Eda Reiss Merin Movies

The set of a popular daytime drama proves to be rife with intrigues that go far beyond the script. At the center is the show's temperamental star Joanna Rollins (a pre-Star Trek: Voyager Kate Mulgrew), whose millionaire husband turns up murdered. In her efforts to solve the case, Jessica (Angela Lansbury) receives assistance from a surprising source: Joanna's former costar and ex-lover, whom she had fired from the show. ~ Hal Erickson, Rovi

Christina Applegate stars in this convoluted comedy that comes across as a teen fantasy combination of Home Alone and Working Girl. The premise is all in the title -- when the mother (Concetta Tomei) of a sniveling group of surly kids goes on a much-deserved summer vacation, she leaves her kids under the charge of an elderly distaff granny (Eda Reiss Merin). When granny ups and dies, the kids load her dead body in a trunk and deposit the package on the steps of the local funeral home. The kids are ecstatic thinking that with the big wad of cash Mom has left, they can have a summer of consumer madness. But when they find out that the money has been buried with the baby-sitter, the kids have to fend for themselves to make ends meet. Dream teen Sue Ellen (Christina Applegate) tries working at a fast food restaurant but she can't stand the grease. So, she puts together a false resume and, posing as a twenty-eight-year old, she applies for a job as a receptionist at a garment manufacturing company. The company vice president, Rose (Joanna Cassidy), is so impressed by her resume that she hires her on the spot as her executive assistant. Her deception looks to be working out great -- Sue Ellen manages to hold off the office lady killer Gus (John Getz), avoids exposure by the embittered receptionist, borrows money from the company's petty cash box for household incidentals, and continues her relationship with restaurant employee Bryan (Josh Charles). But suddenly, the clothing firm is set to go under, and Sue Ellen must use her teen fashion sense to save the company and her job . . . and she has to get the rest of the brood involved. ~ Paul Brenner, Rovi

Jason Bateman's troubles begins when he gets his girl friend pregnant. Thrown out of high school, he falls in with traditional bad crowd, and soon he's up to his eyelids in mob activity. When his family is threatened, Bateman must turn stoolie...if he can avoid sleeping with the fish before the film is over. Most trade mags barely acknowledged this TV movie's existence, chalking it up as a ratings-hype assignment for young star of The Hogan Family. Crossing the Mob was originally telecast October 14, 1988. ~ Hal Erickson, Rovi

Walt Disney Pictures produced this ambitious, animated tale of sorcery and swordfighting. Taran (voice of Grant Bardsley), is an assistant to Dallben (voice of Freddie Jones), a pigkeeper in the mythical land of Prydain. Taran longs to be a knight, and he's given his chance to live out his dream when he is sent out in search of a magical black cauldron which can either be a powerful instrument of good or a bottomless fount of evil, depending entirely upon who should find it. However, Taran is not the only one in search of this talisman -- the Horned King (voice of John Hurt) wants the cauldron to shore up his sinister powers and raise an army of the dead, and with the help of the all-seeing pig Hen-Wren, the wicked one may make his hideous plans a reality. The Black Cauldron had the distinction of being the first animated feature from Disney to receive a PG rating from the MPAA, due to some frightening scenes of black magic. ~ Mark Deming, Rovi

Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, Rovi

Enormous Changes at the Last Minute is a compilation film of three feminist yet disheartening stories of failed relationships. The first story features Virginia (Ellen Barkin) whose deadbeat husband has just left her and their three children. As a result, she is forced to go on welfare. She begins an affair with a now-married old flame, and struggles to keep sanity and humor alive against high odds. In the next vignette, Faith (Lynn Milgrim) visits her still-hip, literary parents in their retirement home to let them know that she and her husband have separated -- and she gets some shocking news in return from her father. In the last story, a social worker and a cabbie (Kevin Bacon) start an affair on a feeble pretext for mutual attraction, and when the social worker gets pregnant, her one-sided decisions on the matter have unexpected effects. ~ Eleanor Mannikka, Rovi

Mel Brooks and his real-life wife Anne Bancroft play Frederick and Anna Bronski, musical comedy stars in 1939 Poland. The highlight of the Bronskis' act is Frederick's imitation of Adolf Hitler, but he is forced to eliminate this turn for fear of offending the Nazis. Meanwhile, Anna enters into a harmless flirtation with Polish bomber pilot Andre Sobinski (Tim Matheson). The pilot's nightly signal to visit Anna in her dressing room is "To Be or Not to Be," spoken by Bronski during the Shakespearean portion of his act. When the Germans march into Warsaw, the Bronskis and the rest of their troupe are forced into hiding (notably the homosexual Lupinski, played by Lewis J. Stadlen, who is forced to endure the humiliation of wearing a pink star). Flying for the Polish resistance in England, Sobinski asks kindly Professor Seletzky (Jose Ferrer) to deliver his "To Be or Not to Be" message to Anna. When Seletzky doesn't seem to recognize the name of Anne Bronski, Warsaw's biggest star, Sobinski suspects that something is amiss. Sure enough, Seletzky is a Nazi spy, heading to Warsaw to help Col. "Concentration Camp" Ehrhardt (Oscar-nominated Charles Durning) destroy the underground movement. Parachuting into Poland, Sobinski enlists the aid of the Bronski troupe to foil the Nazis. What follows is an uproarious series of disguises and deceptions, capped by Bronski's impersonation of Der Fuhrer. ~ Hal Erickson, Rovi

NBC correspondent Betty Rollin's book about her own mastectomy, First You Cry, was adapted for television by Carmen Culver. Mary Tyler Moore plays Ms. Rollins, who discovers after her breast surgery that her "loving" husband (Anthony Perkins) is a cad who can't withstand the pressure of living with a woman in dire need of emotional support. Thankfully, Ms. Rollins is able to begin a new life with the tender, compassionate man (Richard Crenna) who's loved her all along. Unfortunately, the rest of the film is just as simplistic as its romantic angle. Despite Mary Tyler Moore's consummate performance, First You Cry (originally telecast November 8, 1978) is better read than seen. ~ Hal Erickson, Rovi

The mother of young film producer Marvin Goldman (Warren Berlinger) wants to know who set fire to her darling boy's office. Investigating, the Angels discover something that Mrs. Goldman (Eda Reiss Merin) is blissfully unaware of: It seems that the "respectable" Marvin has been moonlighting as a pornographer and a two-bit blackmailer. Guess who poses as an aspiring movie actress in this episode? ~ Hal Erickson, Rovi

In this comedy, New York City undergoes a dramatic change when a toucan carrying a strange virus is smuggled through customs. In those it infects, the virus causes an intense euphoria and a desire to do good. The first man to receive the infected bird is a misanthropic, cynical artist who lives in an apartment with his girlfriend. The couple names the toucan "Amigo," and soon they are indeed happy. They decide to spread it around and so the bird is freed. The Big Apple goes into an economic tailspin as its residents become deliriously happy and stop buying cigarettes, booze and tranquilizers. To save the financially foundering city, the mayor and a presidential envoy begin distributing unpleasant masks to the happy city-dwellers. The artist and friends thwart the officials' scheme by infecting the masks. So begins a battle between the officials and the artist. Eventually Amigo is caught, and an antidote is delivered. The renowned rudeness, cruelty and selfishness of the native New Yorkers quickly returns, and the city is saved. The artist realizes that his quest has been futile, and he devotes the rest of his time and energy to making his girlfriend happy. ~ Sandra Brennan, Rovi

Based on the story by Paul Gallico, Lili stars Leslie Caron as the title character, a 16-year-old waif who runs off to join a carnival. Embittered, crippled puppeteer Mel Ferrer treats Lili with contempt; only by speaking through his puppets is Ferrer able to express his genuine love for the girl. Before this happens, however, Caron must overcome her crush on magician Jean-Pierre Aumont, who is married to the contentious Zsa Zsa Gabor. Though not a musical (as was Carnival, the 1961 Broadway version of Lili), the film affords Leslie Caron the opportunity for a dream ballet, and also accommodates the lilting Bronislaw Kaper/Adolph Deutsch hit song "Hi Lili, Hi Lo". Legend has it that professional curmudgeon H.L. Mencken, who considered movies a waste of time and never bothered to see them, was persuaded to attend a showing of Lili--and loved every minute of it! ~ Hal Erickson, Rovi

Money, romance, betrayal, double-dealing -- who knew making dresses could be so interesting? Harriet Boyd (Susan Hayward) is a fashion model who has landed plenty of work with a Seventh Avenue dress-making concern. However, Harriet knows that she can't be a model forever, so she is trying to turn her dreams of being a dress designer into reality. She knows that you have to be tough to succeed in the garment industry, but "tough" is practically Harriet's middle name; the ruthless would-be garment mogul lures salesman Teddy Sherman (Dan Dailey) and production whiz Mr. Cooper (Sam Jaffe) from the company and starts her own shop. Harriet has a genuine talent for designing dresses that look good on ordinary women, and the firm soon develops a solid customer base, but the more luxurious and lucrative department stores are looking for something more upscale. J.F. Noble (George Sanders), who runs one such chain, tells Harriet he'd be interested in carrying her merchandice if she was willing to create a line of designer-style gowns. Teddy is against the idea, feeling it doesn't play on their strengths and would be bad for the company in the long run. Harriet, however, is determined to make a name for herself, and when Teddy and Cooper won't allow her out of their deal, she begins making gowns for Noble on the sly. Once the deal with Noble is sealed, Harriet informs Teddy and Cooper that they have no choice but to go along with her; this does not sit well with either of them, especially Teddy, who has become romantically involved with Harriet, though she toys with Noble out of self-interest. I Can Get It for You Wholesale (also released as Only the Best) was based on a novel by Jerome Weidman; the book was later adapted into a Broadway musical, which is best remembered today for providing Barbra Streisand with her first big break in show biz. ~ Mark Deming, Rovi