Nancy Mette Movies

2007  
 
Monk (Tony Shalhoub) is consumed with guilt when Max Barton (Tim De Zarn), a man he'd sent to prison 14 years earlier on a robbery-murder charge, is released on the basis of new DNA evidence. Feeling responsible for Max's long incarceration, Monk tries to help him readjust to the outside world, and to be reunited with his ex-wife Sherry (Nancy Mette). Meanwhile, Max has a fatal confrontation with his former partner--and though Monk doesn't realize it until it is almost too late, it turns out that even modern crimesolving technology can sometimes lead one down the proverbial garden path. ~ Hal Erickson, All Movie Guide

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1994  
 
In this movie, the position of trust a psychiatrist holds is clearly being bent, if not broken, by a prostitute with the doctor's active encouragement. It seems that he enjoys seeing her have sex with his clients. At home, he has a very, very close relationship with his sister. In fact, it looks like it may be just plain old incest. It's never entirely clear, though. When a police detective begins nosing around in the head-doctor's affairs, it is because he is suspected of something entirely different than either of these offenses: he may be connected with a whole series of child murders. ~ Clarke Fountain, All Movie Guide

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Starring:
Rick Dean
1992  
R  
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With his trademark emphasis on character development and dialogue, writer/director John Sayles tells the story of May-Alice Culhane (Mary McDonnell), a New York soap opera actress left paralyzed by a car accident. As the film opens, she lies in a hospital bed, confused and scared, watching her own show on TV and shrieking, "That was supposed to be my closeup!" With no other options, she returns to her family's old and empty Southern home, where she drinks hard, offends every caregiver, and wallows in self-pity. Her outlook begins to changes with the arrival of Chantelle (Alfre Woodard), a nurse with her own life problems. The two gradually find a heartfelt connection with one another, and, as a result, their lives subtly change. McDonnell's work in Passion Fish earned her an Oscar nomination as Best Actress. ~ Norm Schrager, All Movie Guide

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Starring:
Mary McDonnellAlfre Woodard, (more)
1991  
 
In the conclusion of a two-part story (originally networkcast as a single one-hour episode), Murphy (Candice Bergen) and Frank (Joe Regalbuto) are still trapped aloft in a disabled plane, still bracing themselves for what promises to be the inevitable crash. Having already reviewed the events in their respective pasts, the two terrified journalists suddenly experience a "flash-forward", in a Daliesque fantasy sequence wherein they envision their own funeral! Is it giving anything away to reveal that both survive this experience--sadder if not altogether wiser? ~ Hal Erickson, All Movie Guide

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1989  
PG  
In a futuristic society, a menial worker (John Glover) invites his boss (Richard Portnow) over for dinner to ingratiate himself with the business hierarchy. The two begin to fight however, and the tranquil meal turns ugly. ~ John Bush, All Movie Guide

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Starring:
John GloverNancy Mette, (more)
1987  
PG13  
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Independent filmmaker John Sayles creates one of his more artistic works with this period feature about a volatile 1920s labor dispute in the town of Matewan, West Virginia. Matewan is a coal town where the local miners' lives are controlled by the powerful Stone Mountain Coal Company. The company practically owns the town, reducing workers' wages while raising prices at the company-owned supply and grocery. The citizens' land and homes are not their own, and the future seems dim. When the coal company brings immigrants and minorities to Matewan as cheaper labor, union organizer Joe Kenehan (Chris Cooper) scours the town to unite all miners in a strike. As the crisis grows, strikers and their families are removed from their homes by two coal company mercenaries (Kevin Tighe and Gordon Clapp, both also featured in Sayles' Eight Men Out (1988)), and the situation heads toward a final shootout on Matewan's main street . Sayles' simple but telling screenplay brings to light the treatment of immigrants and minorities in the early 20th century South, and it draws sharp parallels between the Matewan labor battle and the Civil War some 50 years earlier. The visual feel of the film is real West Virginia backwoods, with much of the credit going to legendary cinematographer Haskell Wexler, whose warm, rustic lighting belies the anxiety and terror felt by the oppressed townspeople. ~ Norm Schrager, All Movie Guide

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Starring:
Chris CooperWill Oldham, (more)
1985  
R  
Based on a play by Kevin Wade, this comedy stars Brooke Adams as a television producer who demands commitment from her free-spirited lover (Ben Masters). ~ Jason Ankeny, All Movie Guide

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Starring:
Ben MastersBrooke Adams, (more)
1983  
PG  
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Terms of Endearment covers three decades in the lives of widow Aurora Greenway (Shirley MacLaine) and her daughter Emma (Debra Winger). Fiercely protected by Aurora throughout childhood, Emma runs into resistance from her mother when she marries wishy-washy college teacher Flap (Jeff Daniels). Aurora is even more put out at the prospect of being a grandmother, though she grows a lot fonder of her three grandkids than she does of her son-in-law. Flap proves that Aurora's instincts were on target when he enters into an affair with a student (Kate Charleson). Meanwhile, Emma finds romantic consolation with an unhappily married banker (played by John Lithgow, who registers well in a rare "nice guy" performance). As for Aurora, she is ardently pursued by her next-door neighbor, boisterous astronaut Garrett Breedlove (Jack Nicholson). After 75 minutes or so of pursuing an episodic, semi-comic plotline, the film abruptly shifts moods when Emma discovers that she has terminal cancer. Terms of Endearment won Academy Awards for Best Picture, Best Director and Best Screenplay for TV veteran James L. Brooks making his first feature film, Best Actress for MacLaine, and Best Supporting Actor for Nicholson. It was followed by a sequel, The Evening Star (1996), which again featured MacLaine as Aurora. ~ Hal Erickson, All Movie Guide

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Starring:
Debra WingerShirley MacLaine, (more)
1983  
R  
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After helping to kick-start the independent film movement in America with The Return of the Secaucus Seven, John Sayles wrote, directed, and edited his second feature, about a woman who finds herself staring life over after coming out of the closet as a lesbian. Lianna (Linda Griffiths) is a woman in her early thirties who's married to Dick (Jon DeVries), who teaches film at a college in Boston. Lianna first met Dick when she was a student in his class, and while she's grown more assertive and independent with time, Dick has become bitter and difficult, though he tries to be patient with their two children, Spencer (Jesse Solomon) and Theda (Jessica Wight MacDonald). Lianna, who dropped out of college when she married Dick, has begun taking classes again, and strikes up a close friendship with one of her professors, Ruth (Jane Hallaren); Dick, however, would prefer that she spend her time helping him with research on his upcoming thesis. When Lianna discovers Dick has been having an affair with one of his students, she begins to wonder about her future with him as well as her own feelings, and one evening, after dinner and conversation with Ruth, Lianna discovers her new friend has romantic feelings toward her -- and that she feels the same way toward Ruth. When Lianna confronts Dick with the news of her relationship with Ruth, he's livid and makes her leave the house, forcing her to start a new life for herself as she comes to terms with her own sexuality. Comic actor Chris Elliott makes his screen debut in Lianna in a small role as a lighting technician for a dance troupe. ~ Mark Deming, All Movie Guide

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Starring:
Linda GriffithsJane Hallaren, (more)
1980  
R  
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College friends reunite for a New England summer weekend in this low-budget first feature by accomplished independent filmmaker John Sayles. A predecessor of the well-paced, character-driven films in Sayles' future, Secaucus Seven also looks ahead to the 1980s ensemble movies that it inspired, most notably Lawrence Kasdan's The Big Chill, which arrived in theaters three years later. As each friend arrives at the house (or travels to the house), characterizations build, dialogue expands, and the house (and film) are full of people getting reacquainted and re-examining themselves and each other. Sayles builds the plot by testing the characters' connections: Will these former radicals accept the uptight boyfriend of the well-loved politico? What happens when a couple splits up? How does the educated set treat the local blue-collars? Many critics cited Secaucus Seven in their decade-end list of the best films of the 1980s. ~ Norm Schrager, All Movie Guide

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Starring:
Bruce MacDonaldMaggie Renzi, (more)