Charles Meredith Movies

Though he's most famous for his portrayal of Victor Laszlo in 1942's Casablanca, actor Paul Henreid took a few turns behind the camera as evidenced by this 1964 thriller starring Bette Davis as twins Margaret DeLorca and Edith Phillips. After landing the beau they both sought after by falsely claiming she was pregnant, Margaret lives a life of luxury as the wife of a wealthy man. Now, 20 years later, a broke and lonely Edith has returned for revenge. After killing the recently widowed Margaret, Edith assumes her identity with plans of living the life she feels she's deserved all along. But in order to pull it off, she'll have to play the role of Margaret connivingly enough to fool her servants as well as a local playboy and the police. Dead Ringer was remade in 1986 as Killer in the Mirror, a made-for-television movie starring Ann Jillian. ~ Matthew Tobey, Rovi

In this western, a cowboy finally returns to his home after a long absence precipitated by his killing a wicked rancher's son in a forced duel. The cowboy wants to live peacefully on his daddy's ranch and be with the woman that he loves. While on the trail home, he encounters a ruthless outlaw gang planning a bank robbery. Because most of the town men have gone on a giant cattle drive, the town is defenseless. The courageous cowpoke and his pal do all they can to keep the bad-guys at bay during a bloody battle. Eventually the good-guys prevail and the prodigal cowboy is appointed sheriff. ~ Sandra Brennan, Rovi

Bart (Jack Garner) offers a helping hand to farmer Henry Albright (John Qualen), who wants to start a gold mining company. Briefly putting his gambling activities on the back burner, Bart goes into the stockbroking business, issuing certificates for Albright's mine in a frontier "Chinatown" district. As usual, however, things go awry for Mr. Maverick, and before long the only thing he is brokering is a heap of trouble. The great Asian character actor Richard Loo plays a key role in this episode. ~ Hal Erickson, Rovi

Third-rate escape artist Joe Ferlini (Keenan Wynn) hopes to make the big time with a particularly dangerous stunt, in which he will be manacled hand and foot and locked into a submerged trunk. Both Joe's wife Wanda (Jan Sterling) and his manager Phil (Dennis Patrick) try to talk Joe out of this stunt, but only Phil is sincere; the faithless Wanda intends to use Joe's big escape as a cover for her plan to murder him. As things turn out, Wanda "wins" -- at least until the day of Joe's funeral, that is. ~ Hal Erickson, Rovi

During a Los Angeles Christmas, a group of 82nd Airborne vets assembles under the leadership of gamblin' man Danny Ocean (Frank Sinatra) to rip off five Las Vegas casinos just after the stroke of midnight on New Year's Day. Playboy Jimmy Foster (Peter Lawford) joins in the scheme because he's sick of needing his oft-married mother's money, especially now that she's about to wed Duke Santos (Cesar Romero), a self-made man with all sorts of underworld ties. After he receives the news that he could die at any time, newly released convict Anthony Bergdorf (Richard Conte) reluctantly agrees to participate so he can leave some money to his estranged wife and young son. Ocean's own wife, Beatrice (Angie Dickinson), doesn't think much of her husband's promise of a big score to come, but her quiet protests don't dissuade him. With Las Vegas garbage man and fellow vet Josh Howard (Sammy Davis Jr.) and several casino employees among their number, the titular band of thieves have just a few days to get ready for their caper. When Duke Santos, Jimmy's mother, and one of Ocean's discarded paramours all show up in Sin City at the same time as the veterans, the crew's perfect plans face some serious hurdles. ~ Brian J. Dillard, Rovi

Hotel waitress Thelma Tompkins (Olive Deering) is surprised to learn that wealthy Mrs. Mannerheim (Celia Lovsky) has named Thelma in her will. Relating this news to her lazy musician boyfriend, Arthur (Rick Jason), in hopes that he will propose to her, Thelma is disappointed when Arthur replies that marriage is out of the question until Mrs. Mannerheim dies. Giving this set of circumstances, Thelma and Arthur have no alternative than to "help" Mrs. Mannerheim shuffle off her mortal coil -- a scheme ultimately foiled by the usual ironic twist. ~ Hal Erickson, Rovi

Chicago Confidential may not have been the best of the late-1950s "expose" films, but it certainly boasted one of the most impressive casts. Based on the factual best-seller by Jack Lait and Lee Mortimer, the film stars Brian Keith as a State Attorney who vows to bring corrupt Chicago union officials to justice. It turns out that the union crooks are in cahoots with a gambling syndicate, conspiring to frame uncooperative union leader Dick Foran for murder. With the considerable assistance of his coworker-fiancee Beverly Garland, Keith strives to prove Foran's innocence and punish the genuine miscreants. Crucial to the plotline is nightclub comedian Buddy Lewis, cast as an impressionist who helps to frame the troublesome Foran; also in the cast are such crime-flick perennials as Elisha Cook Jr., Paul Langton, Douglas Kennedy, Jack Lambert, John Indrisano, Phyllis Coates, and Thomas B. Henry. ~ Hal Erickson, Rovi

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, Rovi

Young Frankie (Tyler McDuff) idolizes his uncle Duke (Roy Barcroft), a criminal who has been put behind bars thanks to Superman (George Reeves). Convincing Frankie that he was framed, Duke persuades the boy to cook up a scheme that will discredit not only Superman but also his reporter contact Clark Kent--unaware, of course, that Clark and Superman are one and the same. To this end, Frankie chums around with cub reporter Jimmy Olsen (Jack Larson), hoping to turn Jimmy against Clark. But Jimmy is not easily fooled, and he decides to prove to Frankie that Duke is up to no good. Inevitably, both Jimmy and Frankie are kidnapped, leaving Superman to set things right yet once more! ~ Hal Erickson, Rovi

A little girl is found wandering in the desert, in a state of complete shock. When she finally revives, she can scream out only one word: "Them!" Any aficionado of 1950s horror films can readily tell you that "Them" are giant ants, a byproduct of the radiation attending the atomic bomb tests of the era. Extremely well organized, these deadly eight-to-twenty-foot mutations converge on the storm drains of Los Angeles in the finale. Forming a united front against the oncoming ant battalions are New Mexico police sergeant James Whitmore, FBI representative James Arness, and father-and-daughter entomologists Edmund Gwenn and Joan Weldon. Since the details of Them are fairly common knowledge today, the mystery-thriller structure of the film's first half tends to drag a bit. Things liven up considerably during the search-and-destroy final reels, as the audience is barraged with convincing special effects and miniature work-not to mention that eerie ant-induced sound effect, so often imitated by subsequent lesser films. Fess Parker appears in a starmaking cameo as a pilot driven to the booby hatch after witnessing the ants in action, while an uncredited Leonard Nimoy is seen pulling info out of IBM machine. Definitely the high point in the careers of director Gordon Douglas and scenarists Ted Sherdeman and George Worthing Yates, Them is also one of the handful of vintage science-fiction thrillers that holds up as well today as it did when first released. (Sidebar: Though filmed in black-and-white, Them is alleged to have been released with a Technicolor opening title, the word THEM! hurtling towards the audience in a vibrant red). ~ Hal Erickson, Rovi

The syndicated TV sci-fi series Rocky Jones, Space Ranger (1953) was dual-purposed. Though running 39 episodes, the series consisted of thirteen serialized continuities, each running three weeks. These adventures were later assembled into ersatz "feature films" for theatrical release. One such three-part adventure was Manhunt in Space, in which Rocky Jones and his space rangers battled a group of extraterrestrial desperadoes from the planet Prah. Scotty Beckett, Sally Mansfield and Maurice Cass costar in this low-budget but highly imaginative effort. ~ Hal Erickson, Rovi

Cattle Town is a rare low-budget western from the Warner Bros. mills. Dennis Morgan plays Mike McGann, a troubleshooter sent out by the governor of Texas to keep a group of dispossessed ranchers from causing trouble. Disgusted by the activities of land baron Judd Hastings (Ray Teal), who has the law on his side, McGann casts his lot with the ranchers, though he still intends to keep violence to a minimum. He also finds time to sing four public-domain songs, a la Gene Autry. The supporting cast of Cattle Town is, in retrospect, a fascinating one, including future soap opera star Philip Carey, Amanda "Miss Kitty" Blake, and multi-award-winner Rita Moreno. ~ Hal Erickson, Rovi

Loan Shark was one of several independently-produced films made by George Raft in the early 1950s. Raft plays Joe Gargan, a good guy who pretends to turn bad to trap a gang of usurious loan sharks. In order to convince the crooks that he's on their side, Gargan is forced to call it quits with his sweetheart Ann Nelson (Dorothy Hart). Once he's accepted by the villains, Gargan dreams up an elaborate new method of siphoning money from an unsuspecting public. Inevitably, however, the villains get wise to Gargan's subterfuge, and for a while it looks like curtains for our hero. One of the most appealing aspects of Loan Shark is the no-frills cinematography of Joseph Biroc, who went on to such loftier pursuits as The Towering Inferno. ~ Hal Erickson, Rovi