Nicholas Mele Movies

A boy learns to get by on his wits and comes to depend on the kindness of (relative) strangers in this independent drama. Jimmy (Brendan Fletcher), whose abusive foster father (Ike Gingrich) likes to call him "Jimmy Zip" (that is, "Jimmy Nothing"), is fascinated with fire and sees no good reason to stay at home where he's not wanted. So Jimmy hits the road and ends up in Hollywood, where he hooks up with a pair of fellow runaway teens, Sheila (Adrienne Frantz) and Snake (Zia). While Jimmy's new friends show him the finer points of scraping up a living on the streets, Rick (Chris Mulkey), a pimp and dope dealer, gives Jimmy a job dealing drugs. While on his way home from a drug buy, Jimmy makes the mistake of getting in an argument with Horace (Robert Gossett), a homeless man with Tourette's syndrome who lives in his car. Horace accidentally ends up with Jimmy's jacket, which has $20,000 of Rick's money inside; when Jimmy realizes what happened, he tries to warn Horace before Rick can get to him, but Horace and Jimmy soon take it on the lam with Rick's money. Horace has artistic ambitions, and with Rick's drug money as a stake, he hopes to create some metal sculptures that he can sell for bigger money, allowing him and Jimmy to support themselves after paying back Rick. Jimmy Zip was shown at the 1999 Hollywood Film Festival, where it won a special prize for best film with a budget under one million dollars. ~ Mark Deming, Rovi

The IAB wants Bobby Simone (Jimmy Smits) to keep an eye on a possibly "dirty" cop, Detective Drucker (Michael MacRae). This causes some discomfort for Bobby as he and Drucker investigate the case of an alleged flasher. In another development, a young woman claims to have witnessed the murder of a pimp in a laundromat. And while cutting Sipowicz's (Dennis Franz) hair, gay cop John Irvin (Bill Brochtrup) asks for advice as to how to approach the equally "uncloseted" Adrianne Lesniak (Justine Miceli). ~ Hal Erickson, Rovi

In this Navy spoof, a mismatched bunch of sailors are sent to sea as the incompetent crew of the U. S. S. Substandard, a faulty, unfinished submarine. Little does the crew of the Substandard know that the government doesn't intend for them to make it back to shore, as they encounter all kinds of crazy problems. ~ Iotis Erlewine, Rovi

This made-for-television crime drama centers on the attempts of a determined FBI agent to see that the imprisoned gangster Al Capone is permanently prevented from running his operations from behind bars. ~ Sandra Brennan, Rovi

Jason Bateman's troubles begins when he gets his girl friend pregnant. Thrown out of high school, he falls in with traditional bad crowd, and soon he's up to his eyelids in mob activity. When his family is threatened, Bateman must turn stoolie...if he can avoid sleeping with the fish before the film is over. Most trade mags barely acknowledged this TV movie's existence, chalking it up as a ratings-hype assignment for young star of The Hogan Family. Crossing the Mob was originally telecast October 14, 1988. ~ Hal Erickson, Rovi

Attack on Fear was based on a Pulitzer Prize-winning series of newspaper articles by Dave and Cathy Mitchell. Paul Michael Glaser and Linda Kelsey play the Michaels, who labor away at a tiny California daily. Upon hearing of iniquities at the famed Santa Monica drug-rehab center Synanon, the Michaels begin publishing their evidence. Despite legal pressure from Synanon and bizarre anonymously mailed threats, the Mitchells' story results in a major investigation of the revered institution. Completed in 1982, the made-for-TV Attack on Fear was not telecast until October of 1984, and then only after (presumably) being reshaped to satisfy Synanon's battery of attorneys. ~ Hal Erickson, Rovi

This remake of the 1948 Preston Sturges classic stars Dudley Moore as the symphony conductor who imagines ways to get back at the wife he believes is unfaithful to him. Moore plays Claude Eastman, the conductor of a prestigious sympathy, who suspects that his actress wife Daniella (Nastassja Kinski) is fooling around behind his back with the orchestra's handsome soloist, Maxmillian Stein (Armand Assante). The tip comes courtesy of Norman Robbins (Albert Brooks), Daniella's brother. As Claude is conducting a symphony, an elaborate plot plays out in his head -- he will murder his unfaithful wife to get revenge on her. The plot is simpler and more straightforward than the original version, in which the conductor harbored three separate elaborate fantasies. ~ Michael Betzold, Rovi

Richard Pryor gives a compelling performance in Some Kind of Hero, playing a Vietnam veteran who tries to readjust to civilian life. Pryor plays Eddie Keller, who has just spent five years in a North Vietnamese prisoner-of-war camp. Most of the time there, Eddie was able to hold his own against his captors, but he eventually was forced to sign a statement denouncing United States involvement in the Vietnam War. Eddie decided to sign the document in order to insure that his friend Vinnie (Ray Sharkey) would be given proper medical treatment. Because of this denunciation, when Eddie returns home from the war he is denied his back pay. He also discovers that his wife has left him for another man, his business has fallen apart, and his mother has been sent to an asylum. Eddie falls into a deep depression and hits rock bottom. But he meets a friendly prostitute, Toni (Margot Kidder), who helps him straighten out his life. ~ Paul Brenner, Rovi

When her adoptive mother Joan Crawford died in 1977, erstwhile actress/author Christina Crawford and her brother Christopher were left out of Joan Crawford's will, "for reasons which are well known to them." Industryites have suggested that it may have been this posthumous act of rejection rather than an alleged lifetime of parental abuse that inspired Christina Crawford to pen her scathing autobiography Mommie Dearest. The 1981 film version of this tome was evidently meant to be taken seriously, but the operatic direction by Frank Perry and the over-the-top portrayal of Joan Crawford by Faye Dunaway (whose makeup is remarkable) has always seemed to inspire loud laughter whenever and where-ever the film is shown. According to the film (and the book that preceded it), Joan Crawford was a licentious, child-beating behemoth, who stalked and postured through life as though it was one of her own pictures-more Strait-jacket than Mildred Pierce. This is the film with the notorious "wire coat hanger" scene, just in case you need a reminder. Surprisingly, one emerges from Mommie Dearest with more sympathy for the monstrous but intensely vulnerable Crawford than for her whining daughter (played as an adult by Diana Scarwid, and as a child by Mara Hobel). Our favorite scene: Joan Crawford dazedly replacing her ailing daughter in the cast of a daytime TV soap opera. ~ Hal Erickson, Rovi

A broadly farcical comedy that attempts to ape the wickedly funny, Bible-spoofing humor of the previous year's Monty Python's Life of Brian (1979), this all-star rib-tickler top-lines Dudley Moore as Herschel, a historical also-ran whose life so closely parallels that of Moses that Herschel begins believing that he, not the other guy, is God's chosen prophet, setting out to free his people from slavery even though his services are not required. Herschel's travels are always a step or two behind Moses and bring him into the company of various period personnel, including Egypt's Pharoah (Richard Pryor), the Devil (John Ritter), an angel (Paul Sand), and the beautiful Zerelda (Laraine Newman). He also discovers that his slave, Hyssop (James Coco), is actually his biological father. Herschel eventually becomes the subject of the lost "Book of Herschel," recounted in a scroll discovered by a modern-day couple (also played by Moore and Newman) vacationing in the Holy Land. Wholly Moses (1980) co-stars several other recognizable actors in supporting roles, including John Houseman, Madeline Kahn, and Jack Gilford. ~ Karl Williams, Rovi