's computer system. Then things take a surprising turn when a vengeance-driven blind man emerges on the suspect list. Without revealing any further cogent plot points, it can be noted that guest star Dana Elcar was legally blind in real life. ~ Hal Erickson, Rovi

A woman living in a rent-controlled apartment on New York's fashionable Upper West Side is murdered. Inasmuch as the victim had been holding up the sale of the apartment building, the landlord appears to be the most likely suspect. But further investigation reveals far more personal and deep-rooted reasons for the killing. Onetime Avengers leading lady Linda Thorson is a standout in a key supporting role. ~ Hal Erickson, Rovi