Ralph Meeker Movies

The title character is a benign 7-foot-tall grizzly bear (perhaps all grizzlies are benign, but we're not about to get close enough to find out). Little Clint Howard befriends the bear, naming the beast Ben. Clint's wildlife-officer dad Dennis Weaver and mom Vera Miles have some trouble adjusting to the boy's new pet, but all ends happily after a lengthy sojourn in the Everglades. The best scenes involve ex-Bowery-Boy Huntz Hall, here playing a grizzled old swamp tramp. The upshot of Gentle Giant's success was the TV series Gentle Ben, which also starred Howard and Weaver and which ran from 1967 through 1969. ~ Hal Erickson, All Movie Guide

Director Robert Aldrich took what he considered a hopelessly old-fashioned script by Lukas Heller and Nunnally Johnson and fashioned The Dirty Dozen into one of MGM's biggest moneymakers of the 1960s--and the sixth highest-grossing film in the studio's history. Lee Marvin plays Major Reisman, assigned to coordinate a suicide mission on a French chateau held by top Nazi officers. Since no "normal" GI can be expected to volunteer for this mission, Reisman is compelled to draw his personnel from a group of military prisoners serving life sentences. This "dirty dozen" includes a sex pervert (Telly Savalas), a psycho (John Cassavetes), a retarded killer (Donald Sutherland), and the equally malevolent Charles Bronson, Trini Lopez, Jim Brown, and Clint Walker. On the dim promise of receiving pardons if they survive, the criminals undergo a brutal training program, then are marched behind enemy lines dressed as Nazi soldiers, the better to overtake the chateau and kill everyone in it--including the innocent wives and mistresses of the German officers. ~ Hal Erickson, All Movie Guide

In Volume 13 of a collection culled from the 1963-1965 science fiction anthology television series, a prehistoric creature found encased in ice is thawed out to lead an army of cavemen. ~ Jason Ankeny, All Movie Guide

This film about characters who hang around a horseracing focuses on the darker side rather than the limelight of the winner's circle. Joey (Ty Hardin) is an ambitious horse trainer who is sleeping with the boss' wife Laura (Susan Pleshette). When husband Matt (Ralph Meeker) discovers the affair, Joey get fired. He goes to the boyfriend of an old flame to borrow money to buy the horse. The steed wins a race and a post position in an even bigger race. Matt tries to buy the horse from Joey, who refuses the generous offer. The horse loses the big race, leaving Joey harnessed with a balloon payment he can't possibly make. Another old flame helps Joey out by paring off the debt and sleeping with the sleazy loanshark. Exciting racing scenes and a cameo appearance of real life sportswriter Jim Murray highlight this film where hardly of the characters are likeable or endearing. ~ Dan Pavlides, All Movie Guide

Dean Martin plays an easygoing Southern politician, long on charm but short on brains. Susan Hayward, a poor girl with rich ideas, marries Martin and endeavors to engineer him into the governor's chair. Though no saint herself, Hayward is determined to overcome the good-old-boy corruption infesting the state government. She emerges triumphant after a public showdown with crafty politico Wilfred Hyde-White. Based on a novel by Wirt Williams,Ada was produced by the same team that had guided Susan Hayward to an Oscar nomination for I'll Cry Tomorrow. ~ Hal Erickson, All Movie Guide

Used-car salesman John Forbes (Ralph Meeker) is saddled with a high-maintenance wife named Dorothy (Elizabeth Fraser), who spends far more than her husband earns. When Dorothy insists upon taking an expensive trip to New Zealand, John can stand no more. Using one of the cars on his lot, John prepares to "accidentally" kill his wife -- but his plan has one tiny, irksome flaw, namely another husband with another spendthrift spouse. ~ Hal Erickson, All Movie Guide

Fashion expert Jan Manning (Nancy Olson) faces the loss of her department store when the bank turns down her loan request. She tells her troubles to her salesman boyfriend, Mel Reeves (Ralph Meeker), who suggests that she torch the store and collect a huge insurance settlement -- and to this end, Mel agrees to hire an arsonist. Later on, the store goes up in flames as scheduled, but what happens next to Jan and Mel isn't on anyone's schedule...especially theirs. ~ Hal Erickson, All Movie Guide

Showing up at his doctor's office complaining of stomach troubles, Carl Borden (Ralph Meeker) is informed that there are traces of arsenic in his system. Under normal circumstances, only one conclusion could be arrived at -- Carl's wife Annette (Phyllis Thaxter) is trying to poison him. But these aren't normal circumstances, as we find out in the wryly cynical conclusion of the episode. ~ Hal Erickson, All Movie Guide

Adapting Humphrey Cobb's novel to the screen, director Stanley Kubrick and his collaborators Calder Willingham and Jim Thompson set out to make a devastating anti-war statement, and they succeeded above and beyond the call of duty. In the third year of World War I, the erudite but morally bankrupt French general Broulard (Adolphe Menjou) orders his troops to seize the heavily fortified "Ant Hill" from the Germans. General Mireau (George MacReady) knows that this action will be suicidal, but he will sacrfice his men to enhance his own reputation. Against his better judgment, Colonel Dax (Kirk Douglas) leads the charge, and the results are appalling. When, after witnessing the slaughter of their comrades, a handful of the French troops refuse to leave the trenches, Mireau very nearly orders the artillery to fire on his own men. Still smarting from the defeat, Mireau cannot admit to himself that the attack was a bad idea from the outset: he convinces himself that loss of Ant Hill was due to the cowardice of his men. Mireau demands that three soldiers be selected by lot to be executed as an example to rest of the troops. Acting as defense attorney, Colonel Dax pleads eloquently for the lives of the unfortunate three, but their fate is a done deal. Even an eleventh-hour piece of evidence proving Mireau's incompetence is ignored by the smirking Broulard, who is only interested in putting on a show of bravado. A failure when first released (it was banned outright in France for several years), Paths of Glory has since taken its place in the pantheon of classic war movies, its message growing only more pertinent and potent with each passing year (it was especially popular during the Vietnam era). ~ Hal Erickson, All Movie Guide

Battle Shock and War Shock were the titles bestowed by British distributors upon the Paul Henreid-directed psychological drama A Woman's Devotion. Ralph Meeker stars as Trevor Stevenson, an emotionally scarred World War II veteran who has channelled his fears and phobias into his painting. At present, he is in Acapulco on his honeymoon with bride, Stella (Janice Rule). Shortly after Trevor's arrival, two women are murdered. The audience is presented with a "lady or the tiger" situation, with clues pointing to Trevor's guilt or innocence depending upon one's point-of-view. Henreid cagily avoids telling us the whole story -- continuing to withhold information right up to the grim finale. Trevor's behavior in the climactic scenes is an interesting precursor to the "crazed Vietnam vet" school of drama. ~ Hal Erickson, All Movie Guide

Although the French Foreign Legion became increasingly anachronistic in the 1950s, films like Desert Sands helped to perpetuate the glamorous legend of this mercenary aggregation. Ralph Meeker heads the cast as a bold legionnaire who falls in love with gorgeous Arab girl Marla English. Alas, Marla is the daughter of shiek John Carradine and the sister of vengeful Keith Larsen, both of whom have vowed to kill all Legionnaires within shouting distance. Larsen eventually discovers that his real enemy is not Meeker, but the duplicitous Carradine. Director Lesley Selander staged most of the action scenes in the manner of his western films, with excellent results. One of the scriptwriters of Desert Sands was Danny Arnold, later the prime mover of TV's Barney Miller. ~ Hal Erickson, All Movie Guide

Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide