Laurie Metcalf Movies

Debra Winger's performance as a slow, mentally disturbed woman in A Dangerous Woman, raises the film far above its conventional, violence-ridden plot. Winger plays Martha, a quiet, lonely woman who has adjusted to a life without a man as she toils away at her small job at a dry cleaners in a small town. She lives in the guest cottage of the home of relative Frances (Barbara Hershey). Frances is a single woman who takes up with a variety of men as a cover for her loneliness and insecurity. When Anita (Laurie Metcalf) barrels her car into Frances' porch (thinking, correctly, that her husband is inside Frances' house), alcoholic handyman Mackey (Gabriel Byrne) appears on the scene and offers to fix Frances' porch. As Mackey works on the porch, Mackey becomes involved with both Frances and Martha. Into this melodramatic brew is added Getso (David Strathairn), a petty crook who works with Martha at the dry cleaners. When the four principles interact with each other, the disturbing results include an unwanted pregnancy, a murder, and some unsparing violence. ~ Paul Brenner, Rovi

An unemployed, alcoholic thirtysomething who still lives with his mother and can't seem to muster the motivation to turn his life around finds that all's fair in love and softball when his team is threatened with ejection from the league in a raunchy sports comedy starring Howard Stern Show regular Artie Lange. For the sluggers from Ed's Bar and Swill, the weekly trip to the local diamond is more about drinking and roughhousing than it is about such technicalities as hitting home runs and striking out the opposing team. When their favorite pastime is threatened by the ultra-competitive athleticism of the league's villainous perennial champions -- led by local gym owner and current mayoral candidate Manganelli (Anthony de Sando) -- this motley group of hard-drinking sportsmen must make one final push for the pennant and end their unprecedented losing streak if they hold out any hope of making it to another season. Ralph Macchio, Seymour Cassel, and Laurie Metcalf co-star, and longtime Saturday Night Live contributor Frank Sebastiano makes his directorial debut. ~ Jason Buchanan, Rovi

In Blink, a woman regaining her eyesight after a double cornea transplant operation glimpses the killer of her upstairs neighbor and then must fight for her life as the killer stalks her. Emma Brody (Madeline Stowe), a musician in an Irish folk-rock band was blinded as a result of childhood abuse by her mother. Her doctor, Ryan Pierce (Peter Friedman) performs an operation to restore her vision, but soon Emma is suffering from retroactive hallucinations in which she sees things that have happened hours, or even days, before. As she was the only witness to the murder, her credibility soon comes into question, but she is believed by Detective Hallstrom (Aidan Quinn) who has been tracking what he believes to be a serial killer. Hallstrom also believes that Emma may hold the key to the murderer's motives. ~ Linda Rasmussen, Rovi

After promising a rock star he would find a particular guitar-maker to procure his valuable products, a musician takes a road trip in search of the legend. On his way, he meets various people who have--at one time or another-- been involved with the elusive guru. After he finally meets the man, he realizes that there is much more to one's art than financial reward. ~ Kristie Hassen, Rovi

In this comedy, a man trying to turn away from a life of crime starts performing a little larceny in the interest of helping others. Tom Turner (Greg Kinnear) is a small-time con man who makes the mistake of trying to cheat a pair of undercover cops one night. Fortunately for Tom, his case is heard by a lenient judge who orders him to get a straight job and stay out of trouble; if he can stay employed for a year, his conviction will be wiped from the record. Tom is hired at the Post Office and assigned to the Dead Letter Office, where he and his co-workers Rebecca (Laurie Metcalf), Herman (Tim Conway), and Vladek (Hector Elizondo) try to figure out what to do with the sacks of mail addressed to Santa Claus, Elvis Presley, and God. Against orders, Tom opens one of the letters to God and is moved by the sad story of the woman who sent it. He decides to reply and accidentally mails her his pay check; but when he sees how happy the answer made the recipient, Tom and his co-workers start opening more letters and trying to answer a few prayers that would be within their reach -- which leads Tom back to the courthouse again. Director Garry Marshall has a small role as Preston Sweeney. ~ Mark Deming, Rovi

This animated NBC show's humor is centered around the eternal battle between God and Satan. In this incarnation, God is depicted as a laid-back aging hippie type (voice of James Garner) while Satan (voice of Alan Cumming) is slick, effete, and British. ~ Jonathan Crow, Rovi

The husband-and-wife team of Mary Cybulski and John Tintori (creators of the acclaimed short Manhattan Dinner) directed this Will Kern screenplay which he adapted from his 1992 play Hellcab about a winter's day in the life of a Windy City driver, beginning at 6am in 20 below zero degree weather. Johnny (Paul Dillon) is that rare type of cab driver who will drive anywhere and pick up anyone, and during the 14 hours compressed here into 95 minutes, he ferries about some two-dozen passengers, including a rape victim (Julianne Moore), a hyped-up drug runner, a pregnant woman, and holiday shoppers. Johnny is frustrated that he can't seem to make genuine connections with his passengers or help them. Instead, he can only observe a rear-view image mirroring the passing parade of humanity. Shown at Austin's 1998 South By Southwest Filmfest. ~ Bhob Stewart, Rovi

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, Rovi

Mike Figgis' grim drama documents a romantic triangle of sorts involving prostitute Sera (Elisabeth Shue), failed Hollywood screenwriter Ben (Oscar-winner Nicolas Cage), and the constant flow of booze which he loves more dearly than life itself. Arriving in Las Vegas with the intention of drinking himself to death, Ben meets Sera, and they gradually begin falling for one another. From the outset, however, Ben warns Sera that no matter what, she can never ask him to quit drinking, a condition to which she grudgingly agrees. A darkly comic tragedy, Leaving Las Vegas charts the brief romantic convergence of two desperately needy people who together find a brief flicker of happiness. ~ Jason Ankeny, Rovi

An orphan who dreams of someday finding a family to call his own finds his fate taking an unexpected turn when a mysterious stranger named Wilbur Robinson transports him into the future. Based on the book A Day With Wilbur Robinson by William Joyce, Meet the Robinsons tells the story of a boy with a lifelong wish to belong, and shows what happens when he meets an incredible collection of characters who just might have the power to make his wildest fantasies come true. The film's all-star cast of vocal contributors -- including Angela Bassett, Kelly Ripa, Tom Selleck, Adam West, Steve Zahn, and Laurie Metcalf -- brings the world of the future to life as never before seen on the silver screen. ~ Jason Buchanan, Rovi

Successful character actor Barry Primus spent seven years trying to get financing for his feature debut as a writer-director, Mistress. In the film, a once-promising writer-director, Marvin Landisman (Robert Wuhl), who now directs instructional videos, is sitting home one night, watching his own print of Jean Renoir's Grand Illusion, when he gets a strange phone call. A producer, Jack Roth (Martin Landau), formerly a bigwig at Universal, tells Marvin he was cleaning out his office when he came across Marvin's old script, "The Darkness and the Light." Jack claims he can get financing to make the film, and agrees to Marvin's stipulation that he be attached to direct. They "take a meeting" at a low-rent diner, and Jack brings along a gung-ho novice screenwriter, Stuart (Jace Alexander), to help Marvin polish the script. They meet with three potential backers, played by Eli Wallach, Danny Aiello, and Robert DeNiro, each one more meddlesome than the last, and each with a girlfriend (played by Tuesday Knight, Jean Smart, and Sheryl Lee Ralph, respectively) whom they demand be cast in the film. At first, Marvin adamantly resists changing his serious, downbeat, and very personal script, about an painter who commits suicide, rather than betray his ideals. But eventually, Marvin gets caught up in the momentum of actually getting his dream project made, and starts compromising. He agrees to cast the three women; he agrees to make the script funnier and sexier; he even agrees to change the painter to a photographer to please his backers. Laurie Metcalf plays Marvin's long-suffering wife, and Christopher Walken has a cameo as a tortured actor. Mistress was the first film produced by DeNiro's independent production company, Tribeca Films. ~ Josh Ralske, Rovi