George Meeker Movies

The People's Choice was one of a handful of mid-1940s attempts to launch a series of 16-millimeter "mainstream" feature films (16mm had previously been limited to the home-movie and industrial-film market). Drew Kennedy stars as a small-town milquetoast who gains confidence when he runs for mayor. Coming face to face with local corruption and graft, Kennedy proves that he's a man and not a mouse. The supporting cast includes such familiar Hollywood faces as George Meeker, Fred Kelsey, Ernie Adams and Rex Lease, while Louise Arthur does a nice job as leading lady. Filmed in Kodachrome Color, The People's Choice was amusing, but not considered saleable enough to warrant a major studio release. ~ Hal Erickson, All Movie Guide

The title tells all in the Monogram "expose" Black Market Babies. Alcoholic physician Dr. Jordan (Ralph Morgan) joins forces with gangster Eddie Condon (Kane Richmond) and shyster lawyer Anthony Marco (George Meeker) in a crooked adoption racket. Coercing unwed mothers to give up their babies for adoption, the unholy trio operates a supposedly philanthropic baby farm which caters to childless couples who have been frustrated by the legal adoption system. The villains rake in oodles and oodles of cash before the authorities close in. But once the jig is up, the crooks fall out, resulting in murder. ~ Hal Erickson, All Movie Guide

Charlie Chan (Sidney Toler) heads south of the border in this so-so series entry. With the help of Mexican police official Luis (Fortunio Bonanova), Chan looks high and low for a stolen atomic-bomb formula. The oriental detective is also "aided" by his son Tommy (Benson Fong) and his chauffeur Chattanooga (Willie Best, subbing for Mantan Moreland) two of the most inept assistants in the history of the movies. The gimmick in this film is a mysterious murder weapon which seemingly disappears from the face of the earth the moment it has been used. Though more expensive looking than most of Monogram's Charlie Chan films, The Red Dragon isn't one of the series' more exciting efforts. ~ Hal Erickson, All Movie Guide

Future film producer Ross Hunter heads the cast of Columbia's A Guy, a Gal and a Pal. Hunter is the "guy", serviceman Jimmy Jones; the "gal" is Jimmy's sweetheart Helen Carter (Lynn Merrick), while the "pal" is the couple's self-appointed chaperone, 10-year-old Butch (Ted Donaldson). Helen's dilemma: should she marry Jimmy, or settle for financial security in the form of civilian Granville Breckinridge (George Meeker)? A clue to her decision: this is a Hollywood movie, and guys with names like Granville Breckinridge never get the girl in Hollywood movies. A Guy, a Gal and a Pal was directed by Oscar Boetticher Jr., who like Ross Hunter went on to bigger and better things-but only after changing his billing to Budd Boetticher. ~ Hal Erickson, All Movie Guide

New chorus member Eadie Allen (Ann Miller) is the only thing that's good or lively or fresh in a run-down burlesque revue run by Tommy Farley (William Wright). He gives her a featured number and soon she's the star of the show, and he'd like to get to know her better because, conniver though he is, he's also genuinely falling in love with her, but she won't let him know anything about herself. And with good reason -- Eadie is a socially prominent debutante, a member of an old-money family of blue-noses; she wants to be an actress (something they wouldn't hear of) and Farley was the only producer willing to hire her. She's appalled by burlesque, and the physical comedy she's forced to perform, but the audience loves her and she gets to prove she can do a good song, and is also conned by Farley -- appealing to her patriotism and her good nature -- to stay with it. And she becomes a star, which is wonderful until the two sides of her life start to collide at the edges. Her college roommate Pepper (Miss Jeff Donnell) is attracted to the eccentric Professor Diogenes Dingle (Joe Besser), who is no professor but a burlesque comic himself impersonating a teacher; and one of Eadie's legitimate teachers twice spots her performing on stage and otherwise identified in public. The complications pile up until it looks as though Eadie will lose her chance at real love and also her chance to graduate from college. ~ Bruce Eder, All Movie Guide

One of the more remarkable aspects of this "East Side Kids" comedy is that, for the first time, one of the "Kids" is a girl, played by June Carlson. Otherwise, it's standard stuff, with the Kids forming a shaky friendship with police commissioner James Mitchell (Addison Mitchell). Muggs (Leo Gorcey), the Kids' leader, invites Mitchell's wimpy son Gilbert (Johnny Duncan) to join the gang as part of a plan to "toughen up" the boy. Unfortunately, Gilbert gets his new pals in trouble when he links up with gambler Silk Henley (George Meeker). Arrested during a confrontation with Silk, Muggs is disqualified from fighting in an upcoming boxing tournament. The chastened Gilbert takes Muggs' place in the ring, proving that he's a "right guy." Come Out Fighting was the final entry in Monogram's "East Side Kids" series; the following year, Leo Gorcey, Huntz Hall and the rest would re-emerge as "The Bowery Boys." ~ Hal Erickson, All Movie Guide

Blonde Ransom revives a plot that dates back at least to Broadway's David Belasco era. Virginia Grey plays Vicki, the niece of irascible old scoundrel Uncle William (George Barbier). When Vicki's boyfriend Duke (Donald Cook), owner of a Broadway nightclub, needs $63000 in a hurry, Vicki fakes her own kidnapping to raise the ransom money from her uncle. Things get sticky when the phony abduction turns real, but nothing really bad ever happens in a Universal musical comedy. TV buffs might get a kick out of comedy relief Pinky Lee, performing several of his tried-and-true burlesque routines. As proof that everything old is new again, the storyline of Blonde Ransom was reworked as late as 1997 for the Alicia Silverstone vehicle Excess Baggage. ~ Hal Erickson, All Movie Guide

The second of two "East Side Kids" entries with horse-racing backgrounds (the first was That Gang of Mine), Mr. Muggs Rides Again stars Leo Gorcey in the title role. Thanks to the chicanery of crooked gamblers, Muggs (Leo Gorcey), an honest jockey, is banished from the track. But Muggs is less concerned about his own fate than he is over the plight of horse farm owner Ma Brown (Minerva Urecal), who is facing foreclosure. While helping Muggs take up a collection on behalf of Ma, her niece Elsie (Nancy Brinkman), falls in love with Gaby (Gabriel Dell), one of the gamblers. At Elsie's request, Gaby agrees to tell the racing commission that Muggs is innocent of the charges levelled against him. The other gamblers try to silence Gaby permanently, and also dope Ma Brown's horses, but Muggs and the rest of the East Side Kids (Huntz Hall, Billy Benedict et. al.) come to the resuce. The film's best scene, a visit to a sideshow fortune-teller, has absolutely nothing to do with the plot, but who cares? ~ Hal Erickson, All Movie Guide

Amidst its usual yearly quota of adventure films, Paramount's Pine-Thomas unit turned out a handful of comedies and musicals. One of these was Take it Big, starring Jack Haley and Harriet Hilliard. Haley plays Jack North, the nether end of a vaudeville horse act who inherits a western ranch. When he heads to the Great Outdoors to take possession, Jack winds up at the wrong place: a swanky dude ranch. He immediately begins running things, at it's quite a while before his error is discovered. By the time he shows up at his own ranch, he's up to his ears in unpaid debts-which naturally requires a fund-raising musical show as a bail-out. Harriet Hilliard handles the romantic portion of the proceedings, occasionally dueting with her real-life husband, bandleader Ozzie Nelson. ~ Hal Erickson, All Movie Guide

Roy Rogers and Dale Evans weren't yet husband and wife when they co-starred in Song of Nevada, but the rapport and chemistry is already very much in evidence. Roy befriends millionaire Thurston Hall, who was believed to have been killed in a plane crash. Hall hires Rogers to "tame" his snooty, citified daughter Evans, who has come West to take over her dad's ranch. Yes, it's Taming of the Shrew on the prairie, and it's every bit as enjoyable as its Shakespearean predecessor. Songs include such deathless gems as "The Harum Scarum Baron of the Harmonium." ~ Hal Erickson, All Movie Guide

The third installment in Universal's low-budget "Inner Sanctum" mysteries, Dead Man's Eyes promises a great deal more than screenwriter Dwight W. Babcock can deliver. Lon Chaney Jr. stars as Dave Stuart, a struggling artist promising his fiancée Heather Hayden (Jean Peters) that he will marry her as soon as he finishes a portrait of beautiful Tanya Czoraki (Acquanetta). The jealous Tanya causes Dave to have an accident that blinds him. According to eye specialist Dr. Sam Welles (Jonathan Hale), Dave's sight can only be restored by a cornea transplant and Heather's father, "Dad" Hayden (Edward Fielding), promptly wills the unfortunate young man his own eyes. When Dad is found killed, Dave becomes the obvious suspect but Welles nevertheless goes ahead with the operation. Tanya, meanwhile, has her suspicions about the identity of the killer, but before she can reveal the name to Heather, she, too, is killed. Although the operation seems at first to have been a failure, Dave regains his sight just in time to unmask the killer, who is made to confess. ~ Hans J. Wollstein, All Movie Guide

It is said that producer Sam Goldwyn had a habit of addressing his new star of the 1940s, Danny Kaye, as "Eddie", confusing Kaye with Eddie Cantor. If true, it may be because Kaye's first starring film for Goldwyn, Up in Arms, was a remake of Cantor's Whoopee--which in turn was a musical version of that old theatrical chestnut The Nervous Wreck. Kaye plays Danny Weems, a hopeless hypochondriac who finds himself drafted into the army. While a passenger on an overseas transport ship, Danny is obliged to hide his girl friend Mary Morgan (Constance Dowling), who has stowed away on board, from the authorities. The plot (what there is of it) contrives to have Danny and Mary, together with Virginia (Dinah Shore), who's in love with Danny, and Joe (Dana Andrews), who's in love with Mary, arrive simultaneously on the same South Sea island. After numerous comic and romantic complications, Danny emerges as the hero of the hour by capturing a whole bunch of Japanese soldiers. The film shows signs of post-production tampering-an offscreen narration, an abrupt ending-indicating that, as yet, Sam Goldwyn wasn't quite sure how to package Danny Kaye for the screen. Despite its erratic editing and uneven scenario, Up in Arms contains some priceless moments, including Kaye's rapid-patter songs "The Lobby Number" and "Melody in 4F", both written by Sylvia Fine (Mrs. Kaye) and Max Liebman. There are also a few cute "inside" jokes referring to the illogical nature of the plotline and such esoterica as the out-of-nowhere appearances of the Goldwyn Girls (one of whom was Kaye's future leading lady Virginia Mayo). ~ Hal Erickson, All Movie Guide

Yankee Doodle Dandy is no more the true-life story of George M. Cohan than The Jolson Story was the unvarnished truth about Al Jolson -- but who the heck cares? Dandy has song, dance, pathos, pageantry, uproarious comedy, and, best of all, James Cagney at his Oscar-winning best. After several failed attempts to bring the life of legendary, flag-waving song-and-dance man Cohan to the screen, Warners scenarist Robert Buckner opted for the anecdotal approach, unifying the film's largely unrelated episodes with a flashback framework. Summoned to the White House by President Roosevelt, the aging Cohan is encouraged to relate the events leading up to this momentous occasion. He recalls his birth on the Fourth of July, 1878; his early years as a cocky child performer in his family's vaudeville act; his decision to go out as a "single"; his sealed-with-a-handshake partnership with writer/producer Sam Harris (Richard Whorf); his first Broadway success, 1903's Little Johnny Jones; his blissful marriage to winsome wife Mary (a fictional amalgam of Cohan's two wives, played by Joan Leslie -- who, incredibly, was only 17 at the time); his patriotic civilian activities during World War I, culminating with his writing of that conflict's unofficial anthem "Over There" (performed by Nora Bayes, as played by Frances Langford); the deaths of his sister, Josie (played by Cagney's real-life sister Jeanne), his mother, Nellie (Rosemary DeCamp), and his father, Jerry (Walter Huston); his abortive attempt to retire; and his triumphant return to Broadway in Rodgers & Hart's I'd Rather Be Right.

His story told, Cohan is surprised -- and profoundly moved -- when FDR presents him with the Congressional Medal of Honor, the first such honor bestowed upon an entertainer. His eyes welling up with tears, Cohan expresses his gratitude by invoking his old vaudeville curtain speech: "My mother thanks you, my father thanks you, my sister thanks you, and I thank you." Glossing over such unsavory moments in Cohan's life as his bitter opposition of the formation of Actor's Equity -- not to mention George M.'s intense hatred of FDR! -- Yankee Doodle Dandy offers the George M. Cohan that people in 1942 wanted to see (proof of the pudding was the film's five-million-dollar gross). And besides, the plot and its fabrications were secondary to those marvelous Cohan melodies -- "Give My Regards to Broadway," "Harrigan," "Mary," "You're a Grand Old Flag," "45 Minutes from Broadway," and the title tune -- performed with brio by Cagney (who modifies his own loose-limbed dancing style in order to imitate Cohan's inimitable stiff-legged technique) and the rest of the spirited cast. Beyond its leading players, movie buffs will have a ball spotting the myriad of familiar character actors parading before the screen: S.Z. Sakall, George Tobias, Walter Catlett, George Barbier, Eddie Foy Jr. (playing his own father), Frank Faylen, Minor Watson, Tom Dugan, John Hamilton, and on and on and on. In addition to Cagney, music directors Ray Heindorf and Heinz Roemheld also won Oscars for their efforts. ~ Hal Erickson, All Movie Guide