Emmanuelle Béart

Parents looking for a missing child are led into a strange and dangerous netherworld in this thriller. Jeanne (Emmanuelle Beart) and Paul (Rufus Sewell) are a wealthy couple who were in Thailand helping to establish an orphanage when the 2005 tsunami leveled the island. Jeanne and Paul had a young son who disappeared in the storm, and since his body has never been found, Jeanne holds out hope that he might still be alive, a hope that becomes a desperate concern when she sees a video of children being held by kidnappers in Burma which shows a child who looks like her boy. Eager to find out the truth, Paul pays a hefty fee to local outlaw Mr. Gao (Petch Osathanugrah) to escort him and Jeanne into a forbidden zone known only to Thailand's criminal underclass near the Burmese border. Jeanne and Paul soon find themselves out of their depth in a strange land they do not understand where dangerous men commune with the spirits of the dead. The first English language project from writer and director Fabrice du Welz, Vinyan was an official selection at the 2008 Venice Film Festival. ~ Mark Deming, All Movie Guide

The early days of the AIDS crisis in France provides the backdrop for this powerful, life-affirming drama from writer and director André Téchiné. It's 1984, and Mehdi (Sami Bouajila) is a police detective who, unbeknownst to his wife Sarah (Emmanuelle Béart), is a bisexual who has occasional trysts with men. Mehdi and Sarah are proud parents of a new baby, but to Mehdi's chagrin, Sarah doesn't seem the least bit concerned about her responsibilities as a mom. Manu (Johan Libereau) is a handsome young man who shares a flat with his sister Julie (Julie Depardieu), who is struggling to make a career as an opera singer. And Adrien (Michel Blanc) is a middle-aged doctor and close friend of Sarah who occasionally picks up younger men in the park, and nearly seduces Manu one evening. Adrien joins Sarah and Mehdi for an idyllic weekend at the beach, where Manu once again crosses his path; however, Manu also meets Mehdi when he saves the detective from drowning, and the two soon become lovers. Several months later, Manu has discovered he's contracted a strange and deadly new disease doctors are calling AIDS, which has a dramatic impact on many of the people he knows. Mehdi has confessed his infidelity to Sarah, and they wait to find out if they also have AIDS, while Adrien is devoting most of his days to treating Manu and other young men who are wasting away under the effects of the illness, and Julie helps to care for her dying brother. The Witnesses (aka Les Témoins) received its premiere at the 2006 Berlin Film Festival. ~ Mark Deming, All Movie Guide

The devastated life of a man haunted by the unsolved murder of his beloved wife is strangely complicated by the mysterious neighbor who loves him from afar in a dark noir thriller directed by Manuel Pradal and starring Norman Reedus, Emmanuelle Béart and Harvey Keitel. Vincent (Reedus)' wife has suffered a most brutal fate, and these days the once happy New Yorker is but a frozen shell of his former self. Vincent is not a man unloved, however, because although he may currently be unaware of her feelings for him, his neighbor Alice (Béart) knows in her heart that she and Vincent were meant to be together. All that needs to happen to make Vincent recognize her love is for the grieving widower to finally be liberated from his tragic past; and Alice is willing to go to any lengths necessary in order to make this happen. If Vincent was finally to find the man responsible for his wife's death, he could finally be free to open his heart to Alice. When Alice hails a cab driven by lonely New York soul Roger (Keitel), the gears of the scheming woman's elaborate plan are slowly set into motion despite the ignorance of both the naïve cabbie, and the somber object of her delusional affections. ~ Jason Buchanan, All Movie Guide

Director Danis Tanovic picks up where the late-Krzysztof Kieslowski left off by taking on the second installment of Kieslowski's "Heaven," "Hell," and "Purgatory" trilogy (the first was adapted by Run Lola Run director Tom Tykwer) with this tale of a family whose dark past returns with a vengeance. Loosely modeled by screenwriter Krzysztof Piesiewicz on the second act of Dante's Inferno, Hell tells the story of sisters Sophie (Emmanuelle Béart), Céline (Karin Viard), and Anne (Marie Gillain), whose lives were turned upside down when their father was imprisoned and their mother was rendered a wheelchair-bound mute. As the estranged sisters are slowly brought back together by a mysterious and handsome stranger who is somehow involved with the tragic events of the past, the questions that had for years gone unanswered slowly begin to drift into focus. ~ Jason Buchanan, All Movie Guide

A middle-aged woman fears that her husband is cheating on her -- and chooses a very unlikely method for verifying her paranoia -- in this psychological drama from the writer of Une Liaison Pornographique. Catherine (Fanny Ardant) is a successful Parisian gynecologist whose long-term marriage to Bernard (Gérard Depardieu) has been passionless as of late. When she checks his cell phone messages one afternoon, she discovers a suggestive "thank you" from a young colleague of his, which creates an even wider chasm between the two. Desperate, Catherine goes to an upscale strip club nearby to solicit the services of Nathalie (Emmanuelle Béart), a matter-of-fact prostitute. It seems Catherine wants Nathalie to seduce Bernard and report back to her each week, an assignment that's initially off-putting to the young woman, but one she begins to relish as the weeks pass. Soon, Nathalie is using intimate details to fuel Catherine's rage toward her husband. Nathalie... had its gala North American premiere at the 2003 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

A woman struggles to trust a man who has become her protector and benefactor in this French drama set during World War II. In 1940, as German troops invade France, Odile (Emmanuelle Béart), a woman who has recently lost her husband, is desperate to get her two children, Philippe (Grégoire Leprince-Ringuet) and Cathy (Clémence Meyer), away from the fighting by heading south, though the roads are choked with others eager to do the same. When the road Odile is traveling is strafed by German bombs, she and her children abandon their car and take to the woods, where they are soon joined by Yvan (Gaspard Ulliel), a headstrong teenager who is also fleeing the advancing Nazi forces. Odile isn't certain the hot-headed young man is such a good traveling companion, but Philippe wants him around to help protect the family from the Germans, and he gives him his late father's watch as an inducement to stick around. Late one night, in need of rest, Yvan finds a huge abandoned house, and he and Odile quickly take it over. The house seems to be a safe haven, and the four travelers decide to stay for a while. Philippe finds a role model in Yvan, and lonely Odile finds herself drawn to him, though, with the passage of time, she becomes eager to learn more about his past, which he hesitates to discuss. Strayed (aka Les Égarés) was adapted from the novel The Boy With Grey Eyes by Gilles Perrault. ~ Mark Deming, All Movie Guide

Directed by actress Rosanna Arquette, this candid documentary is not only about the iconoclastic and somewhat reclusive film star Debra Winger (who does not even appear onscreen until an hour into the film), but also about the trials and tribulations of actresses in Hollywood who have reached "that certain age." In the course of her "search," Arquette interviews several of her colleagues, among them Whoopi Goldberg, Diane Lane, Teri Garr, Holly Hunter, Vanessa Redgrave, Charlotte Rampling, Meg Ryan, and Sharon Stone, all of whom have their own personal horror stories about insensitive producers and casting directors who tend to think of over-40 (and sometimes over-30) actresses as being suitable only for mother, "other woman," and "hero's girlfriend" roles -- when they bother to cast these actresses at all. The women also discuss the difficulties in balancing a successful career and a private life. Test-marketed on the film festival circuit throughout 2002, Searching for Debra Winger received its largest audience when it aired over the Showtime cable channel on August 18, 2003. ~ Hal Erickson, All Movie Guide

Friendship turns to love, and unrequited love leads to a dangerous obsession in this moody drama. Nathalie (Emmanuelle Beart) and Louise (Pascale Bussieres) grew up together and had been close friends since childhood, but while both were studying drama in their early twenties, their friendship went through an abrupt shift -- while beautiful Nathalie enjoyed flirting with the men in her classes, Louise's interest in her best friend turned into infatuation, and when Nathalie indulged herself in a brief fling with a young actor, Louise was overcome with anger and jealousy and tried to kill herself. Nathalie was told by Louise's family that she didn't want to see her any more, and a decade passed before their paths would cross again. Louise is now married to a man named Nicolas (Sami Bouajila), and one night they go to the theater to see a touring production of a new play. To her surprise, Louise discovers the female lead is played by Nathalie; after the show, she slips backstage to say hello, and soon finds that she's as strongly attracted to Nathalie as ever -- and that Nathalie is involved with Matthias (Dani Levy), the gifted but difficult playwright who wrote and directed the production. Leaving Nicolas behind, Louise follows Nathalie to Denmark, and is able to pull a few strings to get Nathalie an audition with Walter Amar (Jean-Pierre Kalfon), a well-known and well-respected theatrical director. Nathalie soon leaves Matthias' show to star in Amar's new production of Lulu, and Louise volunteers to help Nathalie as she prepares for the role. Nathalie appreciates Louise's support and friendship, but she soon begins to chafe under Louise's obsessive attention, and she wonders if history might be repeating itself. La Repetition was shown in competition at the 2001 Cannes Film Festival, with writer and director Catherine Corsini earning a nomination for the coveted Golden Palm award. ~ Mark Deming, All Movie Guide

Four young couples attempt to navigate the twists and turns of modern romance in this romantic comedy drama. As Jules (Emmanuelle Beart) and Will (Daniel Lapaine) are toasted by their friends on announcing their engagement, the happy couple and six of their close acquaintances are trying to sort out their troubles with relationships. Jules is a successful businesswoman who is devoted to Will, but Will has no talent for fidelity and sees a certain prostitute on a regular basis. Billy (Sean Gallagher), a good friend of Will's, is a research scientist who is shy around women; when he finally does meet a woman who is interested in him, it turns out to be Dodie (Kimberly Williams), a single mother from America who espouses the virtues of tantric sex. Frank (Mark Strong) is an analyst in love with Daphne (Daniela Nardini), who loves making him mad. And George (Lee Williams) is a model whose relationship with Graham (Lennie James) is put to the test when George becomes a success and Graham has trouble dealing with his lover's new fame. Elephant Juice was written by Amy Jenkins and directed by Sam Miller, who previously worked together on the successful British TV series This Life. ~ Mark Deming, All Movie Guide

Noted French screenwriter Daniele Thompson makes her directorial debut with this lighthearted romantic comedy. After the December 21st funeral of Yvette's (Francoise Fabian) second husband, she is consoled by the three daughters from her first marriage to Stanislas (Claude Rich), a Russian-Jewish violinist. The oldest, Lorba (Sabine Azema), lives with her father and makes a living by singing ballads in a Russian cabaret, Sonia (Emmanuelle Beart) is a fastidious middle-class housewife, and Yvette's youngest, Milla (Charlotte Gainsbourg), is a go-getting businesswoman. As Christmas celebrations gather steam, Louba learns that at age 42, she is unexpectedly pregnant by Gilbert, her married lover of 12 years. Meanwhile, Sonia develops a habit of taking five-finger discounts while shopping, and Milla takes up with a mysterious drifter who lives as a boarder in Stanislas' house. ~ Jonathan Crow, All Movie Guide

Actor Jacques Weber made his directorial debut with this film adaptation of Don Juan written in 1665 by Moliere (1622-1673). In early 17th-century Spain, two women (Penelope Cruz, Ariadne Gil) believe Don Juan (Weber) when he promises marriage to both, but they soon are left to ponder his whereabouts. However, the brothers of Elvire (Emmanuelle Beart), also abandoned by Don Juan, are out for revenge. Musical interludes (a cappella chorales, guitar) are by Bruno Coulais. After Moliere faced clerical opposition to Tartuffe (1664), it was banned, and he then wrote Don Juan, also subjected to continual attacks. For more on Moliere and Don Juan, go to the summary of Frederick Wiseman's La Comedie Francaise ou L'amour Joue (1996). ~ Bhob Stewart, All Movie Guide

Almost a follow-up to director Claude Sautet's Un Coeur en Hiver (1992), Nelly & Monsieur Arnaud further explores repressed emotions and failed relationships. Nelly (Emmanuelle Béart), an attractive young woman, is six months behind in her rent and struggling with odd jobs, while her husband (Charles Berling) lies in bed reading newspapers and watching TV. Her friend Jacqueline introduces her to Pierre Arnaud (Michel Serrault), a retired judge and wealthy ex-businessman, who offers to settle Nelly's debt. She agrees and is later so disappointed by her husband's indifferent reaction that she leaves him. Arnaud asks her to be his secretary because he needs help in typing his memoirs. Though obviously attracted to her, he rarely expresses his emotions, and he suddenly erupts only when he finds out about Nelly's affair with his young publisher Vincent (Jean-Hugues Anglade). The film won Césars from the French Academy of Cinema for Best Director and Best Actor, although it lost Best Film to Mathieu Kassovitz's more innovative La haine. ~ Yuri German, All Movie Guide

This French drama about the relationship between an insanely jealous man and his wife took 30 years to make. Since its inception by the late director Henri-Georges Clouzot the film was plagued with bad luck. He began filming it in 1964. There are only two characters in the film and on the third day of shooting the female lead became gravely ill. Later during rehearsals with a new actress, the director had a heart attack. Though he lived until 1977, he never got around to finishing it. The script was passed on to producer Marin Karmitz by Clouzot's widow. Paul wanted to buy the beautiful resort hotel he worked at for 15 years. His happy and spirited wife Nelly goes along with it. She is already a mother and contented with her life. Paul, who incurred tremendous debts to get the hotel, is not so happy. He is stressed to the breaking point. After he suspects his wife of philandering he slowly goes insane. He also begins increasing his consumption of alcohol and sleeping pills. Their lives become a living hell. ~ Sandra Brennan, All Movie Guide