Ethel Merman Movies

In this musical comedy, the Ritz Brothers inherit a racehorse but are unable to make money from him because they cannot come up with the $1,000 needed to enter him in the big race. The two get involved with the race anyway when they overhear a group of Russian jockeys conspiring to ruin the race. The brothers then masquerade as the crooked riders and mayhem ensues. Songs include "With You On My Mind," "Why Not String Along With Me?" (Lew Brown, Lew Pollack; sung by Merman), "International Cowboys" (Ray Golden, Sid Kuller, Jule Styne). ~ Sandra Brennan, All Movie Guide

His Aunt Sophie (Helen Westley) and his teacher Professor Heinrich (Jean Hersholt) are sure that Roger Grant (Tyrone Power) will be a famous classical violinist, but Roger's more interested in popular music. He and his friend, pianist Charlie (Don Ameche), audition at a saloon in San Francisco's Barbary Coast, using sheet music left by singer Stella Kirby (Alice Faye), which had been sent to her by a friend in New York, Irving Berlin. The number, "Alexander's Ragtime Band," proves to be a sensation, and Stella goes along with Charlie's plea to sing with the band, which soon becomes famous for its ragtime numbers. Charlie has fallen in love with Stella by the time they open at the Cliff House, but he soon realizes that she and Roger are in love. Stella is invited to New York by a famous producer, but Roger's against this, and angrily fires her, so Charlie quits, too. When Roger returns from World War I, he meets Stella, only to learn she and Charlie have been married for a year. Another year passes, and Charlie and Davey have formed a new band with Jerry Allen (Ethel Merman) as their lead singer. Charlie knows Stella still loves Roger, so he divorces her, but Roger sails for Europe with the new band. Back in New York, Roger is set for a major concert in swing at Carnegie Hall. Charlie tells Roger about the divorce, and that Stella still loves him. Unable to get a ticket, Stella listens to the concert in a cab. Explaining that he is playing it for one particular person, Roger and his band perform "Alexander's Ragtime Band" as their encore, bringing Stella into the theater, where she's reconciled with Roger. He brings her onstage to perform the number with his band. ~ Bill Warren, All Movie Guide

Musical comedy star Eddie Cantor stars in this story, well suited to his talents, as Eddie Pink, a meek gentleman who works as a tailor and has a terrible crush on Joyce (Ethel Merman), a nightclub singer. Eddie buys a book (through the mail, of course) called Man or Mouse: What Are You?. Taking its advice, he tries to become more confident and assertive, and his new, outgoing personality helps him get a job running an amusement park called Dreamland. But when racketeers move in for a piece of the action on the park's slot machines, he wonders if he's gotten himself in deeper waters than he can safely navigate. Cantor sings four songs in Strike Me Pink, three of them with co-star Merman. ~ Mark Deming, All Movie Guide

We're Not Dressing is a bouncy musical-comedy variation of J. M. Barrie's The Admirable Crichton -- complete with a happier ending, as befitting its jaunty star Bing Crosby. Der Bingle is cast as Stephen Jones, a lowly crew member on yacht owned by wealthy Doris Worthington (Carole Lombard). During one memorable voyage, Doris' inebriated Uncle Dudley (Leon Errol) mans the controls of the yacht, and the result is a shipwreck on a tropical isle. Doris and her marooned society friends are then obliged to take orders from Stephen, the only one among them who knows how to fend for himself. He even manages to win over the icy Doris, though it's quite a struggle right up to the fade-out. Ethel Merman is on hand for a song or two (including a rollicking duet with Leon Errol), while George Burns and Gracie Allen show up on the not-so-deserted island as anthropologists with a full quota of rib-tickling verbal gags. Everyone involved in the making of We're Not Dressing harbored happy memories of the film, though Ray Milland (cast as Doris' snooty society fiancé) had less pleasant memories of the trained bear which figures prominently in the opening scenes. Bing Crosby's musical numbers include two of his best, "May I" and "Love Thy Neighbor." ~ Hal Erickson, All Movie Guide

As this all-sung short opens, the audience sees two hearts cut into a tree, one with the name Helen, one with the name Paul. The camera pulls back to reveal the two young lovers who have carved their names thus, who seem to be very much in love. Time passes, and the hearts on the tree become a bit worn. Mist and fog roll in and a timberman appears and cuts down the tree, watched from a wooden bridge by an Old Man in a dark hat and cloak. Suddenly Helen reappears, sad and forlorn, and looks at the stump of the tree where she and her love had writ their names. The Old Man approaches Helen, telling her that he is "Old Man Blue" and that he follows her because she sent for him when her love went away. Helen resists the Old Man's powers, but eventually he leads her onto the bridge and convinces her that she should jump into the river below. Just as she is about to do so, Paul appears. He rushes to her, puts his arms around her, and they renew their love. ~ Craig Butler, All Movie Guide

Lensed at Paramount's Astoria studios, Follow the Leader is the film version of the 1927 Broadway musical Midnight Mary, with Ed Wynn making his talkie debut in his original stage role. The story has something to do with bombastic Broadway singer Helen King (Ethel Merman in her first feature-film appearance) and her understudy, winsome Mary Brennan (Ginger Rogers). To make certain that Rogers will be able to go on in Helen's place, comedy-relief character Crickets (who else but Wynn?) is hired to kidnap the latter. He makes precious little effort to hide his larcenous intentions, noisily stumbling into the lobby of Helen's hotel with the tools of his trade -- rope, sledgehammers, et. al. -- in full view of the assembled guests. Amazingly, he manages to bind Helen to a chair, only to wind up knocking himself out with a bottle of chloroform. Needless to say, Mary becomes a star, but the audience never sees Crickets or Helen again; for all anyone knows, they may still be locked up in that hotel room. Incredibly silly, Follow the Leader did little to advance the careers of any of its stars, though Ed Wynn and Ethel Merman continued packing 'em in on Broadway. If nothing else, the film offers modern audiences a chance to see several vaudeville headliners in action, including Lou Holtz, James C. Morton and Bobby Watson (here cast as Broadway impresario George White instead of his usual guise as Adolph Hitler). ~ Hal Erickson, All Movie Guide