George Meeker Movies

For the purposes of this inconsequential 61-minute musical, Paramount Pictures shelled out a great deal of money to film on location at showman Earl Carroll's Hollywood cabaret, and to highlight several of the performers appearing therein on a nightly basis. Since Carroll claimed to have "The Most Beautiful Girls in the World" in his chorus line, audiences could be forgiven if they didn't remember the particulars of the film's plotline. For the record, the story hinges on the kidnapping of Carroll and his star players so that the show won't go on. But retired showgirl Ramona Lisa (Rose Hobart) and press agent Barney Nelson (Ken Murray) save the day by slapping together an "instant" floor show featuring an entourage of veteran vaudevillians. Heavy doses of politically incorrect humor are provided by comic drunk Jack Norton and by Blanche Stewart and Elvia Allman in their radio characterizations of man-hungry spinsters Brenda and Cobina. ~ Hal Erickson, All Movie Guide

After briefly enjoying an "A" budget as Mae West's vis-a-vis in Belle of the Nineties, Johnny Mack Brown returned to the "B"-picture mills with Columbia's Against the Law. Brown plays ambulance driver Steve Wayne, whose devotion to his interne pal Bert Andrews (George Meeker) supersedes all else in his life, including his romance with Martha Gray (Sally Blane). When Bert gets mixed up with gangsters, Steve tries to bail him out, nearly losing his job as a result. Ultimately Bert is bumped off by the villains, leading to a pulse-pounding climax as Steve commandeers his ambulance to bring the mob to justice. ~ Hal Erickson, All Movie Guide

In this comedy, Paul Muni plays a recently murdered gangster who finds himself roasting in Hell. Muni can't believe that he's in for All Eternity and keeps trying to "bust out," which brings him to the attention of the Head Man (Claude Rains), who calls himself Nick. Nick strikes a bargain with Muni: There's a troublesome honest judge on Earth who's been shipping too many souls to Hell; if Muni will take over the judge's body and begin performing bad deeds, Nick will set him free. Muni readily agrees, eager to settle the score with the ex-partner (Hardie Albright) who bumped him off. Once he "becomes" the judge, however, Muni discovers that he is utterly incapable of performing any misdeeds--and when he falls in love with the judge's fiancee (Anne Baxter), Muni becomes determined to wriggle out of his agreement. Angel on My Shoulder is based on a story by Harry Segall, whose previous play Heaven Can Wait was filmed as Here Comes Mr. Jordan, also with Claude Rains. ~ Hal Erickson, All Movie Guide

This tuneful melodrama is set upon a college campus and follows the attempts of a pretty young woman who slyly helps her wealthy, free-wheeling freshman boy friend learn about responsibility. She contacts his father and together they convince the boy that his inheritance has been lost. Now he must work his way through college. Sure enough, her ploy succeeds and romance ensues. ~ Sandra Brennan, All Movie Guide

Joe Hilton (Warren Douglas), long on looks and ambition but short on ethics, takes immediate advantage when his gambler brother is killed by a rival. Hilton takes over his late brother's operation, quickly and illegally building up a fortune. His friends plead with Hilton to quit the rackets before it's too late, but he pays no attention (and who can blame him?) The story comes to a surprising conclusion, avoiding the usual last-minute-reformation cliché and thereby retaining its integrity throughout. Below the Deadline is proof enough the director William "One Take" Beaudine was much more than a prolific hack. ~ Hal Erickson, All Movie Guide

The title tells all in the Monogram "expose" Black Market Babies. Alcoholic physician Dr. Jordan (Ralph Morgan) joins forces with gangster Eddie Condon (Kane Richmond) and shyster lawyer Anthony Marco (George Meeker) in a crooked adoption racket. Coercing unwed mothers to give up their babies for adoption, the unholy trio operates a supposedly philanthropic baby farm which caters to childless couples who have been frustrated by the legal adoption system. The villains rake in oodles and oodles of cash before the authorities close in. But once the jig is up, the crooks fall out, resulting in murder. ~ Hal Erickson, All Movie Guide

Blonde Ransom revives a plot that dates back at least to Broadway's David Belasco era. Virginia Grey plays Vicki, the niece of irascible old scoundrel Uncle William (George Barbier). When Vicki's boyfriend Duke (Donald Cook), owner of a Broadway nightclub, needs $63000 in a hurry, Vicki fakes her own kidnapping to raise the ransom money from her uncle. Things get sticky when the phony abduction turns real, but nothing really bad ever happens in a Universal musical comedy. TV buffs might get a kick out of comedy relief Pinky Lee, performing several of his tried-and-true burlesque routines. As proof that everything old is new again, the storyline of Blonde Ransom was reworked as late as 1997 for the Alicia Silverstone vehicle Excess Baggage. ~ Hal Erickson, All Movie Guide

Just after completing It Happened One Night, director Frank Capra churned out a bread-and-butter picture titled Broadway Bill. Warner Baxter plays the carefree scion of a wealthy, highly-respected family. Baxter's cold but socially correct wife Helen Vinson forces her husband into the family business, but Baxter would rather spend his time at the racetrack. He buys a nag named Broadway Bill and tries to build the horse into a winner--if he doesn't bankrupt himself first. Only Baxter's sister-in-law Myrna Loy and black stable hand Clarence Muse have faith in Broadway Bill. The horse wins a crucial race, but dies suddenly at the finish line. Baxter is comforted and given encouragement by Loy, who is now his sweetheart, Vinson having long since washed her hands of her "irresponsible" husband. Broadway Bill was remade by Capra as Riding High (1950), utilizing generous portions of stock footage and even going so far as to rehire several of the original film's cast members (Douglass Dumbrille, Clarence Muse, Charles Lane, Raymond Walburn, Margaret Hamilton, Frankie Darro) to recreate their roles and match up their scenes from the earlier production. Long withheld from distribution due to Riding High, Broadway Bill was made available for videocassette in the mid-1980s. Keep an eye out for Lucille Ball as a blonde telephone operator and Alan Hale Sr. as a racetrack announcer. ~ Hal Erickson, All Movie Guide

James Cagney made his first Technicolor appearance in the morale-boosting aviation flick Captains of the Clouds. Cagney plays Brian MacLean, a hotshot Canadian bush pilot who delights in stealing jobs-and women-away from his competitors. Brian is forced to shape up in a hurry when he's assigned to train other pilots for the Royal Canadian Air Force. At the ending of the training period, he is given his first real RCAF assignment: The seemingly unimportant task of shepherding American bomber planes across the Atlantic to England. With startling suddenness, Brian comes to realize the true importance of his job when he is forced into a deadly confrontation with a fleet of Nazi raider planes. Real-life Canadian WW1 flying ace Billy Bishop plays a small but pivotal role in Captains of the Clouds, while the leading-lady duties were handled by Warner Bros. stock actress Brenda Marshall (aka Mrs. William Holden). Cinematographer Sol Polito earned an Oscar nomination for his vivid color photography, though aerial photographers Elmer Dyer, Charles Marshall and Winston Hoch were certainly just as deserving. ~ Hal Erickson, All Movie Guide

One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

That dependable sleuth of pulp fiction fame, Nick Carter, apparently had an equally stalwart son. Chick Carter, Boy Detective did his sleuthing on radio before Columbia producer Sam Katzman brought him to the screen in Chick Carter, Detective. The juvenile hero of the radio waves had underwent certain changes in order for grown-up actor Lyle Talbot to portray him. Talbot's Chick Carter, however, remained strangely inactive in his own serial, allowing crusading reporter Rusty Farrell (Douglas V. Fowley) to perform most of the necessary derring-do. As plainly told as the title would suggest, Chick Carter, Detective was more or less a straightforward crime melodrama that eschewed the usual ray guns, invisibility inventions, and other paraphernalia of the genre. Former MGM starlet Pamela Blake did some snooping of her own as a rival detective, and a gangster bearing the unfortunate name of Nick Polio (George Meeker) indulged in a bit of insurance fraud on behalf of Charles King. With only two bona fide cliffhanger endings, Chick Carter, Detective found little favor with the small fry, its target audience. ~ Hans J. Wollstein, All Movie Guide

One of the more remarkable aspects of this "East Side Kids" comedy is that, for the first time, one of the "Kids" is a girl, played by June Carlson. Otherwise, it's standard stuff, with the Kids forming a shaky friendship with police commissioner James Mitchell (Addison Mitchell). Muggs (Leo Gorcey), the Kids' leader, invites Mitchell's wimpy son Gilbert (Johnny Duncan) to join the gang as part of a plan to "toughen up" the boy. Unfortunately, Gilbert gets his new pals in trouble when he links up with gambler Silk Henley (George Meeker). Arrested during a confrontation with Silk, Muggs is disqualified from fighting in an upcoming boxing tournament. The chastened Gilbert takes Muggs' place in the ring, proving that he's a "right guy." Come Out Fighting was the final entry in Monogram's "East Side Kids" series; the following year, Leo Gorcey, Huntz Hall and the rest would re-emerge as "The Bowery Boys." ~ Hal Erickson, All Movie Guide