Mariangela Melato Movies

Michael is the younger son of a middle-class family, a strong-willed and free-thinking fellow, who is off in some distant country fighting for a revolutionary cause. Everyone in the family writes to him, describing the events of their lives, as they drift into a kind of conventionality which would perhaps have horrified them earlier. Only Michael's girlfriend Mara (Mariangela Melato), the mother of his child, retains her independence, even though it is through the help of Michael's increasingly conventional friends and family that she survives. ~ Clarke Fountain, All Movie Guide

This effective drama about crisis and change in an unorthodox family is directed by Franco Brusati, best known for his earlier Bread and Chocolate. Marta (Hella Petri) lives in a large country estate after retiring from her career as an opera singer. She is not alone. Two women live with her, Claudia (Eleonora Giorgi) and Anna (Mariangela Melato), of uncertain familial ties, though perhaps nieces. Claudia and Anna are established in a lesbian affair and both depend on Marta like daughters would depend on a mother. Marta's brother Nicky (Erland Josephson) and his lover Picchio (David Pontremoli) arrive one day because Marta wants to take the two couples for a brief trip to Venice. Circumstances conspire to change those plans as one crisis after another, as well as a tragedy, make Claudia, Anna, and Nicky rethink their dependent behavior. ~ Eleanor Mannikka, All Movie Guide

In a routine drama about teen drug addiction, Antonio Morelli (Ben Gazzara) is a lawyer with good community standing who is overwhelmed when he discovers that his son has a heroin habit. Antonio lets his law practice slide, and he does everything he can to get his son off drugs -- but nothing works. Finally, in desperation he intentionally starts taking heroin himself in a risky effort to show his son what it looks and feels like from the other side of the fence. He can only hope this last-ditch effort achieves what nothing else could up to now. ~ Eleanor Mannikka, All Movie Guide

The time is WW II in the Emilia-Romagna countryside in Italy, and an American pilot's plane has just broken down near the farmhouse of a middle-aged widow, Francesca (Mariangela Melato) and her three young daughters. The widow has recently come back to her family's land and is picking up where she left off with long-lost friends and neighbors. The downed pilot, Ray (Anthony Franciosa), finds a safe refuge in the widow's farmhouse -- he needs a place to hide until the war ends and it is safe for him to join his military unit. Ray's presence brings out the wild dreams Francesca and her daughters and friends have had about a magical America, a country celebrated in song and dance -- not just in American films, but right there in the farmhouse and its vicinity. Ray is regaled with hearty interpretations of "Pennies from Heaven" and "Jeepers Creepers", and the neighbors and daughters have a riotous good time with the dancing and singing. In-between the light-hearted portrayal of America and its image, Francesca begins to fall in love with Ray, while suffering her own personal anguish as she tries to hide the death of her husband from her three daughters by saying he is in America. ~ Eleanor Mannikka, All Movie Guide

As a young boy, Tommaso's (Gerard Darier) interest in women and in his cousin Marta (Mariangela Melato) in particular, inspired him to bore peep holes into her wall and vicariously partake of her forbidden private life, including her wedding day. Time goes by, and after living through many changes going on around him, Tommaso has grown up and is now a soldier in the military. When he sees cousin Marta at a train station one day, he jumps off his train, talks to her for awhile, and tries to give her some strength to face the various problems in her life. Both Marta and Tommaso suffer deceptions over the next crucial period -- Marta becomes estranged from her husband, and her daughter is more distant with each passing day. Tommaso's faith in humanity is dealt a few sharp blows as he watches a friend stoop to embezzlement and then is seduced by the same friend's wife. The youthful dreams of both cousins seem to deteriorate with time, perhaps leading the way to another stage in the "growing up" process. ~ Eleanor Mannikka, All Movie Guide

Amedeo and Ofelia (Ugo Tognazzi and Mariangela Melato) own an old, fairly unprofitable apartment house in Rome. Someone has offered to buy the property for redevelopment for a lot of money, but only if the building has no tenants. Since six of its apartments are currently in use, Amedio and Ofelia decide to find ways to get every one of them emptied. In this antic comedy, they manage to blackmail a priest-tenant and have almost half the remainder arrested for crimes ranging from drug-trafficking to prostitution. ~ Clarke Fountain, All Movie Guide

The director of this film, Fernando Arrabal, himself an exile from Spain, tells a story which takes place during the time of the Spanish Civil War (1936-39). A woman nearly suffers rape by the nephew of the local nobleman but is rescued by the man's son. The boy is an artist whose works are too modern and rebellious, even blasphemous, for his conservative countrymen. After fighting for some time with the Republican cause, both of them are arrested by the Franco faction. The boy is tortured and disfigured by his captors, but his love for the woman restores him to full life. ~ Clarke Fountain, All Movie Guide

On his way home from work one evening, Bernardo (Fabrizio Bentivoglio), a lawyer, witnesses a young man falling to his death out of a window high above him. He is disturbed by this more than one might usually be, because the window was in his own apartment, and he soon finds out that his wife was there when the young man leapt to his death. It is only natural, then, that he is driven to investigate the circumstances that lead to this situation. In this detective thriller, he and the policeman Carlo Plane (Massimo Wertmuller) independently struggle to make sense out of this bizarre event, which appears to be connected in some fashion to one of Bernardo's current cases. ~ Clarke Fountain, All Movie Guide

Gianna Abastanza (Mariangelo Melato) is tired of men acting as though they can do everything better than women, so she enters the police force and dons a policewoman's uniform. By following the law more closely than her police comrades and superiors, she soon runs into trouble with them, though this does not prevent love from blossoming. ~ Clarke Fountain, All Movie Guide

A Georges Simenon novel was the basis for the French Le Chat. Not much happens in the way of plot, nor are many words of dialogue spoken; the character relationships (or lack of same) are the focal point here. Jean Gabin and Simone Signoret, long married, plainly despise one another. Rather than call it quits, Gabin and Signoret spend their days in a crumbling mansion, figuring out ways to make each other's lives a hell on earth. The only thing Gabin truly cares about is his pet cat--and you can bet Signoret will do something about that. ~ Hal Erickson, All Movie Guide

Originally released in Italy as Film d'Amore e d'Anarchia, Lina Wertmuller's Love and Anarchy is set in the fascist-dominated Italy of the 1930s. Giancarlo Giannini plays an idealistic farmer swept up in an anti-fascist underground movement. His first task as a member is to assassinate Mussolini (talk about your initiation stunts!) While preparing to carry out his assignment, Giannini takes up residence in a whorehouse run by Mariangela Melato, another anti-Mussolinite. Giannini's resolve to carry out the assassination is weakened by his love for one of Melato's prostitutes, as well as his own essentially gentle nature. Love and Anarchy was the first of Wertmuller's films to gain a U.S. release. ~ Hal Erickson, All Movie Guide