Günter Meisner Movies

Brigitte Bardot was at the height of her fame when she starred in this engagingly silly military comedy. Babette (Bardot) is a beautiful but unfortunately clueless young French woman who, in 1940, becomes a refugee when she seeks safe haven in England as the Germans move in to occupy her land. Babette is recruited as part of a scheme to help British military intelligence foil a German plot to invade England. The idea is for Babette to use her good looks to win the confidence of German officers and learn their secrets; however, despite her enthusiasm, Babette's striking ineptitude when it comes to military espionage makes her as much of a threat as an asset to Allied forces. Babette s'en va-t-en Guerre (released in the United States as Babette Goes To War) also stars Ronald Howard, Jacques Charrier, and Michael Cramer. ~ Mark Deming, Rovi

Kabe (Marius Mueller-Westernhagen) lives with his wife Andrea (Patricia von Miseroni) in East Germany in an apartment that backs right up to the Berlin Wall. The Wall is only one of many confining aspects of life that drive Kabe nuts -- when he sees these barriers, he just has to cross them. Inevitably, he starts trying to jump over the wall again and again and is thrown first into a mental institution and then into jail for his repeated efforts -- which do, in the end pay off. It turns out he gets a reprieve when he is exchanged for some others on the opposite side of that wall in a deal between the East and West German governments, and lo and behold, Kabe is now in West Germany. Unfortunately, he is no happier looking at the wall from that perspective either. After all, his wife is on the other side -- and now what is he to do? ~ Eleanor Mannikka, Rovi

In a failed attempt at comedy, the German pop group called The Trio do double duty in this film about double-takes -- each member of the Trio looks exactly like a dictator in Latin America. Once the dictators catch on to this coincidence, they develop a scheme to safely get their hands on the illegal fortune they have siphoned out of their countries and into Swiss bank accounts. The plan is to assassinate the Trio and fool their enemies back home into thinking they themselves have been killed -- leaving the door open to safely raid their loot in Switzerland. Most of the story then revolves around cases of mistaken identity. ~ Eleanor Mannikka, Rovi

Not surprisingly, the Spanish Estacion Central takes place in large part in a busy railroad terminal. Here is where a woman is murdered, and here is where Barcelonan photographer Feodor Atkine happens to snap a picture of the dirty deed. It would be a simple matter for the photographer to turn his evidence over to the police. Unfortunately, he has retained too many ties to too many underworld figures, and thus can't go to the cops without being suspected of the murder himself. There are several neat Hitchcock-like touches to be found in Estacion Central, most of them in the pulse-racing closing scenes. ~ Hal Erickson, Rovi

Funeral in Berlin was the second of three films based on the Harry Palmer novels by Len Deighton. As he did in The Ipcress File, Michael Caine stars as Palmer, Deighton's bespectacled, somewhat disreputable British secret agent. In the manner of Graham Greene's The Third Man, Palmer is dispatched to Berlin to look into the highly suspicious defection of Soviet colonel Stok (Oscar Homolka). It is giving nothing away to reveal that Stok's death is a sham, and that Palmer is expected to engineer the "corpse"'s defection. To reveal any more, however, would be giving the game away. Michael Caine would portray Harry Palmer a third time in Billion Dollar Brain. ~ Hal Erickson, Rovi

Stylistically compelling, morally ambiguous, and profoundly unsettling, this Spanish psychodrama from writer-director Agustin Villaronga stands beside Pier Paolo Pasolini's Salo as one of cinema's most unflinching depictions of human depravity. The story opens in post-WWII Catalonia as former Nazi death camp "doctor" Klaus (Gunter Meisner) consummates his torture-murder of a young man by hurling himself from the roof of his house; this act, motivated either by a sudden attack of conscience or by some form of sexual mania, leaves him paralyzed from the neck down and unable to breathe on his own. We soon find Klaus lying prone in an archaic iron lung, attended by his stern wife Griselda (Marisa Paredes) and young daughter Rena (Gisela Echevarria). When they become unable (or, in his wife's case, unwilling) to look after him, Griselda hires handsome young nurse Angelo (David Sust), unaware that the young man is one of Klaus' former victims, who has maintained a detailed dossier on the "doctor" and his countless unspeakable atrocities. Thus begins a perverse and surreal manipulation of master/servant roles between the immobile Klaus and his equally demented attendant, as the young man attempts to recreate the nightmare world of the camps, even procuring more young victims for his former tormentor's amusement. Though it could be asserted that the stylistically accomplished Villaronga has made a passionate artistic statement about mankind's capacity for unspeakable atrocities, his film may be construed as being one of those horrors in itself. At any rate, Tras el Cristal is not for the faint of heart or weak of stomach. ~ Cavett Binion, Rovi

In 1944, with Paris on the verge of Liberation by the allies, Adolph Hitler ordered that the City of Light be blown up and burned to the ground. General Dietrich Von Choltitz, after much rumination, decided that he didn't want to go down in history as the man who destroyed Paris. His refusal to follow Hitler's orders would make him a pariah in Germany for the rest of his life; nor was his gesture ever rewarded by the Allies. From this very human story in the midst of one of the most inhuman conflicts in history grew the screenplay (by Gore Vidal and Francis Ford Coppola) of the all-star, internationally produced Is Paris Burning? Whereas the earlier The Longest Day was able to support a castful of celebrities and brief subplot vignettes, Is Paris Burning? seems more weighted down than weighty. Still, a modern audience will have fun playing "spot the star" throughout the film, especially when those spotted stars include the likes of Gert Frobe (as Choltitz), Jean-Paul Belmondo, Alain Delon, Kirk Douglas (as Patton), Glenn Ford (as Bradley), Yves Montand, Simone Signoret, Robert Stack, and even Anthony Perkins as a wide-eyed GI. Filmed on a gargantuan scale, Is Paris Burning? was based on a book by Larry Collins and Dominique LaPierre. The film was lensed in black and white, save for the Technicolor finale (in the original road-show prints). ~ Hal Erickson, Rovi

The French/German Ace of Aces stars Jean-Paul Belmondo as a dauntless World War One flyboy. Nearly 20 years after cessation of hostilities, Belmondo attends the 1936 Berlin Olympics as manager of the French boxing team. Through a series of plot twists too incredible to relate, Our Hero finds himself shepherding a group of Jewish refugees to safety. Alas, his sense of direction isn't so hot, and the refugees end up at Hitler's mountain retreat! Originally titled L'As De As, Ace of Aces is a black comedy in the Mel Brooks tradition. ~ Hal Erickson, Rovi

Father Joseph Mohr (Steve Bond) comes to stay with the family of Franz Guber (Cyrus Elias) in this romantic costume drama. The region is plagued by the evil Baron Von Seidl (David Warner) who delights in persecuting everyone including his own family. Magdalena (Nastassja Kinski) works at the local inn and falls in love with the unavailable Father Mohr. Janza (Franco Nero) is the insurgent who tries to incite a revolution against the despotic Baron. This drama of unrequited love contains nudity. ~ Dan Pavlides, Rovi

Christian de Bresson plays the son of East German minister Michael Gwynn. The Communist regime has decreed that all children of "dissidents" will be denied entry in a prestigious music conservatory. Anxious to be accepted, young de Bresson prepares to answer the seven questions required by the conservatory, the seventh of which will require him to deny his religious convictions. Before this can happen, the boy is invited by the Communist Party to perform at the Berlin Youth Festival. The boy's father protests, knowing that the Communists intend to use his son as a political pawn, to "prove" to the world that East Germany affords equal rights to persons of the cloth. It is de Bresson himself who decides to quit the Festival and defect to the West. Financed by Lutheran Film Associates, Question 7 was given an honored showcase by the Berlin Film Festival--held, of course, in the western sector. ~ Hal Erickson, Rovi

The owner of an aircraft salvage company (Viggo Mortensen) is reported killed in a crash. However, his wife (Andie MacDowell) knows better, and she decides to find him and his secret bank accounts. She travels around the world, and winding up in Cairo, she meets Liam Neeson, who helps her uncover her husband's smuggling scheme. ~ Rovi