Ernest Menzer Movies

This is a somewhat experimental radical-chic film made by director Jean-Luc Godard and the Dziga-Vertov filmmakers cooperative. It depicts a trial resembling that of the "Chicago Eight," in the U.S. in the '60s, and also shows something of the everyday lives of several of the defendants. Another issue touched on is the taut relationship of the Black Panthers with Chicago and Federal authorities. Included as part of the film are discussions by the director and cooperative members about what they have filmed, or are going to film, and how they plan to handle aspects of the movie. There is a great deal of political preaching, both within the story and in the filmmaker's discussions, and the film was considered to be somewhat heavy-handedly anti-U.S. at the time of its release. Godard is better known for some of his earlier films, such as Les Carabiners, A Bout de Souffle (Breathless), and Le Mepris. ~ Clarke Fountain, All Movie Guide

Jean-Luc Godard directed this brightly colored, pop-art homage to American crime cinema, which somehow finds room for extended commentary on leftist politics and the corrupt nature of advertising. Paula Nelson (Anna Karina) is a mystery woman (Is she a reporter? Perhaps a spy?) who used to be involved with Richard, a man who is now an outspoken Communist and has been linked to the murder of a foreign agent. Paula wants to silence Richard before he starts making trouble for her, but she can't find much hard evidence that's he's still alive outside of a recently discovered tape recorder that plays his recorded rants on current political issues. While speaking with Typhus (Ernest Menzer), a small time hood who knows about Paula's relationship with Richard, shots ring out and suddenly Typhus is dead. As Paula tries to find a way to get rid of the body, she tries to discover who killed him and why, as a pair of lackadaisical hoods (Laszlo Szabo and Jean-Pierre Leaud) follow her around Paris. Filled with references to American genre cinema and dedicated to Samuel Fuller and Nicholas Ray, Made In U.S.A. was the last film Godard would make with his one-time wife and frequent collaborator Anna Karina, and it was filmed simultaneously with another feature Godard released in 1966, 2 or 3 Things I Know About Her. The admittedly flimsy plot was loosely adapted from the novel The Jugger by Donald E. Westlake (published under the pseudonym Richard Stark); Westlake wasn't paid for the rights, and he prevented the film from being released in the United States until after his death in 2008. ~ Mark Deming, All Movie Guide

Director Jean-Luc Godard's deceptively blithe tribute to the musical comedy features Anna Karina as an exotic dancer who decides that it is time for her to have a child. When her lover refuses to commit to the decision, she turns her romantic attentions to his best friend. This being a Godard film, the straightforward story serves as a framework for improvisation and stylistic experimentation, allowing for odd interludes and unexpected images. Rather than the sometimes alienating, dense intellectualism of later Godard works, Une femme est une femme offers aesthetic pleasure through luxurious visuals and a charming musical score by Michel Legrand. Against this bright backdrop, Karina proves particularly fetching, capturing the film's frolicsome mood in an unforced manner. While not one of Godard's most groundbreaking or influential films, Une femme est une femme is one of his most appealing and pleasurable efforts. ~ Judd Blaise, All Movie Guide