Don Messick Movies

In this droll dual takeoff of Alfred Hitchcock Presents and the Hitchcock feature film Rear Window, Fred is unnerved by his new neighbor Alvin Brickrock, a short, squat Britisher who can be heard arguing with his harridan of a wife. Then, one night, the arguing stops suddenly--and not long afterward, Mrs. Brickrock disappears. These and several other ominous incidents lead Fred and Barney to conclude that Alvin Brickrock is actually the notorious wife slayer Albert Bonehart. The satire is played to the hilt, concluding with Mr. Brickrock bidding the audience a fond "Good ev-e-ning." ~ Hal Erickson, All Movie Guide

By the time The Huckleberry Hound Show entered its third season in the fall of 1960, Hanna-Barbera's position as TV's top animation studio was secure. In addition to this series, Hanna-Barbera was also churning out episodes of Quick Draw McGraw and The Flintstones, with such future cartoon favorites as Top Cat, Touche Turtle and Wally Gator still waiting in the wings. Indeed, only Jay Ward's Rocky and His Friends and UPA's Mister Magoo in any way challenged H-B's market supremacy. The 13 new episodes of Huckleberry Hound served up this season include 13 new "Huckleberry Hound" cartoon shorts and an equal number of "Pixie and Dixie" efforts. Conspicuous by his absence is longtime Huckleberry Yogi Bear, who had been spun off into his own starring series, logically titled The Yogi Bear Show. Yogi's replacement is Hokey Wolf, a "Sergeant Bilko"-type carnivore who in the company of his pint-sized pal Dingaling spends most of his screen time trying to steal sheep or cadge from meals from gullible farmers. While none of the "Hokey Wolf" cartoons this season are truly memorable (with the possible exception of "Hokey in the Pokey"), the "Huckleberry Hound" and "Pixie and Dixie" shorts maintain their high standard. The best of the "Huckleberrys" include "Spud Dud", a satire of mutant-monster horror films in which an overgrown potato tries to conquer the world; and "Cluck and Dagger", a wild spy spoof wherein Huck plays "The Man of 1000 Faces" (actually, he's only got one face, but nobody's ever asked him to display the other 999). And the highlight of the "Pixie and Dixie" manifest is the sublimely titled "Plutocrat Cat." All of these cartoons benefited from the sprightly orginal music scores by Hoyt Curtin, replacing the familiar, overused stock-music themes that had run through the first two seasons. At the same time Season Three of Huckleberry Hound was making the syndication rounds, selected cartoons from the series' first two seasons were network-run by CBS as a part of the live-action Saturday morning series The Magic Land of Allakazam. ~ Hal Erickson, All Movie Guide

First telecast in the fall of 1958, the first season of Hanna-Barbera's The Huckleberry Hound Show offers 22 half-hour episodes, each comprised of three short cartoons respectively starring Huck Hound, Yogi Bear, and the mouse-and-cat combo of Pixie, Dixie and Mr. Jinks. Unlike later seasons, these aforementioned characters did not appear in the closing-credit sequence: Instead, the credits were played over images of several corporate icons from the Kellogg's Cereal firm, including Cornelius the Rooster (representing Kellogg's Corn Flakes), Tony the Tiger (Frosted Flakes) and Sugar Pops Pete (Sugar Pops). It is easy to identify the earliest cartoons in the Huckleberry Hound canon. The characters move more slowly, speak less frequently, and are more inclined towards sight gags rather than verbal jokes; also, the background music is almost exclusively culled from stock themes, instead of the original compositions by Hanna-Barbera stalwart Hoyt Curtin. Also, whereas the formula of the "Huckleberry Hound" cartoons is pretty well set from the beginning (Huck appears in a different job or personality each week), the producers were still tinkering with the format of the "Yogi Bear" cartoons (Yogi is a con artist in some, a victim of circumstance in others, and a good Samaritan in still others) and the "Pixie and Dixie" entries (the personalities of two mice are already established, but Mr. Jinks is generally a straight villain or fall guy, with none of the heart and three-dimensionality he'd later display). Finally, the character design tends to be inconsitent, as witness the many shapes and sizes of Yogi Bear's traditional enemy Ranger Smith. Of the 66 cartoons shown during Season One, several are standouts, including "Huckleberry Hound Meets Wee Willie", in which our highway patrolman hero tries to talk a runaway gorilla off a high girder; "Skeeter Trouble", highlighted by the "Fred Allen" voice adopted by narrator Daws Butler; "Sheep Shape Sheepherders", a delightful throwback to Tex Avery's classic "Droopy" cartoons; "Show Biz Bear", wherein Yogi Bear is hired to star in a horror flick "The Bear From Outer Space" (the director hands him a script and murmurs "Look over the bear's part"); "Duck in Luck", in which Yogi comes to the rescue of a baby duck who sounds very much like future Hanna-Barbera headliner Yakky Doodle; and "Little Bird Mouse", a charming "Pixie and Dixie" offering in which Dixie discovers that he can fly whenever he revs up his ears helicopter-style. ~ Hal Erickson, All Movie Guide