Marian Mercer Movies

Marian Mercer and musical comedy have been made for each other ever since she starred in a high school production of Annie Get Your Gun. After graduating from the University of Michigan, she made her professional debut in 1957. A few seasons of summer stock later, she was in New York, working a chorus member, an understudy and a principal in such tuneful productions as Fiorello and Little Mary Sunshine. She was given plenty of room to display her singing and comic versatility in the Broadway revue New Faces of 1962, then spent several years as an ensemble player on such TV variety shows as The Dean Martin Show, The Andy Williams Show and The Dom DeLuise Show. In 1968, she won a Tony award for her portrayal of good-time girl Maggie McDonnell in Promises, Promises; the following year she made her first film appearance in John and Mary. Mercer's 1970s assignments included a season's worth of sketches on the syndicated TVer The Wacky World of Jonathan Winters; the role of neighbor Kay Fox in The Sandy Duncan Show (1972); the part of Myra Bradley in the Shirley Booth sitcom A Touch of Grace (1973); and recurring appearances as politician's wife Wanda Rittenhouse in Mary Hartman, Mary Hartman (1976) and its spin-off Forever Fernwood (1977). She remained solidly booked throughout the 1980s, as manager Nancy Beebe in TV's Making a Living (1980), as co-op landlady Mrs. Griffin in the 1983 sitcom Foot in the Door and in innumerable stage and cabaret appearances. After spending part of 1991 in the supporting role of Martha in the Norman Lear series Sunday Dinner, Marian Mercer was at last afforded top billing as Grace Bradley in the 1993 comedy weekly Home Free. ~ Hal Erickson, All Movie Guide
1998  
 
Having left his home town in disgrace after a tragic accident, jaded land developer Blake Cameron (Lee Tergesen) returns to face his former friends and loved ones. But this is not a social call: Blake's bosses have purchased the most of property fronting Lake Paradise, a rancid body of water which has been "dead" for years, and Blake has arrived to find out why one of the locals has refused to sell. The sole holdout turns out to be Monica (Roma Downey), whose Heavenly assignment on this occasion is not only to revitalize Lake Paradise, but also restore Blake's faith in God. A long-suppressed secret concerning a 12-year-old named Jeremy (Nathan Lawrence) determines the story's outcome. ~ Hal Erickson, All Movie Guide

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1992  
 
The community players of Cabot Cove have chosen to stage a play about a 17th century witch who had placed a curse on the town just before her execution. Cast in the lead role is Mariah Osborne (Mary Crosby), a newcomer to the town. Before long, strange things begin happening, convincing the townsfolk that Mariah is not merely acting, but is in truth the reincarnation of the notorious witch. Assisting Jessica (Angela Lansbury) in her investigation of the inevitable murder is the town's new deputy Dave Anderson, played by Louis Herthum--who in his previous series appearance was known as "Deputy Andy Bloom." ~ Hal Erickson, All Movie Guide

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1992  
 
A man trying to help out his sister finds himself chin-deep in hot water in this screwball comedy. Yuppie businessman Bill Campbell (Matthew Broderick) is close to sealing a $140 million business deal when he gets a phone call from his little sister Marci (Courtney Peldon), who is convinced that her new stepfather, Peter Van Der Haven (Jeffrey Jones), the mayor of the city of Buzzsaw, California, is up to no good. Though understandably wary, Bill heads to Buzzsaw, where he promptly loses his paperwork on the deal in progress and is confronted by the city's remarkable collection of eccentrics, including the crazed fugitive Sally (Heidi Kling), the subnormal Jim Jr. and Jim Sr. (John C. Reilly and Michael Monks), and Ann (Marian Mercer), the mayor's loopy wife. It turns out that Marci wasn't entirely wrong; year's ago, Peter's diabolical twin brother Matt (also played by Jones) was sent to jail in his brother's place on criminal charges, and now Matt has violent revenge on his mind. Out on a Limb features an original score by noted composer and arranger Van Dyke Parks. ~ Mark Deming, All Movie Guide

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Starring:
Matthew BroderickJeffrey Jones, (more)
1986  
 
Agatha Christie's Murder in Three Acts represents Peter Ustinov's fifth appearance as Dame Agatha's brilliant, insufferable Belgian detective Hercule Poirot. The scene is Acapulco, where retired actor Tony Curtis hosts two separate parties--both of them were blighted by the fatal poisoning of a guest. The police think the butler did it (honest!), but Poirot activates his "little grey cells" to pinpoint the killer amongst a group of wealthy and eccentric suspects. Filmed in Mexico, Murder in Three Acts was the latest (and to some reviewers the least) in a long line of Agatha Christie TV-movie specials produced by Stan Marguiles. Ustinov was Poirot in three of these, having first essayed the role in the theatrical feature Death on the Nile (78). ~ Hal Erickson, All Movie Guide

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Starring:
Peter Ustinov
1982  
 
Life of the Party: The Story of Beatrice is a fact-based TV movie starring Carol Burnett and Lloyd Bridges. Burnett plays Beatrice (emphasis on the second syllable: "Be-AT-trice") who compensates for her shyness and lack of self-respect by drinking heavily. Bridges plays Beatrice's husband, who tolerates his wife alcoholic intake until he can stand no more. She begins attending Alcoholics Anonymous and cleans up her act. But that's not the end of the story: Beatrice then sets out to establish a halfway house for other female alcoholics. The domestic scenes between Burnett and Bridges are far more compelling than Burnett's climactic tiltings with bureaucracy during her efforts to realize her dream. ~ Hal Erickson, All Movie Guide

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1980  
PG  
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Judy Bernly (Jane Fonda), a housewife whose husband has left her for his secretary, begins her own secretarial career at a huge corporation. Violet Newstead (Lily Tomlin), a feisty, veteran office manager, instructs her on the perils and procedures of office life -- and of working for Franklin Hart Jr. (Dabney Coleman), their chauvinistic, sleazy boss, and his right-hand woman, the crisp, nosy Roz (Elizabeth Wilson). Meanwhile, Hart's endless attempts to seduce his happily married secretary, Doralee Rhodes (Dolly Parton), lead the entire office to think she's a trollop. When Hart unfairly passes Violet over for a promotion, she drowns her sorrows at a local bar with Judy and Doralee, who regales the others with tales of Hart's epic advances. Later, at Doralee's house, the women smoke pot, eat barbecue, and concoct hilarious revenge fantasies -- a rodeo hog-tie, a Wild West shootout, and a gothic Snow White scenario -- about killing their boss. When a mix-up leads the women to think they have accidentally poisoned Hart's coffee, they hatch a scheme to protect themselves by stealing Hart's body from the morgue. When he turns up alive, never having drunk the coffee, they must kidnap him to prevent him from blackmailing them or calling the police. The women then use the occasion of their boss' absence to effect some changes around the office. ~ Brian J. Dillard, All Movie Guide

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Starring:
Jane FondaLily Tomlin, (more)
1980  
PG  
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In this mild sequel to the 1977 appearance of George Burns as God, the Heavenly Father shows up again, this time to talk to Tracy (Louanne), a young girl whose earthly father (David Birney) is in the advertising business. God's intention is to promote himself among the children first. Tracy comes up with a way to further awareness of the Supreme Being with posters and graffiti that say "Think God." She and her classmates set out on this campaign, but Tracy ends up facing a phalanx of psychiatrists for talking to an invisible God. Being who He is, God decides to finally make an appearance for the benefit of everyone. ~ Eleanor Mannikka, All Movie Guide

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Starring:
George BurnsSuzanne Pleshette, (more)
1979  
 
Based on the best-selling novel by Joyce Rebeta-Burditt, the made-for-TV Cracker Factory originally aired on March 16, 1979. Natalie Wood stars as alcoholic Cleveland housewife Cassie Barrett, who after attempting suicide is shipped off by her family to a psychiatric ward. It's not the first time Cassie has been in "the cracker factory", but the doctors continue to hope that she'll eventually learn to grasp reality and stop hiding behind her boozing and blustering facade. As before Cassie resists the trappings of normality; this time, however, she may end up in the "factory" to stay if she doesn't at least try to help herself. Alternating sombre tragedy with moments of raucous comedy, Cracker Factory is an outstanding tour de force for Natalie Wood. ~ Hal Erickson, All Movie Guide

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1978  
 
Sammy Davis, Jr. basically plays tribute to himself in this version of Anthony Newly's Broadway/screen musical Stop the World--I Want to Get Off. As in that earlier show, this production started out as a stage show and as the tale progresses, the camera seldom moves. The story centers around a humble coffee seller who impregnates his employer's daughter and ends up becoming a powerful, amoral business tycoon who cheats on his wife every chance he gets. ~ Sandra Brennan, All Movie Guide

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Starring:
Sammy Davis, Jr.Dennis Daniels, (more)
1969  
PG  
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John and Mary attracted a great deal of press coverage in 1969 for being the one of the first American films in which the male and female leads (Dustin Hoffman and Mia Farrow) start out the film by spending the night together, rather than holding off until the end. The morning after, the boy and girl wander about New York, wondering if they'll truly commit themselves to one another. Both characters are haunted by unsuccessful earlier affairs, and both have enough hang-ups to fill volumes of psychological textbooks. Come nightfall, John and Mary end up back in bed...and learn each other's names for the first time. John and Mary was considered "beautiful," "progressive" and "significant" in the permissive 1960s; nowadays it's about as controversial as The CBS Morning News. ~ Hal Erickson, All Movie Guide

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Starring:
Dustin HoffmanMia Farrow, (more)

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