Mae Mercer Movies

Tensions of a mostly racial nature erupt between two African-American staffers at the ER, the mild-mannered Michael Gallant (Sharif Atkins) and the outspoken Gregory Pratt (Mekhi Phifer). Pratt foments the hostility when he interferes in Gallant's treatment of a suicidal soldier. But when a hypochondriac (Diane Delano) is refused treatment by Dr. Kayson (Sam Anderson) for what seems to be a genuine ailment, Pratt holds his tongue -- with fatal consequences for the patient. Now it is Gallant's turn to unleash his anger at Pratt, a confrontation with long-ranging ramifications. Elsewhere, a distracted Weaver (Laura Innes) makes a disastrous error while demonstrating flu shots on a TV news program, and Carter (Noah Wyle) again confronts Abby (Maura Tierney) about her alcohol problems. ~ Hal Erickson, Rovi

Obviously inspired by The Wiz, Cindy is a musical adaptation of "Cinderella" with an African-American cast. In 1943 Harlem, Cindy (Charlaine Woodard), fresh from the south, is treated harshly by her stepmother (Mae Mercer) and nasty stepsisters (Nell-Ruth Carter, Alaina Reed). In a departure from most Cinderella stories, Cindy's dad (Scoey Mitchell) is around to provide comfort but not much help against the barrage of her new mother and step-siblings. While taking a precious night off at the Sugar Hill Ball, Cindy is swept off her feet by handsome marine Joe Prince (Clifton Davis). Substituting for the glass slipper in Cindy is a dirty sneaker, but the end result is the same. ~ Hal Erickson, Rovi

This effort from exploitation auteur Jack Hill was a profitable early entry in one of the most beloved subgenres of sexploitation cinema, the cheerleader movie. The soap opera-styled premise focuses on the lives of a squad of cheerleaders at Mesa University. Mary Ann (Colleen Camp) is worried with trying to get her roving football player boyfriend, Buck, to settle down and marry her; Lisa (Rosanne Katon) is caught up an in an affair with the married Professor Torpe (Jason Sommers); and Andrea (Rainbeaux Smith) frets over whether or not to give her virginity up. There is also a new cheerleader named Kate (Jo Johnston), who is actually a journalism student using the experience to write a feminist-slanted paper for her thesis. Kate soon learns that the cheerleaders and football players deserve more respect than she gives them and also uncovers a secret gambling ring involving the coach, Professor Torpe, and Mary Ann's father. The narrative that results from these surprisingly involved plot threads delivers all the raciness the title promises, and, thanks to the gambling subplot, even a bit of action. The Swinging Cheerleaders is less inspired and kinetic than Hill's other exploitation fare, but it delivers the sexploitation goods and manages to work in a little subversive social commentary to boot. As a result, it became a drive-in hit and earned a cult following amongst fans of drive-in movies. ~ Donald Guarisco, Rovi

The slimy denizens of the Everglades organize a particularly nasty rebellion in this enjoyable entry from the "nature-run-amok" horror subgenre which favored drive-in venues of the mid-'70s. The story takes place amid the festivities honoring the birthday of crotchety, wheelchair-bound Southern patriarch Jason Crockett (Ray Milland), a chemical-industry magnate whose pesticides are responsible for much of the toxic pollution found in the swamplands. The revelry ends quickly, however, when thousands of local fauna decide to crash the party. Under the apparent telepathic guidance of the less-than-menacing swamp bullfrogs, armies of snakes, insects, and snapping turtles tear their way through the cast. Competent direction, great use of swampland ambience, and spooky sound effects help provide a suitably large dose of the creepy-crawlies. ~ Cavett Binion, Rovi

"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, Rovi

Two former World War II pilots take to running an air-freight company in South Africa after the war. They get mixed up with Lee Harris (Harry Guardino), the dangerous black-market crime boss who flaunts his beautiful mistress Elana (Claudia Cardinale). Brynie (Rod Taylor) and Mike (Peter Deuel) are the former ace flyboys who get on the wrong side of Harris and his henchmen. The action starts at Al Poland's (William Marshall), a favorite watering hole where everyone has one ear on the live music as the other listens to the next sordid smuggling plan hatched by shadowy underworld types. Harris and his gun-wielding thugs mean to bring down the high-flying operation. ~ Dan Pavlides, Rovi