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Joseph Mell Movies

1975  
 
As is customary, Stone (Karl Malden) and Keller (Michael Douglas) are faced with a baffling mystery which they must unravel in the episode's alotted sixty minutes. The game is afoot the moment that the skeleton of a former convict is found during an excavation on Alcatraz Island. There's only one problem: this particular convict was supposed to have escaped from "The Rock" in the 1950s--and in fact, is still purportedly sending letters to his family! Featured in the cast are two seasoned veterans of radio's Golden Age: Paul Stewart and Virginia Gregg. ~ Hal Erickson, Rovi

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1974  
PG  
Two Miami beach bums become notorious cat-burglars in this lively crime drama that is based on a true story. After successfully committing a series of burglaries of some of Miami's wealthiest, the two get bored and decide to steal the Star of India sapphire from the American Museum of Natural History, New York. One of the actual thieves, Allan Kuhn, served as the technical advisor. ~ Sandra Brennan, Rovi

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1974  
 
In the last of Adam-12's Yuletide episodes, Officer Jim Reed (Kent McCord) wants to deliver a Christmas tree to a retirement home. Jim's partner Pete Malloy (Martin Milner) doesn't object to this gesture of generosity--but he does raise a howl at the notion of using Adam-12 for non-police business. Elsewhere, the two cops contend with a misguided Good Samaritan and a liquor-store robbery. Comedian (and future A-list Hollywood agent) Martin Ingels appears as a thief who spends his Holiday time siphoning gasoline from other people's cars. ~ Hal Erickson, Rovi

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1974  
 
Officer Jim Reed (Kent McCord) suffers torture beyond endurance when he goes on his rounds while suffering from a severe sunburn. Though wracked with pain, Jim joins his partner Pete Malloy (Martin Milner) in breaking up a drug ring and rescuing a couple of kids from drowning in a lake. A pre-stardom Pamela Hensley appears as a nurse, while popular LA deejay Dick Whittinghill also essays an acting role. ~ Hal Erickson, Rovi

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1973  
 
Lloyd Nolan guest stars as Judge Harper, who during his long career on the bench has made a number of controversial decisions--none more so than when he sentenced a man named Holloway to a ten-year prison term for treason. When Holloway dies just before his parole, his son Joe (Jack Bender) vows to get even by murdering Harper. Taking a special interest in this cast is FBI Special Agent Chris Daniels, who as a young law student had always been skeptical about the motives behind Harper's verdict. A very young Audrey Landers makes her first major TV appearance in this episode. ~ Hal Erickson, Rovi

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1972  
 
Andy Griffith plays a philandering apartment house manager who picks up a pretty young girl (Suzanne Hildur) in a bar. He takes her home, whereupon the girl's male cronies show up armed with guns. Griffith and his wife Ida Lupino are held hostage by the crooks, led by Michael Brandon, who plan to use the apartment as headquarters while they pull off a big robbery. Griffith and Lupino pull off the daunting task of conveying emotion while spending half the film bound and gagged. Director Paul Wendkos stages the action essentially from the victim's point of view; we see only what they see, and are kept guessing as to the full details of the crime and the ultimate fate of the hostages. Based on a novel by Fielden Farrington, Strangers in 7A was first telecast as an ABC Movie of the Week. ~ Hal Erickson, Rovi

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1971  
R  
With master cinematographer Vilmos Zsigismond wielding the lenses, it's surprising that Ski Bum looks as amateurish as it does. Zalman King (yes, the same Zalman King who's since become a purveyor of elegant softcore porn) stars as the title character, a Jean-Claude Killy type who leaves the slopes in favor of the business world. He is taken advantage of by a gang of crooks, who plan to use King as their fall guy for a major caper. Charlotte Rampling costars in this "pure 1970s" adaptation of Romain Gary's novel. Ski Bum is fascinating for those film buffs who will recognize the various "auteurs" whose techniques director Bruce Clark swipes throughout the film. ~ Hal Erickson, Rovi

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1971  
 
This Adam-12 episode has the look and feel of a pilot for a spinoff series starring singer Trini Lopez as Barrio priest Father Rojas. There's a street-gang war brewing, and Father Rojas is determined to stop it before it starts. But he can't do the job entirely alone--and that's where Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) come in. ~ Hal Erickson, Rovi

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1971  
 
Andrew Duggan guest stars as Frank Connor, a small-town crusading journalist determined to the topple the criminal empire of racketeer Duke Bergan (Scott Marlowe). After an attempt is made on Conner's life, the FBI offers protection to the man while Inspector Erskine (Efrem Zimbalist Jr.) searches for the proof necessary to put the bad guys behind bars. It all boils down to a single solitary clue: A uniquely shaped contact lens. ~ Hal Erickson, Rovi

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1971  
 
In the first episode of a two-part story, criminal genius Curtis Breer (Bradford Dillman) masterminds a $1,800,000 amusement park robbery with three confederates. Though it looks like the perfect crime, the conspirators have failed to bring into consideration such intagibles as greed, betrayal, and revenge. Featured in the cast is Deanna Martin, the daughter of entertainer Dean Martin. ~ Hal Erickson, Rovi

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1970  
 
After several police drug busts go bad thanks to premature tip-offs, suspicion falls upon Ironside (Raymond Burr) who has been identified as a Syndicate informer by a captured dope pusher. A bad situation gets worse when Sgt. Ed Brown (Don Galloway) ordered to launch an investigation targetting Ironside. Though the rest of the Chief's team--especially Eve (Barbara Anderson)--are upset by this turn of events, Ironside himself remains surprisingly cool, calm and collected...almost as if he knows something that no one else does. ~ Hal Erickson, Rovi

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1969  
G  
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Shirley MacLaine plays Charity Hope Valentine who, despite her job at a seedy dime-a-dance joint, is an incurable optimist. Charity never stops looking for true love and never seems to look for it in the right places. We first see her in the company of Charlie (Dante DiPaolo), a slimeball who steals her purse and pushes her into the Central Park pond. Next she stumbles into a one-night stand with Vittorio Vidal (Ricardo Montalban), an egotistical movie star; this comes to nothing when Vittorio's contrite girlfriend Ursula (Barbara Bouchet) comes calling, forcing Charity to spend the night hiding in the closet. Desperate to escape the dance hall, Charity heads to an employment agency, where a bureaucratic clerk (Alan Hewitt) informs her that she has no qualifications. Unhappily, Charity heads for the elevator, where she becomes trapped with the very shy -- and very claustrophobic -- Oscar Lindquist (John McMartin). Once they've gotten out of the stalled elevator, Charity begins dating Oscar, never telling him of her checkered past or her sordid dance-hall job. Oscar eventually finds out but assures her that it doesn't matter. However, at the engagement party held at the dance hall, Oscar's puritanical streak emerges. He walks out on Charity, leaving her alone and heartbroken once more. With the help of a group of flower children (among them Bud Cort and Kristoffer Tabori), Charity is able to pick herself up and start living "Hopefully Ever After." Sweet Charity was adapted from the 1965 Broadway musical of the same name, which in turn was inspired by the 1957 Fellini flick Nights of Cabiria. ~ Hal Erickson, Rovi

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Starring:
Shirley MacLaineJohn McMartin, (more)
 
1969  
 
In a rare dereliction of duty, veteran officer Pete Malloy (Martin Milner) allows a traffic violator to go free so that he and Jim Reed (Kent McCord) can answer an emergency call. This failure to follow proper procedure comes back to haunt Malloy when the freed violator turns out to be a prime suspect in several armed robberies. Further vexing Pete and Jim is a false-alarm murder threat that pulls them away from more important duties. ~ Hal Erickson, Rovi

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1968  
 
It is altogether fitting that Burgess Meredith, who'd played The Penguin on Batman, should guest-star in this episode, which likewise boasts an "avian" theme. A wealthy man has been murdered, and his faithful manservant (Meredith) has been charged with the crime. To get to the truth of the matter, Ironside (Raymond Burr) must rely upon the dead man's pet myna bird Mr. Micawber, who talks only in riddles--one of which may very provide the solution to the mystery. "Michael Shayne" creator Brett Halliday cowrote this episode, which marks the American directorial debut of Ironside associate producer Jeannot Szwarc, later a fixture of the Rod Serling anthology Night Gallery. ~ Hal Erickson, Rovi

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1967  
 
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Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend Mal Reese (John Vernon) and left to die while Reese takes off with Walker's wife Lynne (Sharon Acker) and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Wanting little but his cash, Walker implacably penetrates Mal's lair and the hierarchy of the shady "Organization," registering no emotion about the string of murders left in his wake, as his thoughts repeatedly return to the past that brought him there. In his first American feature, Boorman transforms a stripped-down revenge plot into a surreal meditation on the gangster's spiritual demise, using flashbacks and startling shifts in setting to interweave Walker's fractured memories with his extraordinarily photographed odyssey through L.A. Marvin's chillingly stoic presence further hints at the ambiguities in Chris's observation that Walker "died at Alcatraz, all right." Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback. ~ Lucia Bozzola, Rovi

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Starring:
Lee MarvinAngie Dickinson, (more)
 
1967  
 
Darrin begins to worry when Samantha casually hints that she's beaten the U.S. astronauts to the moon. His worries intensify when he mistakes a bag of Japanese tea for a cache of moon dust. In a delightfully surreal dream sequence, Darrin imagines that he and Sam have been dragged before a kangaroo court conducted by angry NASA officers. Written by James Henerson, "Sam in the Moon" was originally telecast on January 5, 1967, well over two years before that "one small step for man." ~ Hal Erickson, Rovi

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Starring:
Elizabeth MontgomeryDick York, (more)
 
1966  
 
In desperate need of money for new furniture, Lucy (Lucille Ball) and Mary Jane (Mary Jane Croft) attempt to take advantage of an advertising campaign created by Col. Andrew Bailey (Ed Begley), aka "The Bean King." Succeeding at getting double her money back on a can of Colonel Bailey's Bean, Lucy and Mary Jane go through the same rigmarole time and time again, until the two ladies have managed to collect $1500. What our heroines don't know is that Lucy's boss Mr. Mooney (Gale Gordon) is Colonel Bailey's biggest investor! ~ Hal Erickson, Rovi

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Starring:
Ed Begley, Sr.Mary Jane Croft, (more)
 
1966  
 
Spock faces the death penalty for receiving signals from planet Talos IV. With the agreement of Captain Kirk (William Shatner) and Fleet Captain Pike, the trial continues in closed session and the evidence -- the forbidden transmissions -- continues to be viewed by the trial board, as Kirk searches for a reason behind Spock's actions and a way to save his friend's life. They see Captain Pike (Jeffrey Hunter) and his strange adventure on Talos IV some 13 years earlier, and the manner in which the Talosians, with their power to cast illusions, tried alternately to torture and seduce him to secure his cooperation, and his successful resistance to the point where he was ultimately released. They also learn why any contact with planet Talos IV is forbidden, the danger that contact poses to the human race, and why that contact may mean the salvation of the stricken Captain Pike. ~ Bruce Eder, Rovi

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1966  
 
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An intelligent, eccentric high school senior devotes his life to indulging the every whim of the beautiful girl he adores in this quirky, dark-humored comedy. Roddy McDowall plays Alan Musgrave, an odd duck who immediately falls for the school's new student, Barbara Ann Greene (Tuesday Weld). Using his quick wits, he helps her win acceptance amongst the popular girls and a cushy job in the principal's office. Never demanding anything in return, Alan doesn't even complain when she falls for an upper-class college boy, and he does everything he can to bring the two together. However, as time passes, this seemingly well-intentioned dedication spins out of control, with results that become increasingly bizarre and even potentially fatal. The irreverent attitude and erratic tone may be an acquired taste, but the film's audacious humor and idiosyncratic approach have won it a cult following. ~ Judd Blaise, Rovi

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Starring:
Roddy McDowallTuesday Weld, (more)
 
1966  
 
Scheduled to go on trial for fraud, Mark Tabor (J.D. Cannon) jumps bail, feigns a nervous breakdown, and takes refuge in a mental instution. Going undercover as a fellow mental patient, Erskine (Efrem Zimbalist) tries to figure out the motivation behind Tabor's actions. Meanwhile, the Syndicate dispatches a few hired guns to make certain that Tabor never testifies in court. Anthony Eisley, later seen in the recurring role of Special Agent Chet Randolph, is here cast as another FBI operative, Kirby Greene. ~ Hal Erickson, Rovi

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1966  
 
First telecast January 13, 1966, "And Then There Were Three" is the historic Bewitched episode wherein Samantha and Darrin Stephens' daughter, Tabitha, is born. Darrin's joy at becoming a father is dampened by Endora's intention to transform the baby into a 25-year-old, just to see what the child will look like upon reaching adulthood. This is also the episode in which Samantha's mischievous lookalike cousin, Serena, makes her first appearance. As a bonus, Eve Arden appears as a flinty-eyed but golden-hearted admitting nurse. "And Then There Were Three" was written by Bernard Slade. ~ Hal Erickson, Rovi

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Starring:
Elizabeth MontgomeryDick York, (more)
 
1966  
 
Hogan and his men simply cannot warm up to the newest POW, a cranky, selfish, and arrogant American corporal named Walter Tillman (J. Pat O'Malley). Eventually, Hogan finds out that the crotchety old "corporal" is really a general in disguise, assigned to aid Hogan in an important sabotage mission. Unfortunately, by this time Klink has responded to the prisoners' complaints and has ordered Tillman to be transferred. Written by Phil Sharp, "How to Cook a German Goose by Radar" was first telecast on March 4, 1966. ~ Hal Erickson, Rovi

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Starring:
Bob CraneWerner Klemperer, (more)
 
1966  
 
Versatile composer-conductor-comic actor Frank DeVol (remember him as "Happy Kyne" on Fernwood 2-Night?) is cast in this episode as Stew, an old friend of Prof. Russ Lawrence (Don Porter). Called out of town on business, Russ invites Stew to spend the weekend as his house guest. Unfortunately, Russ' daughter Gidget (Sally Field) is unaware of this--and when she begins hearing strange noises on a dark and stormy night, she's convinced that the Lawrence house is haunted! ~ Hal Erickson, Rovi

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1966  
 
Rob (Dick Van Dyke) is supposed to watch a TV special in order to talent-scout for his boss Alan Brady -- and of course, Alan is certain to ask Rob what he thought of the show. At the same time, our hero is slated to attend a cousin's wedding in Albany. Sure enough, the TV set in Rob's hotel room conks out, forcing him to scramble around to locate another set in a hurry -- which gets him mixed up in a '60s rehash of an old French bedroom farce! This episode was originally slated to air on January 12, 1966. ~ Hal Erickson, Rovi

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Starring:
Tom D'AndreaJohnny Haymer, (more)
 
1965  
 
Perry Mason (Raymond Burr) must once again put his social life on hold when he is summoned to his alma mater, Cal State. Though he'd been slated to merely pick up an award, Perry ends up defending student Van Fowler (James Noah) on a murder charge. The victim is Professor Stuart Logan (G.B. Atwarter), who after accusing his entire class of cheating on an exam was himself labelled a cheater by the hapless Fowler, who had helped to write Logan's best-selling book but received neither credit nor compensation for his efforts. A pretty strong motive indeed--but Perry is a bit too swift for both the prosecution and the real murderer. ~ Hal Erickson, Rovi

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