Sergio Mendizabal Movies
- 1985
This entertaining comedy is set in 1938 during the Spanish Civil War when a group of Republican soldiers sneak into a village in enemy territory to steal a bull with plans of butchering it to feed themselves. Fate and the bull itself, however, have other plans. One of the surreptitious bull-snatchers knows the village well -- he grew up there, but that advantage alone cannot guarantee their success, as it turns out. The group of five would-be thieves dress themselves in uniforms of the Nationalist troops in an attempt to dissimulate their true identity. But instead of a neat getaway with a bull in tow, they are caught up in the "correo" or running of the bull, they get involved in a religious procession, and in the end, watch as the bull breaks out of a flimsy ring in a bullfight and heads for the hills. Still hungry, the group of men now have to worry about getting back to their own battalion before they are found out. ~ Eleanor Mannikka, Rovi
- Starring:
- Guillermo Montesinos, Alfredo Landa, (more)
- 1977
After serving her male boss for many years, decades even, the maid in this story is understandably a little jealous of his young wife. In fact, however, she is hopelessly in love with her employer, and is madly jealous of his bride. The young wife is a duplicitous sort, given to the odd affair, and not above pulling the wool over her adoring and somewhat simple older husband. However, the family maid is not so easily fooled, and before long the young woman finds herself in a very unenviable situation. ~ Clarke Fountain, Rovi
- 1976
On long summer weekends, Juan (Alfredo Landa) is in the habit of hopping on his motorcycle in Madrid and driving for many hours to Torremolinos, a popular hangout for foreign tourists. There, he indulges in his fondness for romancing foreign girls. In this movie, which won a Gold Prize at the 1977 Moscow Film Festival, the people he meets on his journey form a microcosm of modern Spain. ~ Clarke Fountain, Rovi
- Starring:
- Alfredo Landa, Paco Algora, (more)
Luis Buñuel's Tristana is a surreal criticism of Catholicism and the modern world, told through the story of the title character, who is portrayed by Catherine Deneuve. Tristana is a young Spanish woman left to the care of Don Lope (Fernando Rey), the protective but impoverished aristocrat. Don sells his possessions to avoid manual labor and champions the causes of the dispossessed and downtrodden of society. He takes advantage of the vulnerable Tristana, who leaves him when she falls in love with Horacio (Franco Nero). Unable to commit to him, she returns to Don Lope when she falls ill. He asks for her hand in marriage, and she accepts after losing her leg to cancer. She chooses to remain in a passionless union rather than be subject to the harsh realities of a society that refuses to change to the needs of women. Taken from the novel by celebrated author Benito Perez Galdos, the film -- wherein director Buñuel takes his usual jabs at religion and politics -- is a tribute to the author on the 50th anniversary of his death. ~ Dan Pavlides, Rovi
- Starring:
- Catherine Deneuve, Fernando Rey, (more)
- 1966
- R
- Add The Good, the Bad and the Ugly to Queue Add The Good, the Bad and the Ugly to top of Queue
In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release. ~ Yuri German, Rovi
- Starring:
- Clint Eastwood, Eli Wallach, (more)
This pulse-pounding follow-up to Sergio Leone's A Fistful of Dollars brings back Clint Eastwood as the serape-clad, cigar-chewing "Man With No Name." Engaged in an ongoing battle with bounty hunter Col. Douglas Mortimer (Lee Van Cleef), the Man joins forces with his enemy to capture homicidal bandit Indio (Gian Maria Volontè). Both the Eastwood and Van Cleef characters are given understandable motivations for their bloodletting tendencies, something that was lacking in A Fistful of Dollars. In both films, however, the violence is raw and uninhibited -- and in many ways, curiously poetic. Leone's tense, tight close-ups, pregnant pauses, and significant silences have since been absorbed into the standard spaghetti Western lexicon; likewise, Ennio Morricone's haunting musical score has been endlessly imitated and parodied. For a Few Dollars More was originally titled Per Qualche Dollaro in Più; it would be followed by the last and best of the Man with No Name trilogy, The Good, the Bad and the Ugly. ~ Hal Erickson, Rovi
- Starring:
- Clint Eastwood, Lee Van Cleef, (more)
- 1963
Manuel Summers wrote and directed this two-story feature that deals with young and old love. A young boy (Pedro Diez del Corral) is in love with an older girl of 14 (Cristina Galbo Sanchez). He becomes obsessed with winning her love as the girl enjoys playing with his affections. He goes off to summer camp convinced she loves him, but he comes back to find she is going with another boy. Although he is heartbroken, the resilient lad takes comfort in the fact that he is now able to wear long pants. In the second story, two residents of an old folks home for the poor express their love through letters to each other. Valentin (Jose Vincente Cerrudo) and Josefa (Angelina Onesati) are separated by gender by the rules of the institution like all other residents and only see each other up close at church every week. Valentin comes back from the city after running an errand and tries to talk Josefa into running away with him. ~ Dan Pavlides, Rovi
- Starring:
- Pedro Diaz del Corral
- 1962
A little talkative but otherwise up to par, this western by director Michael Carreras in cooperation with a Madrid studio, is set in the Mexican valley of Sonora not that far south of the state of Arizona. The time is just after the American Civil War, and a former Confederate officer, Mike Summers (Don Taylor) has taken refuge in a small town in the valley. He has married and is hoping to live in peace the rest of his life. Instead, he and his wife and the rest of the town are suffering the depredations of a brutal gunman, Danny Pose (Alex Nicol), and his gang of outlaws. Summers holds off picking up a gun because of his personal vow of non-violence. But the situation deteriorates and a new ally comes into the picture, Steve Fallon (Richard Basehart), a wandering gunslinger who may not be able to handle the bad guys alone. ~ Eleanor Mannikka, Rovi
- Starring:
- Richard Basehart, Don Taylor, (more)
After 25 years' exile, Luis Buñuel was invited to his native Spain to direct Viridiana -- only to have the Spanish government suppress the film on the grounds of blasphemy and obscenity. Regarded by many as Buñuel's crowning achievement, the film centers on an idealistic young nun named Viridiana (Silvia Pinal). Just before taking her final vows, Viridiana is forced by her mother superior to visit her wealthy uncle Don Jaime (Fernando Rey), who has "selflessly" provided for the girl over the years. She has always considered Don Jaime an unspeakable beast, so she is surprised when he graciously welcomes her into his home. Just as graciously, he sets about to corrupt Viridiana beyond redemption -- all because the girl resembles his late wife. It is always hard to select the most outrageous scene in any Buñuel film; our candidate in Viridiana is the devastating Last Supper tableau consisting of beggars, thieves, and degenerates. As joltingly brilliant today as on its first release, Viridiana won the Golden Palm at the Cannes Film Festival. ~ Hal Erickson, Rovi
- Starring:
- Silvia Pinal, Fernando Rey, (more)
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