Ned Beatty Movies

Archbishop Mosley (Hal Holbrook) assigns Father Michael (Ben Cross) to a church in New Orleans in this supernatural horror film. The parish church was the site of the throat-slashing murders of two priests two years earlier. While Father Michael tends to the mostly impoverished flock of parishioners and their needs, he launches his own investigation into the mysterious unsolved deaths. ~ Dan Pavlides, All Movie Guide

The 1920s-era play The Front Page was about a Chicago reporter who wants to retire and get married but is tricked by his editor into doing one last story -- which proves to be complicated. It was made into a classic film in 1931 and inspired the 1940 hit movie His Girl Friday, in which the reporter was changed into a woman. Billy Wilder also remade the original film in 1974. Switching Channels is a 1988 remake of His Girl Friday, with Kathleen Turner in the starring role, which has now morphed into that of a cable television network news anchor, Christy Colleran. She wants to marry a rich and handsome sporting goods manufacturer, Blaine Bingham (Christopher Reeve) and move out of town. But her ex-husband, John L. Sullivan IV (Burt Reynolds), who is also her producer and boss, gives her one final assignment to try to keep her around. Her reporting leads her into an investigation of a jail escape that follows a botched-up execution. Writer Jonathan Reynolds updated the original material. ~ Michael Betzold, All Movie Guide

When his family is brutally murdered and his girlfriend raped by a renegade gang, a young trucker specially equips an eighteen-wheeler for a mission of vengeance and sets out in search of those responsible for the atrocities. ~ All Movie Guide

Helen Barton (Faye Dunaway) and her insurance salesman husband Morely (Daniel J. Travanti) set sail with Lexa (Kim Cattrall) and her husband Jeff (John Laughlin) in this modern-day pirate adventure. Jeff's late father and Morely are searching for the treasure the two buried on a remote island 35 miles from Cuba in 1959. Lexa and Morely are engaged in a secret love affair, while Helen suffers from glaucoma-related blindness. Ned Beatty plays the old salt Ellis. There are more crosses and double-crosses than depicted on the Jolly Roger, complete with excessive sex and violence, with an interesting premise ruined by stilted dialogue and uneven continuity. ~ Dan Pavlides, All Movie Guide

Self-made wealthy guy Rodney Dangerfield decides he needs a better education--and also to spend some time away from his cheating new wife. Dangerfield joins his son Keith Gordon at college. Dad hopes to gain his son's respect (isn't that always Dangerfield's motivation?), while son tries to fit in with his snobbish and brutish fellow students. English professor Sally Kellerman forms a strong bond with Dangerfield, encouraging both father and son to stick out their first year despite all odds. The finale involves some slapstick at the swimming pool diving board, and the obligatory commencement address delivered by Dangerfield, who proves that he can crack jokes without tugging at his tie. ~ Hal Erickson, All Movie Guide

Alfred Hitchcock Presents is the portmanteau pilot film for the subsequent TV revival of Hitchcock's celebrated anthology series of the 1950s and '60s. Four short tales are presented, each of them remakes of earlier Alfred Hitchcock programs. "Incident in a Small Jail," originally presented in 1961 with John Fiedler in the lead, stars Ned Beatty as a traveling salesman who finds himself sharing a jail cell with an accused rapist -- the target of an angry, indiscriminate lynch mob. "Man from the South," based on an oft-adapted Roald Dahl piece, stars John Huston as a cagey gambler who makes a grisly wager with novice Steven Bauer. The original 1959 Hitchcock version of this tale starred Peter Lorre and Steve McQueen; featured in the cast of the remake are former Hitchcock movie leading ladies Kim Novak and Tippi Hedren, as well as Hedren's daughter Melanie Griffith. "Bang, You're Dead" is a taut, tension-filled tale of a child who wanders around town with a loaded gun. The child is a little girl (Bianca Rose), but in the initial 1961 version the protagonist was a boy, played by Billy Mumy (who appears in this remake in a small role). The final playlet, "The Unlocked Window," is an abbreviated version of a story first shown on The Alfred Hitchcock Hour in 1965. Bruce Davidson is featured in a virtual reprise of that beloved old Hitchcock protagonist Norman Bates. Each of the four stories in Alfred Hitchcock Presents had its own director -- in order of appearance, they are Joel Oliansky, Steve De Jarnatt, Randa Haines, and Fred Walton -- and all were narrated by co-star John Huston. The late Alfred Hitchcock opens and closes each playlet via colorized footage from the original series -- a bizarre touch that "The Master" might have approved of. ~ Hal Erickson, All Movie Guide

Made for television, Hostage Flight fomented a well-publicized controversy when first aired by NBC on November 17, 1985. On a domestic flight headed for Detroit, 65 passengers are held hostage by four international terrorists. The demands of the hijackers are simple: Release their imprisoned leader or the hostages will be executed one by one. Only after innocent blood is shed do the outraged passengers form a united front to rebel against their captors, and, ultimately, to take justice in their own hands. The film's original ending found the passengers, having staged their own "trial" of the hijackers, doling out punishment in a gruesome manner (and a highly unlikely manner, given the limited head-space on a typical jetliner). This denouement proved too horrifying for the NBC executives, who demanded that a modified ending be filmed (though the original climax was shown when the film was released outside the United States). ~ Hal Erickson, All Movie Guide

The full title of this made-for-TV film is Charlotte Forten's Mission: Experiment in Freedom. But don't be put off by this 21-gun cognomen -- the film is a simple, austere tale of a pioneer African-American educator. Melba Moore plays Charlotte Forten, a northern black woman who heads to Port Royal, SC, in the midst of the Civil War. Charlotte intends to educate the newly freed slaves in this Union-held community. Her mission is complicated by a self-serving abolitionist (Bruce McGill) and the fact that the slaves mistrust her because of her lighter complexion and "fancy airs." Charlotte Forten's Mission was originally telecast February 25, 1985, on PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

The two-hour debut episode of Murder, She Wrote finds former substitute teacher Jessica Fletcher (Angela Lansbury) reluctantly thrust into the limelight when her first mystery novel, "The Corpse Danced at Midnight," becomes a best-seller. Invited to a costume ball held by her publisher, Jessica comes face to face with a genuine murder when guest Dexter Baxendale (Dennis Patrick), wearing a Sherlock Holmes costume, turns up dead. Suspicion immediately falls upon Jessica's nephew Grady (Michael Horton), forcing our heroine to turn sleuth herself. Throughout the story, the widowed Jessica must also wrestle with her growing attraction to handsome Preston Giles (Arthur Hill). Watch for future Murder, She Wrote semi-regular Herb Edelman in a role other than Lt. Artie Gelber, and also for a young Andy Garcia in a bit part as a tough guy. ~ Hal Erickson, All Movie Guide

The action and stunts in this fourth racing vehicle for Burt Reynolds could be accurately foreseen by most youngsters. Stroker Ace (Reynolds) is a race car driver who gets the short end of a contract with a fried-chicken entrepreneur (Ned Beatty) but can be expected to end up with the woman (Pembrook) in compensation -- and actually did (Pembrook is played by Loni Anderson in her first movie with Reynolds). By this time, the formula of racing cars, wild stunts, blond co-stars (Goldie Hawn, Farrah Fawcett, and Dolly Parton were the most recent) was wearing thin and Reynolds starred in only one more "Cannonball" film, ending his car-chase series there. ~ Eleanor Mannikka, All Movie Guide

In this drama, two young lovers break out of a mental hospital to try to find love in the outside world. The young man escapes first and gets a menial job working at a carnival. Later he returns to help Jennifer escape. They then begin living together to create their own sane haven in an insane world. ~ Sandra Brennan, All Movie Guide

The made-for-television Pray TV was the subject for hot debate long before its February 1, 1982 debut. This even-handed exploration of the televangelism business stars Ned Beatty as the Reverend Freddy Stone, whose religious empire nets $3 million annually. John Ritter co-stars as Rev. Tom McPherson, a newly ordained clergyman who joins the Stone operation. As Ritter begins to question the religious ethics behind Stone's lucrative ministry, a subplot develops involving Reverend Gus Keffer (Richard Kiley), who in contrast to Stone must operate on a shoestring, minus the glittery trappings of TV, radio, and SRO revival meetings. Lane Slate's teleplay takes great pains to offend no one; whether this is good or bad is up to you. Pray TV bears no relation to the earlier theatrical-feature comedy of the same name. ~ Hal Erickson, All Movie Guide

Violation of Sarah McDavid is a surprisingly explicit TV movie concerning the undercurrent of violence in a purportedly "good" high school. Patty Duke Astin is a new teacher at Benjamin Harrison High, where the GPA is high but where sadism and brutality amongst the students is the order of the day. Ms. Astin is able to maintain an even keel until, at the end of one school day, she is raped. Assuming she will be backed up in her accusations by the school administration, the teacher discovers that the principal (Ned Beatty), more concerned with image than with justice, wants to sweep the rape incident under the rug. As Astin struggles to make her complaint public, the film touches upon such hot-potato subjects as executive incompetence and the culpability of a "don't ask don't tell" public. The rape scene in Violation of Sarah McDavid is graphic enough to make the viewer feel nearly as degraded as the victim. ~ Hal Erickson, All Movie Guide