John Merivale Movies

As a theater actor, John Merivale was one of the last "matinee idols" of the post-World War II era, enjoying nearly three decades of success on-stage in England and America, interspersed with occasional leading roles in movies and guest-starring parts on television. The son of actor Philip Merivale (who had originated the role of Colonel Pickering in George Bernard Shaw's Pygmalion, and is most familiar to filmgoers as Justice Longstreet, the father of the Loretta Young character in Orson Welles' The Stranger [1946]) and actress Gladys Cooper, John Merivale was born in Toronto, Canada, in 1917. He was educated in England, at Rugby and New College, Oxford, although his studies were curtailed when his father lost a fortune investing in a failed theatrical production. Merivale began his film career almost prematurely, playing a newsboy in the James Whale horror-fantasy-thriller The Invisible Man (1933) when he was 15, but his real movie career didn't begin until the 1950s.

Merivale's stage career started when he was 21, as an understudy in a production of A Midsummer Night's Dream, where he first met Vivien Leigh. He later worked in the production of Romeo and Juliet by Leigh and her husband, Laurence Olivier -- an infamous failure that cost the couple most of their savings (and made it necessary for them to do the movie That Hamilton Woman). Merivale later married actress Jan Sterling. His profile, one of the most stunning among his generation of actors, and his good manners, coupled with his talent and range, made him an ideal prospect as a leading man, but realizing that potential had to wait for the end of World War II. Merivale served as a pilot with both the British and Canadian air forces during the war, and resumed his career in 1946. That year, he had a starring role in a successful American production of Lady Windermere's Fan. He remained active in theater over the ensuing 25 years, earning great notices in such productions as Venus Observed, Anne of a Thousand Days, The Reluctant Debutante (later the basis for the movie of the same name and its remake, What a Girl Wants), and The Last of Mrs. Cheyney. Merivale occasionally did films, usually in gentlemanly leading roles -- notably in A Night to Remember (1958), and with key roles in King Rat, Arabesque, and The List of Adrian Messenger. He also became a familiar figure on television, as a guest star on such dramatic series as The Third Man.

Merivale had divorced Sterling in 1948, and in 1960, while he was appearing on Broadway in Duel of Angels, he once more crossed paths with Vivien Leigh. The two began a romantic affair that became public after Leigh admitted that her marriage to Olivier was effectively over, and the new couple remained devoted to each other after she and Olivier were divorced. Merivale was able to provide the actress with much of what happiness she had during the final seven years of her life. After Leigh's death, he met actress Dinah Sheridan, who was married to Rank Organization head John Davis. Sheridan later divorced Davis and married Merivale, and was devoted to him for the rest of their lives together. In 1970, Merivale, then 52, was informed that he suffered from a congenital condition that would result in total renal failure in less than ten years (his father, in declining health in the 1940s, had succumbed to heart failure at 59); Sheridan's emotional support, coupled with the existence of dialysis, made it possible for Merivale to live twice as long as his doctors believed possible, to age 72. ~ Bruce Eder, All Movie Guide
1966  
 
An expert in ancient hieroglyphics unexpectedly finds himself involved in a web of international intrigue in this chic, enjoyably tongue-in-cheek espionage adventure. Gregory Peck stars as David Pollock, an American professor whose predictable academic routine is overturned when he is hired to help translate a mysterious message written in an obscure ancient text. The real trouble begins, however, when everyone from a wealthy oil magnate to a foreign government to brutal criminals starts to chase Pollock, desperate to discover the nature of the deciphered message. Along for the ride is Yasmin Azir (Sophia Loren), the gorgeous lover of Pollock's employers, whose loyalties are questionable, to say the least. The tangled narrative proves less important than the film's stylish surface, from the colorful London locations to the Henry Mancini score. Certain touches date the film, like a brief foray into psychedelia, but the modish visuals are generally an appropriate match to the insouciant tone. Not taking itself seriously enough to be truly thrilling, Arabesque nevertheless stands as a witty, well-made example of a particular breed of airy, intentionally superficial comic adventure. ~ Judd Blaise, All Movie Guide

Read More

Starring:
Gregory PeckSophia Loren, (more)
1965  
NR  
Add King Rat to QueueAdd King Rat to top of Queue
James Clavell incorporated a few of his own experiences as a British POW in his novel King Rat. Bryan Forbes' film version stars George Segal as the mastermind of all black market operations in a Japanese prison camp. He is called "King Rat" because of his breeding of rodents to serve as food for his emaciated fellow prisoners; the nickname also alludes to Segal's shifty personality. British officer James Fox helps Segal expand his operation to include trading with the Japanese officers. Though on surface level a thoroughly selfish sort, Segal saves the ailing Fox's life by wangling precious antibiotics from the guards. ~ Hal Erickson, All Movie Guide

Read More

Starring:
George SegalTom Courtenay, (more)
1963  
 
Adrian Messenger (John Merivale) asks his friend, British colonel Anthony Gethryn (George C. Scott), to check on the whereabouts of the eleven men named on a written list. Not long afterward, the plane on which Messenger is travelling is deliberately blown up. The mystery killer slipped the bomb on the plane while disguised as a priest, and we soon learn that the killer adopts a different guise for each of his subsequent murders. As Gethryn tracks down the men on Messenger's list, he discovers that all had been POWs in the same Burmese stockade during World War II, and he deduces that the murderer, who is methodically decimating those on the list, had been a traitor and informer. Gethryn traces the killer to the British estate of The Marquis of Gleneyre (Clive Brook), where his visit coincides with the return of "prodigal" American relative George Brougham (Kirk Douglas). Gethryn is convinced that Brougham is the killer, and that he plans to murder the only heir who stands in the way of the family fortune, but he has no tangible proof. Filmed primarily in Ireland, The List of Adrian Messenger received good theatrical bookings by virtue of its gimmick: several of the bit characters are played by famous stars in heavy makeup, and each of these stars -- Kirk Douglas, Burt Lancaster, Robert Mitchum, Frank Sinatra, and Tony Curtis -- "unmasks" in the epilogue. In truth, only Douglas and Mitchum did any real acting under their mounds of collodion and crepe hair; the others showed up only to shoot their unmasking scenes (at a salary of $75,000 each!) and were "doubled" in the film itself. ~ Hal Erickson, All Movie Guide

Read More

Starring:
George C. ScottDana Wynter, (more)
1961  
 
In this spooky drama, newlyweds move into a charming old house and find that they share it with spirit who tells them of the house's grim, gory history. ~ Sandra Brennan, All Movie Guide

Read More

1960  
 
Add Circus of Horrors to QueueAdd Circus of Horrors to top of Queue
One of a small cluster of creepy films to come from England's Amalgamated Studios in the late '60s, this lesser entry details the twisted practices of a deranged German plastic surgeon (Anton Diffring) who hides out in France after mutilating a patient and begins his work anew under an assumed name. Staying mobile by traveling with a circus troupe, Diffring offers his services to disfigured female criminals, who pay him for his services by joining the circus as performers -- and by catering to his perverse whims. Naturally, it's not long before the ladies' gratitude begins to wear thin, and they begin to plan their escape... only to meet horrible ends in carefully-orchestrated catastrophes while performing. Viewers may find themselves haunted by Gary Mills's "Look for a Star" several days afterward like a cloying advertising jingle; the performance of a rug-topped Donald Pleasence (as the show's former owner, who meets with a sticky end) is a nice touch. ~ Cavett Binion, All Movie Guide

Read More

Starring:
Anton DiffringErika Remberg, (more)
1959  
 
Two members of an expedition into the ruins of the ancient Mayan city of Tikal go into a hidden groto -- only one, Nieto (Arturo Dominici), returns, raving about the ancient Mayan goddess Caltiki. The expedition leader, Dr. John Fielding (John Merivale), follows their trail and finds the missing man's camera in the ruins of an ancient Mayan temple, along with high radiation readings -- the film shows the two men suddenly threatened by something out of the camera shot. A diver (Daniele Vargas) goes into the one unexplored part of the temple, the sacred lake within, and finds its floor littered with human remains and ancient treasure -- on a second dive, he is attacked by something that burns most of the flesh from his body. Suddenly, a huge shapeless, writhing mass rises from the lake, nearly killing Max Gunther (Gerard Herter), whose hand is caught by the creature. Fielding hacks off the fragment holding Max and destroys the main body of the monster by incinerating it. The scientific community is astonished by the fragments of the creature retrieved from Gunther's arm, which is revealed to be a single-celled animal at least 20 million years old; additionally, the fragments, though seemingly inert, are still radioactive and dangerous to the touch, and they react to the presence of atomic radiation by growing at an alarming pace. Gunther gradually loses his sanity as the tissues in his body deteriorate, and he goes on a murderous rampage that takes him to Fielding's home. Meanwhile, the doctor establishes a link between the legends surrounding Caltiki, the Mayans' abandonment of Tikal in the year 607, and a comet that passed the Earth that same year. He learns almost too late that the same comet is making a return visit, putting all of humankind in danger from Caltiki. ~ Bruce Eder, All Movie Guide

Read More

1958  
 
Add A Night to Remember to QueueAdd A Night to Remember to top of Queue
This meticulous re-creation of the sinking of the Titanic was adapted by Eric Ambler from the best-selling book by Walter Lord, and it preceded the blockbuster Titanic by almost 40 years. The film covers the life and death of the huge vessel from its launching celebration to that fateful night of April 14, 1912, when the "unsinkable" ship struck an iceberg in the North Atlantic. Of the 2224 passengers on board, 1513 were drowned as a result of the bad planning of lifeboats and escape routes. Kenneth More heads a huge and stellar cast, with 200 speaking parts, as second officer Herbert Lightoller, from whose point-of-view the story unfolds. Also in the cast are Laurence Naismith as the ill-fated Captain Smith; Michael Goodliffe as conscience-stricken ship's designer Thomas Andrews; Tucker McGuire as feisty American millionaire Molly Brown, whose courage and tenacity saved many lives; and Anthony Bushell as the captain of the Carpathia, who launched a noble but vain rescue mission once he was apprised of the disaster. Also appearing are two future TV favorites: The Avengers' Honor Blackman as a woman who believes that she has nothing to live for, and The Man From UNCLE's David McCallum as a wireless operator. The climactic sinking of the vessel is re-created with painstaking accuracy; filmed in "real time," it is a mere 37 minutes shorter than the actual tragedy. Two years before the film's release, an American TV adaptation of A Night to Remember set a precedent as the most elaborate and technically complex "live" broadcast of its time. Some viewers will find this movie a more accurate and gripping representation of this sea disaster than the romance-heavy Titanic. ~ Hal Erickson, All Movie Guide

Read More

Starring:
Kenneth MoreHonor Blackman, (more)
1956  
 
Widely regarded as one of the best and most intelligent British war dramas of the 1950s, The Battle of River Plate is the story of Britain's first significant naval victory in WW2. John Gregson heads the cast as Captain Bell, skipper of the Exeter, one of several vessels engaged in pursuit of the "indestructable" Geman battleship Graf Spee. Taking refuge in the neutral harbor of Montevideo, the Graf Spee is covertly protected by the Uruguayan government. Eventually, however, German captain Langsdorff (Peter Finch) is faced with a difficult decision: either stand his ground and fight a losing battle against the Exeter and its sister ships, or scuttle the Graf Spee and save the lives of his crew. Battle of the River Plate was released in the US as Pursuit of the Graf Spee. ~ Hal Erickson, All Movie Guide

Read More

Starring:
John GregsonAnthony Quayle, (more)
1933  
 
A mysterious stranger, his face swathed in bandages and his eyes obscured by dark spectacles, has taken a room at a cozy inn in the British village of Ipping. Never leaving his quarters, the stranger demands that the staff leave him completely alone. Working unmolested with his test tubes, the stranger does not notice when the landlady inadvertently walks into his room one morning. But she notices that her guest seemingly has no head! The stranger, one Jack Griffin, is a scientist, who'd left Ipping several months earlier while conducting a series of tests with a strange new drug called monocane. He returns to the laboratory of his mentor, Dr. Cranley (Henry Travers), where he reveals his secret to onetime partner Dr. Kemp (William Harrigan) and former fiancee Flora Cranley (Gloria Stuart). Monocane is a formula for invisibility, and has rendered Griffin's entire body undetectable to the human eye. Alas, monocane has also had the side effect of driving Griffin insane. With megalomanic glee, Griffin takes Kemp into his confidence, explaining how he plans to prove his superiority over other humans by wreaking as much havoc as possible. At first, his pranks are harmless; then, without batting an eyelash, he turns to murder, beginning with the strangling of a comic-relief constable. When Kemp tries to turn Griffin over to the police, he himself is marked for death. Despite elaborate measures taken by the police, Griffin is able to murder Kemp, considerately taking the time to describe his homicidal methods to his helpless victim. After a reign of terror costing hundreds of lives, Griffin is cornered in a barn, his movements betrayed by his footsteps in the snow. Mortally wounded by police bullets, Griffin is taken to a hospital, where he regretfully tells Flora that he's paying the price for meddling into Things Men Should Not Know. As Griffin dies, his face becomes slowly visible: first the skull, then the nerve endings, then layer upon layer of raw flesh, until he is revealed to be Claude Rains, making his first American film appearance. So forceful was Rains' verbal performance as "The Invisible One" that he became an overnight movie star (after nearly twenty years on stage). Wittily scripted by R.C. Sherriff and an uncredited Philip Wylie, and brilliantly directed by James Whale, The Invisible Man is a near-untoppable combination of horror and humor. Also deserving of unqualified praise are the thorouhgly convincing special effects by John P. Fulton and John Mescall. With the exception of The Invisible Man Returns, none of the sequels came anywhere close to the quality of the 1933 original. Trivia alert: watch for Dwight "Renfield" Frye as a bespectacled reporter, Walter Brennan as the man whose bicycle was stolen, and John Carradine as the fellow in the phone booth who's "gawt a plan to ketch the h'invisible man." ~ Hal Erickson, All Movie Guide

Read More

Starring:
Claude RainsGloria Stuart, (more)

BLOCKBUSTER name, design and related marks are trademarks of Blockbuster Inc. © 2009 Blockbuster Inc. All rights reserved.

Portions of Content Provided by All Movie Guide ®, a trademark of All Media Guide, LLC.© 2009 All Media Guide, LLC.