Dina Merrill Movies

Based on the novel by Brooks Stanwood, The Glow stars Dean Cain and Portia de Rossi as Matt and Jackie Lawrence, an affluent yuppie couple with two beautiful children. Rounding out their success story, the Lawrences move into a gorgeous New York apartment, where they soon discover that their neighbors are all elderly -- and all incredibly healthy. It is only after the neighbors make the couple an offer they can't refuse that Jackie realizes the grisly horror awaiting her family in their "dream" home. Not dissimilar to Rosemary's Baby, the made-for-TV The Glow was supposed to have aired during the fall of 2001, but for various reasons (including an unofficial post-9/11 moratorium on suspense films set in New York) the film did not make its Fox Network bow until August 30, 2002. ~ Hal Erickson, All Movie Guide

It is hardly an unusual occurrence when the Minneapolis airport is snowed in...even on Christmas eve, stranding thousands of disgruntled tourists. What makes this particular snowbound evening a bit different from others is the identity of two would-be flyers who must wait out the blizzard before they can take off to their respective destinations. Maddie Parker (JoBeth Williams), on the verge of divorcing her briefly unfaithful husband, has arrived at the terminal with sister and daughters, en route to her mother (Dina Merrill)'s house in Chicago. At the same time, Maddie's sportswriter husband, Matt (Michael Ontkean), who plans to visit his dad in Miami, is likewise cooling his heels in the selfsame terminal. Thus thrust together, Maddie and Matt are given ample time to decide if they ought to give their relationship a second chance. Meanwhile, long-married older couple Earl and Ruth Pulmer (Charles Durning and Barbara Barrie), battle-scarred veterans of many a domestic skirmish, benignly stand on the sidelines and kibitz. Although the conclusion of the film is foregone, getting there is half the fun. A Chance of Snow made its cable TV debut via the Lifetime network on December 7, 1998. ~ Hal Erickson, All Movie Guide

Socialite Astrid Wentworth (Mo Gaffney) invites the Conners to visit her snobby family at Martha's Vineyard. Kiki Wentworth (Hillary Tuck) tries to come on to D.J., while Roseanne teaches Doris Wentworth (Dina Merrill) other ways to get her frustrations out rather than prescription medication. ~ Andrea LeVasseur, All Movie Guide

Big business dealings, competition, and TV ratings wars are satirized in this biting comedy. Stuart Sain is an egotistical, over-ambitious Jewish executive. He works for Fielding, a company like Nielsen which uses small boxes to garner TV ratings statistics. Stuart is married to Cary, a psychologist. In the opening scenes, the GPN, which has been number 1 for over 10 years, is opening it's new season of drug oriented TV shows. After watching a televised special about Fielding, Sain gets mad and his promotion prospects are grim. He leaves his company and accepts a public relations position from Rachel Rowen, the pc head of PBT, the public television network. Rachel, like her commercial competitors is totally obsessed with being number 1. Her network does seem to be garnering a huge share of Fielding ratings. That may have something to do with the fact that their boxes are malfunctioning. ~ Sandra Brennan, All Movie Guide

When post-partum depression causes the reawakening of long-dormant and traumatic memories of childhood rape by her father, an angry young mother takes her tormentor to court and in so doing nearly destroys her family. ~ Sandra Brennan, All Movie Guide

Now it's off to Monte Carlo, where Jessica (Angela Lansbury) pays a visit to her old friend, the owner of a luxury hotel.. Unfortunately, the hotel proves to be the final destination for a much-despised businessman. In her efforts to solve this murder and recover a diamond stolen from the victim's wife, Jessica forms an alliance with the relentlessly charming police inspector Charles Morel (Patrick Bachau). ~ Hal Erickson, All Movie Guide

Fear stars Ally Sheedy as a psychic who frequently helps the police track down criminals. This time, however, there's a serial killer at large who's a pretty efficient psychic in his own right. The story boils down to a battle of wills, and for while it looks as though the villain's will is the stronger of the two. Fear was tensely, tersely written and directed by Rockne O'Bannon, a veteran of the Twilight Zone TV-series revival of the 1980s, as well as the author of the screenplay for Alien Nation (1988). The star-studded supporting cast included Lauren Hutton, Michael O'Keefe, John Agar, Stan Shaw and Dina Merrill. Originally intended for theatrical release, Fear debuted July 15, 1990, over the Showtime Cable Network. ~ Hal Erickson, All Movie Guide

This telefilm remake of the 1947 suspense fantasy Repeat Performance stars Connie Sellecca as a fading TV star who commits a murder on New Year's Eve before being given a chance to relive the last year and prevent the murder from occurring. The script is tarted up with a high-gloss veneer and some added sexual indiscretions, as Sellecca's husband (David Dukes) has an affair with an Eve Harrington-like scriptwriter (Wendy Kilbourne), and her best friend (Jere Burns) sleeps with a wealthy harridan (Dina Merrill). Only a cameo by Joan Leslie, star of the original film, can cut through its air of a glitzy soap opera disguised as a thriller. Director Larry Elikann specialized in this sort of nonsense, being responsible for the overwrought Out of Darkness, the stultifying A Letter to Three Wives, and -- inevitably -- Peyton Place: The Next Generation. ~ Robert Firsching, All Movie Guide

This comedy returns to the exclusive but crazy country club golf course seen in the original Caddyshack. This time its the blue-bloods against the blue collars as a loud, vulgar self-made millionaire tries to join the stuffy upper-crust club after his daughter falls in love with the son of one of the members. Naturally, the boisterous millionaire is rejected by the genteel jerks. He retaliates by buying the golf course and turning it into an ultra-tacky amusement park. Merry mayhem ensues, but in the end, the snobs learn a valuable lesson, the millionaire gets to join, and his daughter and her lover are finally united. ~ Sandra Brennan, All Movie Guide

A bratty but brilliant preteen girl discovers that she's the clone of a long-dead scientist in this story of self-discovery and adventure, which appeared on HBO in the early '80s. Anna Hart (Martha Byrne) gets top grades at her elite private school, but she lies, steals, and bad-mouths her parents, much to the consternation of her father, Graham (Jack Ryland). Anna's mother, Sarah (Dina Merrill), is more indulgent of her daughter, for she knows that the girl is one of a series of clones created to uncover the scientific secrets of Anna Zimmerman, who was close to conquering world hunger when she died in an accident years ago. Although Anna is unaware of her origins, she is plagued by dreams of the years the original Anna spent in a concentration camp, and she suffers from severe headaches whenever she sees flashing lights. Memories of a haunting melody called "Reverie" also plague the girl's imagination. Although Anna's brother, Rowann (Mark Patton), seems smitten by the family's new neighbor, Michaela Dupont (Donna Mitchell), the woman creeps Anna out with her quiet intensity. Nevertheless, Graham forces his daughter to accept piano lessons from Michaela in hopes of unlocking Anna's artistic side and her less offensive personality traits. Soon, though, Anna accidentally sees one of her sister clones on a TV newscast, leading to revelations that threaten to destroy her family and possibly the youngster's very life. Anna to the Infinite Power is based on the novel by Mildred Aimes. Patton's brief movie career would also encompass the lead role in Nightmare on Elm Street 2, while Byrne, who previously appeared on Broadway in Annie, would go on to star for many years as Lily on the perennial CBS soap As the World Turns. Loretta Devine, who would go on to star in the TV series Boston Public, made her film debut here playing Anna's schoolteacher. The song "Anna's Reverie" was written by composer Paul Baillargeon, who also portrays Rowann's music instructor. ~ Brian J. Dillard, All Movie Guide

In this Sidney Lumet romantic comedy, Max Herschel (Alan King) is a powerful businessman who keeps a bevy of beauties for pleasure to escape his alcoholic wife, Connie (Dina Merrill). His main minx is Bones Burton (Ali MacGraw), a successful television producer who is tiring of Max's lack of commitment. When she takes up with Steven (Peter Weller), Max does everything in his power to win her back. Silent screen star Myrna Loy plays Max's faithful secretary, in her last big-screen role, and steals the show. ~ Dan Pavlides, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide