Ned Beatty Movies

Paul Newman plays the title role in John Huston's surreal, revisionist western as the infamous Texas hanging judge. Upon arriving in the tiny West Texas town of Vinegaroon, Roy Bean draws a moustache on a wanted poster of himself, marches into a saloon, and declares his presence. He is immediately robbed, beaten within an inch of his life, tied to a horse and dragged out into the prairie, then left to die. Rescued by a young Mexican girl, Maria Elena (Victoria Principal), Roy Bean heads back into town and murders everyone in the local saloon, declaring that he'll kill anyone of the same sort who turns up. He also sets himself up as the sole arbiter of law and order and renames the town Langtry, in honor of the legendary actress Lily Langtry (Ava Gardner). The community prospers as Judge Bean dispenses his own brand of frontier justice upon strangers passing by, robbing or killing anyone who tries to make their way through the town. But when Maria dies, Bean's old associates begin to turn on him, one at a time (in response to his constant harping on their wives, many of whom were former prostitutes) and Bean is forced to leave. Years later, Bean rides back into town, called back to the place to save his daughter from trouble - and finds that the community has been taken over by a shady character called Frank Gass (Roddy McDowall) - a circumstance that requires Bean to dispense his own unique brand of justice once again. Stacy Keach lends a neat comic turn to the film as Bad Bob, an albino gunslinger whose dining habits consist of chowing down on raw onion, drinking hot coffee from a pot, and demanding that an entire horse be cooked for his supper. John Milius (Red Dawn) scripted.
~ Paul Brenner, Rovi

Adapted from James Dickey's popular novel, John Boorman's 1972 movie recounts the grueling psychological and physical journey taken by four city slickers down a river in the backwoods of Georgia. At the behest of Iron John-esque Lewis (Burt Reynolds), the less adventuresome Ed (Jon Voight), Bobby (Ned Beatty), and Drew (Ronny Cox) agree to canoe down an uncharted section of the river before a dam project ruins the region. After warnings from the grimy, impoverished locals, and Drew's tuneful yet ominous "Dueling Banjos" encounter with a mute inbred boy, the four men embark on their trip, exulting in the beauty of nature and the initial thrill of the rapids. The next day, however, things begin to take a turn for the worse when Bobby and Ed decide to rest on shore after becoming separated from Lewis and Drew. Two rifle-wielding mountain men (Bill McKinney and Herbert "Cowboy" Coward) emerge from the woods, tying up Ed while one of them rapes Bobby and makes him "squeal like a pig." Lewis and Drew rescue them, but the attack irrevocably changes the tenor of the journey. As the river gets rougher and rougher, the men come to nightmarish grips with what it means to survive outside the safety net of "civilization." ~ Lucia Bozzola, All Movie Guide

When the police pick up Gator McKlusky (Burt Reynolds) for running moonshine, they agree to let him out of jail if he will help them capture the key figures in his moonshine operation. Since the suspected ring leader is the man who killed Gator's little brother, he agrees to help out the cops to get himself out of prison and get his revenge. ~ Iotis Erlewine, Rovi

Using John-Boy (Richard Thomas) as a go-between, blacksmith Curtis Norton (Ned Beatty) carries on a long-distance courtship with city girl Ann Harris (Ivy Jones). Though John-Boy sees no harm in writing Curtis' love letters for the shy Smithy, his tendency to embellish the facts causes big problems when Ann pays a visit to Walton's Mountain. Meanwhile, Olivia (Michael Learned) begins fantasizing about an operatic career while bicycling to her weekly choir practice. ~ Hal Erickson, Rovi

Bud Yorkin directed this middling comedy, written by Walter Hill from a novel by Terrence Lore Smith. Ryan O'Neal plays a computer expert named Webster, who alleviates on-the-job doldrums by moonlighting as a successful jewel thief. Webster invites himself to upscale soirees, where he cases out the location and proceeds with his heists. During his adventures, he meets up with Laura (Jacqueline Bisset), a high society woman who teams up with Webster to assist on his heists. Gradually the two fall in love. However, it's not all easy going, since an insurance detective (Warren Oates) suspects that Webster is the jewel thief but he has no proof ... yet. ~ Paul Brenner, Rovi

In 1945, private Eddie Slovik, a "born loser" who made no secret of his desire to escape the army in any way possible, became the first American to be executed for desertion since the Civil War. William Bradford Huie's chronicle of this unfortunate wartime episode, The Execution of Private Slovik, was published in 1954. Frank Sinatra optioned the movie rights for the book, intending to cast Steve McQueen as Slovik and to have blacklisted writer Albert Maltz write the screenplay. The US military reluctantly agreed to okay the film on the proviso that Slovik would not be portrayed sympathetically. Out of deference to his friend John F. Kennedy, Sinatra abandoned the project, and that was that -- until the award-winning TV-writing team of Richard Levinson and William Link became intrigued in the Huie book. After a series of convoluted negotiations, Levinson and Link were finally able to put The Execution of Private Slovik on the small screen on March 13, 1974 (Albert Maltz, upset that the pair had decided upon a strict "no villains" policy in their adaptation, washed his hands of the whole affair). Martin Sheen was selected to play Slovik, though for a while Dustin Hoffman was seriously considering taking a cut in salary to essay the role. Abandoning the linear style of Huie's book, the writers adopted a Citizen Kane approach, using flashbacks to illustrate the events leading up to the execution. It is made clear throughout the film that no one, neither the military brass nor Slovik himself, truly believed that the private would ever face a firing squad; the usual custom was to postpone the execution until after the war, then reduce the sentence to a long prison term. Thanks to an unfortunate chain of misunderstandings and snafus, Slovik ended up dying by gunfire in a lonely French courtyard -- a fact long withheld from the public (Slovik's wife Antoinette learned of her husband's true fate for the first time from author Huie). The film's most famous scene, in which Slovik nervously repeats his "Hail Marys" as the hood is being fitted over his head, was Martin Sheen's own idea. Filmed on location in California and Canada, The Execution of Private Slovik won a Peabody award for the NBC television network. Originally running a full 120 minutes, it was re-edited into a 97 minute version for theatrical release overseas. ~ Hal Erickson, Rovi

In the first episode of a two-part story, Alec Morris (John Carter), a terrified computer programmer for Fiscal Dynamics Incorporated, comes to Jim Rockford (James Garner) for help, only to be promptly kindapped. Following up this puzzling incident on behalf of Morris' wife Helen (Priscilla Pointer), Jim finds out that there's a major coverup in the works--and that he is up against some very powerful people who will stop at nothing to prevent him from learning the whole truth. Al Stevenson makes his first series appearance in the recurring role of L.J., an old pal of Jim's dad Rocky (Noah Beery Jr.). ~ Hal Erickson, Rovi

Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, Rovi

Attack on Terror: The FBI Versus the Ku Klux Klan is a fact-based, two-part TV movie. The film is a dramatization of the murders of three civil rights workers in Mississippi in 1964. The FBI, personified herein by southern operative Wayne Rogers, is brought in to investigate the trio's disappearance. Upon the discovery of the bodies on August 2, 1964, the feds follow a trail of (admittedly skimpy) evidence which leads to the local chapter of the Ku Klux Klan, headed by the virulent Glen Tuttle (Rip Torn). The first part of Attack on Terror was originally telecast February 20, 1975. The film was based on the book by Don Whitehead. ~ Hal Erickson, Rovi

Jim Rockford's old Army buddy Al Brennan (Ned Beatty) asks Jim (James Garner) to help Marcy Brownell (Veronica Hamel) locate her missing sister. What Jim doesn't know is that the mercenary Al is using him to pull off an elaborate swindle. The key player in this sordid little drama is an ill-tempered gent named John Stabila (Paul Stevens)--and the "Maguffin" on this occasion is a missing Shan-Yin vase, valued at around three million dollars! ~ Hal Erickson, Rovi

Nickey (John Cassavetes) is a small-time Jewish gangster in trouble with the mob. He calls on his lifelong friend Mikey (Peter Falk) for help. During the night the two spend together, the power of their friendship is undermined by their mutual nastiness and pressing financial concerns. Elaine May's script was allegedly taken from an episode in the life of her uncle. ~ Brian Whitener, Rovi

The Big Bus is set aboard a nonstop, nuclear-powered luxury bus commandeered by Joseph Bologna. Naturally, Bologna is a tortured hero with a deep dark secret (he keeps insisting he didn't eat all those passengers on his last disastrous drive). Stockard Channing and Harold Gould play the designers of the big bus, and of course they have a few skeletons in their closet. In fact, there isn't a passenger on the all-star manifest that isn't hiding something. The supporting cast features contributions by René Auberjonois (parodying his M*A*S*H role), Ned Beatty, José Ferrer, Ruth Gordon (doing a devastating send-up of Airport's Helen Hayes), Sally Kellerman, Richard Mulligan, and many others; Murphy Dunne contributes a memorable bit as a smarmy cocktail pianist. Unfortunately, The Big Bus was dumped onto the summer 1976 release schedule without fanfare by Paramount, and it sank without a trace. ~ Hal Erickson, Rovi