Melina Mercouri Movies

Director Charlotte Kerr interviewed Melina Mercouri (1923-1994) and her husband Jules Dassin for this documentary on their careers and their strong, long-lasting personal relationship. Kerr also uses film clips from the couple's work and includes discussions on the years in which Dassin was blacklisted in Hollywood and on his disagreements with MGM. The couple's shared political, cultural, and artistic interests as well as strength of character and sense of humor are excellently conveyed, and although the documentary may stray off the track from time to time because of the sheer amount of material to cover, the two independent personalities and their films will hold most viewers' attention throughout. ~ Eleanor Mannikka, Rovi

An all-star female cast (Glenda Jackson, Melina Mecouri, Geraldine Page, Sandy Dennis, Anne Jackson, Anne Meara, and Dame Edith Evans) enliven this satirical treatment of the Nixon Watergate scandal, Nasty Habits -- based on Muriel Sparks's novella The Abbess of Crewe. When a dying abbess (Dame Edith Evans) of a Pennsylvania convent is ready to name Sister Alexandra (Glenda Jackson) as her successor, Sister Alexandra and her two flunkies (Sandy Dennis and Anne Jackson) try to get the abbess to sign a document of intent. But their plans are dashed when liberal Sister Felicity (Susan Penhaligon) arrives and wants to change the institution. Her arrival delays the signing of the document of intent, and before the abbess can sign the paper she dies.Now the job of running the convent is up for grabs, with Sister Alexandra employing Nixon-like techniques of surveillance and dirty tricks to get the goods on Sister Felicity. ~ Paul Brenner, Rovi

Nina (Melina Mercouri) is a former silent-film star from Russia who abandons her career to care for her son. She is a single mother -- the boy's father is a famous actor who wants nothing to do with either Nina or her child. She joins an acting troupe where she impersonates a famous French fashion designer, but she leaves the group in Krakow, Poland, when her true identity is discovered. She travels to France, taking several odd jobs in Nice to support her son. When the boy grows to young adulthood, he is recruited to fight during World War II for the French and later the British. He is decorated for valor and returns to locate his estranged mother after two years have passed. Upon arriving home, he finds that his mother had died several years earlier but that she meticulously wrote over 250 letters to give her son moral support and encouragement in the years to come. ~ Dan Pavlides, Rovi

This late-'60s spy spoof also borrows a page from late-'50s Alfred Hitchcock, with its everyday man becoming embroiled in the violent and baffling world of international espionage. When American businessman William Beddoes (James Garner) is traveling in Lisbon, he's mistaken for an English spy who's thought to possess a cache of industrial diamonds. Soon he is pursued by Aurora-Celeste da Costa (Melina Mercouri), Steve-Antonio (Tony Franciosa), and a host of other colorful troublemakers, all chasing him for something he doesn't have. Note Bert Kaempfert's music, introducing "Strangers In The Night". ~ Nicole Gagne, Rovi

French novelist Henri-Francois Rey adapted his novel Les Pianos Mecaniques with director Juan Antonio Bardem for this French/Italian/Spanish co-production, set in Spain. Vincent (Hardy Kruger) is recovering from a nervous breakdown in a seaside village on the Costa Brava. He enters into an affair with nightclub owner Jenny (Melina Mercouri), but their relationship changes when she falls for alcoholic author Pascal Regnier (James Mason), who is struggling to resume his writing career. Vincent eventually returns home, leaving Jenny to stay on with Pascal and his young son Daniel (Didier Haudepin). Their love enables him to start writing again. ~ Nicole Gagne, Rovi

An epic and unusual anti-war drama about WWII, writer-director Carl Foreman's heavily ironic saga is loosely based on the novel The Human Kind by Alexander Baron. It follows the adventures of an American infantry platoon based in Sicily that participates in the invasion of France, marches into Germany, and remains there for the Allied post-war occupation. Interspersed during the nearly three-hour film are vignettes of silly newsreel scenes from the home front. These are contrasted with disturbing incidents from the war. George Peppard plays Corporal Chase, who has an affair with a woman who wants him to desert to help her run a black market business. He visits the wounded Sergeant Craig (Eli Wallach) in the hospital and finds that most of his face has been blown away. Sgt. Trower (George Hamilton) takes up with a woman who turns out to be a prostitute The plot is highly episodic, with characters coming and going. Originally released at 175 minutes, the picture was withdrawn from distribution and edited down to 156 minutes to place greater emphasis on onscreen action. ~ Michael Betzold, Rovi

An episodic, funny, though uneven spoof of human manners and foibles, this comedy by Vittorio de Sica begins in Naples when a disembodied voice announces to the city's residents "The Last Judgment will begin at 6:00 p.m." Naturally, not all are immediately willing to accept this statement -- but not for long. As comic vignettes unfold, the good citizens soon become even better as they try to undo past and present sins, just in case. There is a long list of top actors that show up briefly in the story, everyone from Alberto Sordi to Jimmy Durante, Melina Mercouri, Anouk Aimée, Vittorio Gassmann, and many, many others. ~ Eleanor Mannikka, Rovi

Jules Dassin, blacklisted during the McCarthy era, directs this routine, ostensibly romantic tale that really courts an underlying theme of the misuse of power. Based on a popular French novel and set in a small Mediterranean town, the story involves a small group of men and the woman several of them desire. The men gather around in the local tavern each evening to play a rather vicious game called "The Law." One man is chosen to dictate to the others, and they have to do what he says, no matter how humiliating. Marietta (Gina Lollobrigida) is the gorgeous servant of Don Cesare (Pierre Brasseur), desired by Francesco, the son of a crime boss (Yves Montand), and by her brother-in-law. She herself has fallen in love with Enrico (Marcello Mastroianni), a poor engineer. Determined to get a dowry and thereby be able to marry Enrico, Marietta turns the tables on the men who play "The Law." ~ Eleanor Mannikka, Rovi

Filmed on the island of Crete and set in the early 1920's, when Greece was occupied by the Turks, Jules Dassin's Celu Qui Doit Mourir (He Who Must Die) tells the story of a small village's efforts to stage their Passion Play, an event that occurs once every seven years. The leading citizens, including the wealthy Patriarcheos (Gert Frobe) and the priest Grigoris (Fernand Ledoux), have managed to keep the local Turkish military ruler (Carl Mohner) satisfied with their quiet subservience, each protecting his status and authority within the community in the process. But when Grigoris makes his selections for the roles in the Passion Play, there are unintended consequences, particularly for Manolios (Pierre Vaneck), a tongue-tied, stammering young shepherd who is chosen to play Jesus. On the eve of the celebration and the play, a large group of refugees, survivors of a town burned by the Turks, led by the priest Photis (Jean Servais), arrives seeking help. Grigoris and the other town leaders turn them away, at first spreading the lie that the refugees carry cholera to make the townspeople fearful of them. But Manolios and two others are troubled by the seeming contradiction between the priest's behavior and the teachings of Jesus -- which Manolios is starting to take very seriously. Confronted by the starvation deaths of children and old men among the refugees, Manolios soon finds himself facing an array of unpleasant truths about the failings of the men he has always respected. The village is soon divided, friend against friend and father against son, as Manolios appeals to the better nature of his neighbors -- his closest allies include Patriarcheos's son and Katerina (Melina Mercouri), the village prostitute. These events further enflame Grigoris's anger over what he perceives a open rebellion and the threat of disorder, which the Church will not condone -- and he soon must appeal to the Turkish occupiers, to stop Manolios and all that he represents. ~ Bruce Eder, Rovi