Stephen Mendillo Movies

This two-part HBO miniseries is based on the Pulitzer Prize-winning novel by Richard Russo. Having long since sacrificed youthful ideals and values to remain in his New England hometown for the sake of his family, middle-aged Miles Roby (Ed Harris) finds his "secure" little world disintegrating when his wife, Janine (Helen Hunt), divorces him. Equally vexing is the emotional and financial pressure exerted by domineering town matriarch Francine Whiting (Joanne Woodward), who owns (among other things) the Empire Grill, the little diner that Ed has run for several years. As he reflects on what he considers to be a wasted life, Ed flashes back to memories of his curmudgeonly father, Max (Paul Newman, who also executive-produced the miniseries); his long-dead mother, Grace (Robin Wright Penn); his scapegrace brother, David (Aidan Quinn); his blossoming daughter "Tick" (Danielle Panabaker); and Francine's late husband, C.B. Whiting (Philip Seymour Hoffman). Also tied in with Miles' reminiscences is the spectacular saga of the rise and fall of Empire Falls, a once-prosperous mill town that has fallen into disrepair -- as have the town's once-rigid and inviolate social barriers. Despite the initial bleakness of Miles' plight, and the revelation of innumerable family skeletons as the plot progresses, the story is ultimately both heartwarming and life-affirming. Filmed on location in Maine, Empire Falls originally aired on May 28 and 29, 2005. ~ Hal Erickson, All Movie Guide

Infected with the virus unleashed by Irina's successor Sark (David Anders), Vaughn (Michael Vartan) has but a few days to live. In order to find an antidote for the virus, Sydney (Jennifer Garner) is forced to place her trust in the highly unreliable Irina (Lena Olin). Ultimately, Syd finds herself at the deserted Paldinski nuclear-sub training base in Estonia, where she is confronted by Sark. With surprising expansiveness, Sark offers to spare Sydney and give her the antidote -- but only if Sloane (Ron Rifkin) is delivered into the hands of assassins. ~ Hal Erickson, All Movie Guide

A suicide investigation is turned over to homicide when it is revealed that the white victim may have been killed because she adopted a black baby. While trying to determine the baby's paternity, the detectives and the lawyers unearth some unpleasant secrets in the past of one of the suspects. But do these secrets have any bearing on the killing -- and even if they do, will they ever be heard by a jury? ~ Hal Erickson, All Movie Guide

What does a biographer do when the truth about his subject is far less pleasant than the legend? That is the moral dilemma at the heart of Cobb, which explores the lives of both baseball's premier hitter, Ty Cobb (Tommy Lee Jones), and the sportswriter assigned to set his story down, Al Stump (Robert Wuhl). Stump arrives at the Tahoe home of the dying Cobb to write the official life story of the first man inducted into the Baseball Hall Of Fame. He finds a drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero. The movie's biting focus on Cobb, ferociously performed by Jones, is not matched by its weaker representation of Stump, an imbalance which ultimately weakens the film's overall effect. ~ Don Kaye, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D. B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, All Movie Guide

Arthur Hiller directed this satiric look at contemporary urban high schools, examining disillusioned teachers who try to regain their idealism. Nick Nolte stars as Alex, a teacher at John Fitzgerald Kennedy High School, who was once an idealistic teacher but whose main concern now is sobering up before the next class session. The high school is headed by ineffective principal Mr. Horn (William Schallert) and an imperious vice-principal named Roger (Judd Hirsch). When a recent graduate of the high school sues the school because it graduated him illiterate, Alex finds himself in conflict with the hard-nosed school superintendent Dr. Burke (Lee Grant). The high school heats up even more when Alex falls in love with Lisa (JoBeth Williams), the attractive lawyer who was once one of Alex's honor students. ~ Paul Brenner, All Movie Guide

After helping to kick-start the independent film movement in America with The Return of the Secaucus Seven, John Sayles wrote, directed, and edited his second feature, about a woman who finds herself staring life over after coming out of the closet as a lesbian. Lianna (Linda Griffiths) is a woman in her early thirties who's married to Dick (Jon DeVries), who teaches film at a college in Boston. Lianna first met Dick when she was a student in his class, and while she's grown more assertive and independent with time, Dick has become bitter and difficult, though he tries to be patient with their two children, Spencer (Jesse Solomon) and Theda (Jessica Wight MacDonald). Lianna, who dropped out of college when she married Dick, has begun taking classes again, and strikes up a close friendship with one of her professors, Ruth (Jane Hallaren); Dick, however, would prefer that she spend her time helping him with research on his upcoming thesis. When Lianna discovers Dick has been having an affair with one of his students, she begins to wonder about her future with him as well as her own feelings, and one evening, after dinner and conversation with Ruth, Lianna discovers her new friend has romantic feelings toward her -- and that she feels the same way toward Ruth. When Lianna confronts Dick with the news of her relationship with Ruth, he's livid and makes her leave the house, forcing her to start a new life for herself as she comes to terms with her own sexuality. Comic actor Chris Elliott makes his screen debut in Lianna in a small role as a lighting technician for a dance troupe. ~ Mark Deming, All Movie Guide

Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, All Movie Guide

Rollercoaster was a by-product of the brief "Sensurround" craze of the 1970s. Nutsoid Timothy Bottoms sabotages an amusement-park roller coaster, killing several innocent revelers. After several other acts of terrorism, Bottoms (whose character is credited as Young Man) presents his demands to the authorities via audio tape: one million dollars, or he'll stage five roller-coaster disasters simultaneously in five different parks. Because detective Harry Calder George Segal evinces a grudging respect for the elusive extortionist, Bottoms declares that only Detective Calder will be permitted to deliver the money. Thus the stage is set for an explosive climax, which during the film's original run was accompanied by the Sensurround effect, a gimmick that electronically caused the filmgoer's chairs to begin shaking and vibrating during the "thrill scenes." As with most disaster flicks of the era, Rollercoaster is top-heavy with "guest stars," including Richard Widmark, Henry Fonda, Harry Guardino, and Susan Strasberg. Watch for 13-year-old Helen Hunt as Detective Calder's spunky daughter. ~ Hal Erickson, All Movie Guide

Paul Newman plays Reggie Dunlop, the coach of a pathetic minor-league American hockey team. His career at a standstill and his marriage in tatters, Dunlop has nothing to lose by taking on a new group of players who are one evolutionary step above Neanderthals. Only when the team begins winning does he decide to get behind these players, and to encourage the rest of the team to play as down-and-dirty as the newcomers. Straight-arrow team member Ned Braden (Michael Ontkean) resents this influx of gonzo talent, preferring to play clean. As the film's multitude of subplots play themselves out, Dunlop does his best to keep the outraged Braden on the team. Slap Shot is the sort of film for which the "R" rating was invented: Its nonstop barrage of profanity and its raunchy action sequences are of such intensity that the film will probably never be shown intact on commercial television. ~ Hal Erickson, All Movie Guide