Patrice Melennec Movies

Uranus is set in a post-war French village that has been all but obliterated by the bombing. Jean-Pierre Marielle plays a middle-class family man who agrees to shelter many of those who've lost their homes. The polyglot of political beliefs held by these new tenants sows the seeds of discontent. The most vocal of the town's dissidents are the Communists, who terrify everyone with threats of turning in collaborators to the French Forces of the Interior. The only person in town afraid of no one is hulking innkeeper Gerard Depardieu, whose ultimate death uncovers much of the hypocrisy disguising itself as patriotism in the village. While never exactly sympathizing with the collaborators, Uranus is careful to point out that the "unofficial" executions of these unfortunates was no more morally acceptable than the Nazi invasion that encouraged collaboration in the first place. ~ Hal Erickson, Rovi

Following the disastrous Pirates (1986), director Roman Polanski got back on creative track with this finely-wrought thriller that, while failing to impress at the box office, was nevertheless his most critically well-received film of the decade. Harrison Ford stars as Richard Walker, an American doctor who has come to Paris, where he's scheduled to deliver a paper to a medical conference. Richard has brought along his wife Sondra (Betty Buckley), because Paris was the site of their honeymoon 20 years earlier. Sondra picks up the wrong suitcase at the airport, which leads to her kidnapping and an ever-more complicated quest that takes Richard into the seedy and dangerous underworld of European drug smuggling and terrorist arms sales. Along the way, he is rebuffed by skeptical officials at the American Embassy and meets Michelle (Emmanuelle Seigner), a sexy courier who agrees to help him in exchange for the money she's owed for trafficking in narcotics. Playing cleverly on American fears about Europe's Byzantine politics and "decadent" society, Frantic received, from many observers, perhaps the greatest compliment possible for a thriller, comparison to the work of Alfred Hitchcock. ~ Karl Williams, Rovi

In this tragic tale of misunderstanding, obsession, and increasing madness, "she," a beautiful young woman (Isabelle Adjani) settles into a small town in the south of France with her introverted mother (Maria Machado) and physically handicapped father and soon becomes the subject of wild speculation because of her aloofness and at the same time, her obvious sexuality. The young woman is actually caught up in the desire to avenge the long-ago rape of her mother, a rape committed by three Italian immigrants, one of whom is associated with a player piano. An attractive car mechanic (Alain Souchon) is enamored of her, and the woman suddenly sees him in a different light when she learns that his father, now dead, was an Italian immigrant who owned a player piano. Intent on taking action against the mechanic's family to right the wrong suffered by her mother, the daughter begins to lose her grip on sanity when she finds out that the men she suspects of the rape are actually innocent. In fact, her father long ago exacted his own vengeance on the three rapists. This knowledge pushes her over the edge, and she has to be institutionalized. Meanwhile, the young mechanic misunderstands what has happened and sets in motion events that cannot but lead to tragedy. L'Été Meurtier garnered four different Cesars in the 1983 competition: "Best Actress" (Isabelle Adjani), "Best Supporting Actress" (Suzanne Flon), "Best Original Screenplay," and "Best Editing." ~ Eleanor Mannikka, Rovi

When her teen-aged son (Stephane Bierry) runs away and the police are noncommittal, a woman (Anne Duperey) convinces two old flames -- a crusading journalist (Gerard Depardieu) and a hypochondriac (Pierre Richard) -- that each is the father of her son in order to spur someone into action. Both eventually decide to search for the boy, meet up, and tell each other their stories without realizing they are looking for the same kid. This French comedy was remade in the U.S. as Fathers' Day in 1997. ~ John Bush, Rovi

An inventor and a small-time industrialist, Guillaume (Louis De Funes) has come up with something which will take advantage of air pollution and manages to confuse a delegation of Japanese into placing an order for 3,000 of the things. Just a few obstacles stand in the way of his delivering on the order. For one thing, he has no factory in which to make them. He decides to dedicate all the extra space in his house to building them, though perhaps he should have told his wife (Annie Girardot) first, because she seems to have been made unhappy by these developments. ~ Clarke Fountain, Rovi