Lal Chand Mehra Movies

On September 7, 1967, Bewitched launched its fourth season with the episode titled "Long Live the Queen." Ruth McDevitt guest stars as Ticheba, Queen of Witches, who, upon abdicating her throne, demands that Samantha take her place. Reluctantly, Darrin agrees to allow Sam to embark upon the traditional year-long reign, only to have the Stephens household besieged by the "transformed" recipients of Ticheba's previous spells. "Long Live the Queen" was written by Ed Jurist. ~ Hal Erickson, All Movie Guide

This remake of John Ford's The Black Watch (29) stars Tyrone Power as British army captain stationed in India in 1857. Shunned by his fellow officers because he is a half caste, Power defies the social structure of the era by falling in love with the daughter (Terry Moore) of his superior officer. Power proves his loyalty to the Crown by quelling an uprising, led by his Indian boyhood friend (Guy Rolfe). The actors do their best, but the storyline is trite and stilted when dwelling on matters of honor and romance. King of the Khyber Rifles works best as an action picture--and in this respect it is immensely superior to the earlier John Ford film, which almost plays like a comedy when seen today. ~ Hal Erickson, All Movie Guide

East Indian actor Sabu heads the cast of the location-filmed Man-Eater of Kumaon. While the film's romantic plotline is carried by native couple Naraian (Sabu) and Lali (Joanne Page), the main story concentrates on the regeneration of American society doctor John Collins (Wendell Corey). Despite his distaste for all things Indian, Collins agrees to participate in a tiger hunt. Upon meeting the residents of a Himalayan village which is being decimated by the titular man-eating tiger, the doctor gains a new perspective on his fellow man, dropping many of his inbuilt prejudices along the way. Based on the best-selling novel by Jim Corbett, Man-Eater of Kumaon is at once a rousing adventure tale and an easy-to-take sociological tract. ~ Hal Erickson, All Movie Guide

Returning to Singapore after a five-year absence, WWII veteran Matt Gordon (Fred MacMurray) mournfully recalls his romance with, and marriage to, a girl named Linda (Ava Gardner), whom he assumes was killed in a bombing raid on their wedding night. Resuming his prewar profession as a pearl smuggler, Matt gets mixed up with gangsters who are seeking a cache of pearls that he hid somewhere in Singapore during the war. He also meets wealthy Michael Van Leyden (Roland Culver), who is married to a woman who closely resembles the lamented Linda. In point of fact, she is Linda, but has been suffering from amnesia ever since the wartime bombing. Upon being reunited with his lost love, Matt does his best to ditch his unsavory companions and to rescue Linda from her "new" life. Clearly inspired by Casablanca, Singapore was remade as the 1957 Errol Flynn vehicle Istanbul. ~ Hal Erickson, All Movie Guide

In this musical, a messenger boy does a remarkable imitation of Bing Crosby and finds himself surrounded by luscious little bobby-soxers. One woman is so impressed by his Crosbiesque crooning that she takes him New York and convinces investors to bank on him. Unfortunately, she accidentally sells the shares for 125 percent of the profits. Fortunately, by the end, the situation is rectified. Songs include: "June Comes Around Every Year," "Out Of This World" (Johnny Mercer, Harold Arlen), "I'd Rather Be Me" (Eddie Cherkose, Felix Bernard, Sam Coslow), "All I Do Is Beat That Golden Drum" (Coslow, sung by Cass Daley), "It Takes A Little Bit More" (Coslow), "A Sailor With An Eight-Hour Pass" (Ben Raleigh, Bernie Wayne, sung by Daley) and "The Ghost Of Mr. Chopin" (Coslow). ~ Sandra Brennan, All Movie Guide

The overcrowding in WWII-era Washington, D.C., provided the concept for this comedy, as well as another film from the previous year, The More the Merrier (1943). Lee Stevens (Fred MacMurray) is an executive from a toy company owned by T.J. Todd (Edward Arnold). In hopes of landing a lucrative wartime production contract, Todd has dispatched Stevens and Jane Rogers (Paulette Goddard), a secretary, to Washington, D.C., for a meeting with a political fat cat. Once there, Jane foolishly cancels their hotel reservations, unaware that the capitol is so jammed that there is nowhere else to stay. She devises a plan -- she and Lee will pose as servants in the home of wealthy Ira Cromwell (Roland Young), where their lodging will be part of their salary. Lee is a disaster as a domestic, and when the very same politician they've come to meet arrives for a formal dinner, disaster looms. Standing Room Only (1944) was the third of five films in which MacMurray and Goddard would appear together. ~ Karl Williams, All Movie Guide

Lee Falk and Ray Moore's famous syndicated comic strip hero came to the screen in this 15 chapter serial produced by Rudolph C. Flotow for Columbia Pictures. Displaying unusually good judgment, the studio cast the still strapping former silent screen cowboy Tom Tyler as Geoffrey Prescott who, like generations of Prescotts before him, battles piracy and crime in Darkest Africa. Dressed in his trademark tights and black mask, The Phantom sallies forth to locate the lost city of Zolos, aided by his lovely fiancée, Diana Palmer (Jeanne Bates) and Ace, the Wonder Dog. The opposition is headed by the nefarious Dr. Bremmer (Kenneth MacDonald), but the good doctor is, in the long run, no match for the masked avenger who, in the final chapter, restores "Peace in the Jungle." One of Columbia's few worthwhile serials, The Phantom was yet another success for the popular and personable Tyler, who had earlier scored in the title role of Republic Pictures' The Adventures of Captain Marvel. Columbia filmed a belated and rather unnecessary sequel, The Adventures of Captain Africa (1949), starring John Hart, a bland actor who later played The Lone Ranger for one season on television when Clayton Moore went on strike. ~ Hans J. Wollstein, All Movie Guide

Every time that sinister Oriental megalomaniac Dr. Fu Manchu is ready to kill, sounds of strange drums can be heard coming from -- well, nowhere really. In 1939, Republic Pictures purchased the rights to the first six of British pulp fiction writer Sax Rohmer's popular "Fu Manchu" stories. The result became the studio's second longest action serial and one of its most enduringly popular. The head of a sinister conglomeration known as the Si-Fan, Dr. Fu Manchu (Henry Brandon) goes in search of the Sacred Scepter of Genghis Khan, with which he hopes to rule all the tribes of the Orient and evict the foreign infidels. Helping the good doctor is Fah-Lo-Suee (Gloria Franklin), his Eurasian daughter, and a seemingly unlimited supply of Dacoits, henchmen turned into slaves by having undergone frontal lobotomies. Dr. Fu Manchu is, as always, opposed by Sir Neyland Smith (William Royle) of the British Foreign Office. This time, however, Sir Neyland is not only aided by his very own "Dr. Watson," Dr. Petrie (Olaf Hytten), but also by a young American, Allan Parker (Robert Kellard), whose father (George Cleveland) had become yet another of Fu Manchu's many victims. Complicating the search is the attractive presence of Mary Randolph (Luana Walters) who, like most of her ilk, has a tendency to get herself into serious trouble at the most inopportune moments. Although the Oriental fiend appears all-powerful at times, Sir Neyland and his friends once again save the free world from enslavement -- although it takes them 15 chapters to do so. ~ Hans J. Wollstein, All Movie Guide

Though Rudyard Kipling's poem Gunga Din makes a swell recital piece, it cannot be said to have much of a plot. It's simply a crude cockney soldier's tribute to a native Indian water boy who remains at his job even after being mortally wounded. Hardly the sort of material upon which to build 118 minutes' worth of screen time-at least, it wasn't until RKO producer Pandro S. Berman decided to convert Gunga Din into an A-budgeted feature film. Now it became the tale of three eternally brawling British sergeants stationed in colonial India: Cutter (Cary Grant), McChesney (Victor McLaglen) and Ballantine (Douglas Fairbanks Jr.). Ballantine intends to break up the threesome by marrying lovely Emmy Stebbins (Joan Fontaine), while Cutter and McChesney begin hatching diabolical schemes to keep Ballantine in the army (if this plot element sounds a lot like something from the Ben Hecht and Charles MacArthur play The Front Page, bear in mind that Hecht and McArthur shared writing credit on Gunga Din with Joel Sayre and Fred Guiol; also contributing to the screenplay, uncredited, was William Faulkner). All three sergeants are kept occupied with a native revolt fomented by the Thuggees, a fanatical religious cult headed by a Napoleonic Guru (Eduardo Ciannelli). Unexpectedly coming to the rescue of our three heroes-not to mention every white man, woman and child in the region-is humble water carrier Gunga Din (Sam Jaffe), who aspires to become the regimental trumpeter. Originally slated to be directed by Howard Hawks, Gunga Din was taken out of Hawks' hands when the director proved to be too slow during the filming of Bringing Up Baby. His replacement was George Stevens, who proved to be slower and more exacting than Hawks had ever been! ~ Hal Erickson, All Movie Guide

Myrna Loy stars in Clarence Brown's sumptuous and exotic romance, based upon the novel by Louis Bromfield. Loy plays Lady Edwina Esketh, the unhappily married wife of Lord Albert Esketh (Nigel Bruce), a dumpy middle-aged English businessman. Edwina escapes her loneliness by engaging in ephemeral love affairs. When Lord Albert travels to the Indian province of Ranchipur, Edwina encounters one of her past lovers, Tom Ransome (George Brent). Tom wants to renew his acquaintance with Edwina, but she has set her sights on a young Indian doctor, Major Rama Safti (Tyrone Power), the court favorite of the reigning maharajah (H.B. Warner) who may inherit the throne one day. Rama is dedicated to helping the poor and, as Edwina falls deeply in love with him, she begins to notice of the plight of the poverty stricken. When a terrible earthquake decimates Ranchipur, Edwina joins with Rama to help tend to the victims of this tragedy. ~ Paul Brenner, All Movie Guide

Paramount's final "Big Broadcast" musical had perhaps the least exciting musical lineup of the series (Tito Guizar, The Shep Fields Orchestra, and opera singer Kirsten Flagstad are hardly household names today), but a slightly stronger storyline than the others, as well as a top-notch comic cast. This time out, most of the action takes place as sea, as S.B. Bellows (W.C. Fields) shows off his new invention: an ocean liner that can turn radio signals into electricity and part the waves at 100 miles per hour. He challenges another ship to a race while a number of music and comedy acts appear in the ship's showroom. Along with Fields, who performs several classic pool and golf routines, Martha Raye, Dorothy Lamour, and Ben Blue add to the laughs; Bob Hope made his feature debut here, and he even sings his future theme song, "Thanks for the Memories". ~ Mark Deming, All Movie Guide

The 1937 Thirteenth Chair was the third film version of the 1919 stage melodrama by Bayard Veiller. Dame Mae Whitty dominates the proceedings as Mme. La Grange, a phony mystic who is on hand when a man is killed during one of her seances. The killing takes place in the home of a provincial British Indian governor, and the victim was a blackmailer whom everyone present had good reason to despise. Complicating matters for Mme. La Grange is the fact that one of the suspects, Nell O'Neill (Madge Evans) is her own daughter. Dissatisfied with the manner in which brusque Scotland Yard inspector Marney (Lewis Stone) is investigating the case, La Grange takes matters in her own hands, stage-managing a second seance so that the guilty party will be frightened into a confession. More slickly produced than the 1929 version of Thirteenth Chair, the remake isn't quite as enjoyable, lacking two vital ingredients: Margaret Wycherly and Bela Lugosi, the earlier version's Mme. LaGrange and Inspector Marney. ~ Hal Erickson, All Movie Guide