Murray Melvin Movies

A fanciful retelling of the story of Napoleon Bonaparte (played by heralded actor Ian Holm, this British costume comedy suggests that it was Napoleon's double, not the man himself, who died on St. Helena Island. The film begins by presenting Napoleon after his defeat at Waterloo, at the home of a young boy (Tom Watson), where he watches a slide show of his actions and begins to tell his story. The film flashes back to Napoleon's six years of house arrest, when he dictated his memoirs to an aide (Murray Melvin). He has concocted a scheme with his sidekicks Montholon (Nigel Terry) and Bertrand (Hugh Bonneville) and a valet named Marchand (Eddie Marsan) to plant a double in his place so he can escape to Paris, where he can then reclaim his throne as emperor of France. Posing as a galley hand, Napoleon steals a ship, but mistakenly arrives in Belgium, where he must then make his way back to France by barge. When he finally arrives in Paris, he discovers his contact, Truchaut, has died, and he enlists the help of his widow Pumpkin (played by Mifune's Iben Hjelje). Unable to reveal his true identity, Napoleon kills time by using Pumpkin and other supporters to start a profitable business, and Pumpkin begins to find herself drawn to Napoleon, though knowing his real identity. The film was directed by American filmmaker Alan Taylor, who helmed the quirky 1995 comedy Palookaville. ~ Jason Clark, All Movie Guide

Hot on the heels of the BBC's multipart 1999 adaptation of Charles Dickens' semiautobiographical novel David Copperfield came this American-financed version, prepared for the TNT cable network as part of the Hallmark Hall of Fame. Child actor Max Dolbey and adult performer Hugh Dancy share the role of David Copperfield who, after enduring a tempestuous youth at the hands of his cruel stepfather Murdstone (Anthony Andrews), manages to survive into adulthood with the help and support of such sympathetic figures as Aunt Betsy Trotwood (Sally Field), the eternally-in-debt Mr. Micawber (Michael Richards), and loyal old Dan Peggoty (Nigel Davenport). Even so, David's later years are none too serene, thanks in great part to antagonists like the wheedling, "'umble" Uriah Heep (Frank MacCusker), and to his own star-crossed romantic misadventures. At the time of its first telecast on December 10, 2000, this two-part adaptation of David Copperfield was criticized for the "stunt" casting of former Seinfeld regular Michael Richards as Micawber, who is transformed into a Kramer-esque slapstick figure; however, one must remember that not everyone was enamored of W.C. Fields' now-classic interpretation of the same character in the 1935 film version. David Copperfield was lensed on location in Ireland. ~ Hal Erickson, All Movie Guide

Loosely based on an actual incident, this family-friendly British comedy is also a sly satire of class consciousness. Phoebe Cates stars as a woman who appears in the English countryside of 1817 wearing exotic garb and speaking gibberish. Delivered to a nearby manor, the mystery woman is sheltered by the Worralls (Wendy Hughes and Jim Broadbent), who are then persuaded by their suspicious Greek butler Frixos (Kevin Kline, Cates' real-life husband) to have the drifter tried for vagrancy and begging, capital crimes. At the hearing, however, the woman persuades the magistrate through pantomime that she is a princess of Javanese origin named Caraboo, escaped from pirate kidnappers. The Worralls welcome Caraboo back into their home, lavishing upon her the deference due a royal. A society sensation, Caraboo wins over a linguist (John Lithgow), the prince regent (John Session), and even Frixos. Only an Irish reporter, Gutch (Stephen Rea), remains skeptical about Caraboo's origins. ~ Karl Williams, All Movie Guide

The Derek Bentley Case has been an uneasy blight on the British legal system since the early 1950s. Two young, frightened boys were caught by police trying to break into to a building. One of the boys had a gun. When the policeman reached out to the youth to turn over the gun, his friend shouted "Let him have it," and the policeman was killed by a gun blast. Whether the boy understood "Let him have it" to mean he should turn over the gun or to kill the police officer has been debated ever since. But the result was the 19-year-old boy was executed for the crime -- only to be posthumously exonerated in 1953. In this dark and biting film by Peter Medak, the life of Derek Bentley (Chris Eccleston) that led up to the crime is recreated in pitiful detail, as well as the ensuing trial and execution. The story begins in 1952, when the likable Bentley is released from reform school. Bentley is an impressionable young man who returns home to his loving family -- his parents (Tom Courtenay and Eileen Atkins) and sister (Clare Holman) -- but becomes involved with a group of friends, led by the intimidating Chris (Paul Reynolds), who live in the poverty of post-World War II Britain and escape their bleak world by emulating the American gangster films they see at the local cinema. They play-act at being gansters, but with real guns ... and tragic results. ~ Paul Brenner, All Movie Guide

Peter Medak directed this fact-based drama, chronicling the lives of the infamous Kray Brothers, notorious celebrities in 60s London. The Krays were twin gangsters who ruled London's stylish East End club scene, staking out their territory by committing the most violent crimes imaginable, preferring to perform the most torturous acts themselves. The film stars Gary Kemp and Martin Kemp, founding members of the pop group Spandau Ballet, as Ronald and Reginald Kray. The film opens as their mother Violet Kray (Billie Whitelaw) recalls a dream in which she is a swan from which two beautiful babies have hatched. She can't tell if the swans are angels or demons, but the film soon answers that question for her. Brought up in London's East End in the 1930s, Ronald and Reginald Kray are raised in the resentful world of Violet, who is hateful of her lot in life and bitter at the control men have in running the world ("Housework is a lethal business," she says). The twins react to each other almost telepathically and they take out their anger by clogging the nose of their sleeping father (Alfred Lynch), pushing around fellow schoolboys, and even beating each other to pulp at a boxing match. When her mother chastises them for their fight in a fairground boxing ring ("You fight them up, but you don't fight each other"), the twins veer into the London underworld. In their self-contained world of Us-Against-Them, the Krays rapidly rise to the height of power, first taking over the territory of a petty mobster by violent means and then putting together an underworld empire of posh clubs, cars, and fancy suits. But at the height of their fame, the twins begin to break from each other. Reginald falls in love with Frances (Kate Hardie), while Ronald gets involved in a homosexual relationship with one of his underlings. Ronald, in a jealous rage over Frances stealing his brother away from him, becomes even more brutal in his crimes and while the brothers' backs are turned, a group of older mobsters challenge the Krays' authority, invoking a horrible bloodbath that effects not only the two brothers but Frances and Violet as well. ~ Paul Brenner, All Movie Guide

Ben Kingsley stars as celebrated Russian composer Dmitri Shostakovich in this lengthy historical biography. Along with Prokofiev, Shostakovich is considered among the elite of the 20th-century composers to emerge from his country. Striving to be true to his art form, the composer was caught in the political crossfire of the Stalin regime and was criticized for being politically ambiguous. Under constant pressure, Shostakovich silenced many of his critics when he remained in Leningrad during the Nazi siege to complete his stirring 7th symphony. Terrence Rigby plays Stalin, with Ronald Pickup as the ill-fated Soviet official Tukhachevsky, another of Stalin's many victims. Shostakovich lived until 1975. ~ Dan Pavlides, All Movie Guide

Leading man Gabriel Byrne adds a "Harlequin Romance" dash to the two-part, six-hour TV movie Christopher Columbus. Seeking out a swifter route to the lucrative Indies, Genoa-born Columbus begs King John of Portugal (Max Von Sydow) to finance a westbound expedition. Failing this, he turns to Spain's Queen Isabella (Faye Dunaway), who is entranced by Columbus' near-religious fervor. After the famous 1492 expedition, Columbus is bankrolled for future forays into the New World, which win him both adulation and vilification. Originally telecast May 19 and 20, 1985, Christopher Columbus was filmed on location in Spain, Malta and the Dominican Republic, making full use of a $15 million budget. It isn't an earth-shattering cinematic experience, but is lots more worthwhile (and less ponderous) than the brace of Columbus biopics inflicted upon movie audiences in 1992. Those concerned with political correctness should be satisfied with the film's second half, which explores the more sinister elements of chauvinistic colonization. ~ Hal Erickson, All Movie Guide

In this sudsy drama, a Russian dancer defects and joins a London ballet school headed by a manipulative madam who uses the school as a front for her call-girl business. All of her employees are students whom she has forced to become prostitutes for prominent politicians. Meanwhile the administrator carries on an affair with her lead male dancer. The defector is so disgusted by the whole affair that she returns to the Soviet Union. ~ Sandra Brennan, All Movie Guide

A poor commoner and a young prince each find out how the other half lives in this adventure story based on the classic tale by Mark Twain. Tom Canty (Mark Lester) is a young man from a laboring family who bears a striking resemblance to Prince Edward (also played by Lester), the son of King Henry VIII (Charlton Heston) and heir to his throne. Tom and Edward meet by chance, and they decide to exchange places briefly as a lark; Edward will get to live as an ordinary boy, and Tom will be able to enjoy the perks of royalty. But the two are separated before they can let everyone in on the joke, and Tom discovers as he pretends to be Price Edward that the castle is awash in corruption. Originally released as Crossed Swords, The Prince and the Pauper also features Oliver Reed, Raquel Welch, George C. Scott, and Rex Harrison. ~ Mark Deming, All Movie Guide

This is not the same kind of film as the 1962 production, Tom Jones. In fact, it is a "nudie musical", as evidenced by the presence of singing star Georgia Brown in the dual role of Jenny Jones and Mrs. Waters. The project originated as a Las Vegas stage presentation, with Nicky Henson in the lead. The plot of the Henry Fielding novel about the "boy born to be hanged" is followed in spirit rather than to the letter, with busty Joan Collins thrown in like a lagniappe as a lady highwayman. Wandering through the proceedings are such English stalwarts as Trevor Howard and Terry-Thomas. ~ Hal Erickson, All Movie Guide

This audacious, vulgar, freewheeling fantasia on the life of pianist Franz Liszt ranks among director Ken Russell's most outrageous efforts. Roger Daltrey, lead singer for The Who, is awkward yet likeable as the flamboyant piano performer with a bevy of fetching mistresses and groupies, while Paul Nicholas is completely outlandish as the scheming opera composer Richard Wagner. There's no nod to reality here: Liszt and Wagner were in fact friends, and Liszt, who became Wagner's father-in-law, actually assisted in the production of Wagner's opulent productions. Russell, on the other hand, presents Wagner as Liszt's jealous rival ready to wreak havoc on the world by unleashing a cryogenic Viking (Yes keyboardist Rick Wakeman) and a horde of machine-gun wielding robot Nazis. In a finale out of Flash Gordon serials, Liszt saves the day after surviving a guillotine designed for phallic dismemberment. The film is fast and loud and wildly undisciplined, much like one of Liszt's Hungarian Rhapsodies. Look fast and you'll see Ringo Starr as the pope. ~ Les Stone, All Movie Guide

Released several years after it was filmed, this standard Peter Sellers comedy focuses on Dick Scratcher (Sellers), a bumbling, roughly-hewn chief cook on a pirate ship trying to keep an unsteady control of things after he murders the captain. Once the captain is dead, Scratcher is the only one who knows where the pirate's stash lies hidden and that is the source of his control over everyone, even the second mate Pierre (Anthony Franciosa). Into this precariously balanced situation comes little Jeremiah (Richard Willis) who wants to learn all about sailing the high seas and becomes a third factor in the struggle for control of the ship and the hidden treasure. Meanwhile, Bill Bombay (Spike Milligan), another pirate captain, is also out for the same treasure, complicating everything. Both Sellers and Milligan launch into improvised routines -- but in general, the acting is frenetic and underpar while the story runs aground instead of pulling into port with a reasonable ending. ~ Eleanor Mannikka, All Movie Guide