Donald Meek Movies

On New Year's Eve, aspiring actress Julia Wayne (Joan Bennett) and chronic gambler Larry Stevens (Joel McCrea), both flat broke, each find one-half of a $1000 banknote. They decide to invest their windfall in a race horse and jockey, in hopes of financing a theatrical career for Julia and a new start in life for Larry. Unfortunately, the thousand-dollar note turns out to be stolen, dropped in haste during a bank robbery. This gets hero, heroine and horse mixed up with the crooks, and for a while it looks as though the nag won't show up for the climactic Big Race. Even after the horse arrives at the starting gate, he refuses to gallop until he spies the cart that he used to haul around for coal peddler Jonesy (Andy Clyde). After a great opening, Two in a Crowd runs out of gas, but the two stars are always worth watching. ~ Hal Erickson, All Movie Guide

Previously filmed in 1921 and 1926, this venerable 1911 David Belasco stage play provides a good, if slightly risible, vehicle for Lionel Barrymore. Greedy businessman Peter Grimm (Barrymore) returns from the dead in spirit form to correct all the mistakes he made during his lifetime. The old man is particularly anxious to atone for forcing his adopted daughter Catherine (Helen Mack) into a marriage of convenience with his callow nephew Frederik (Allen Vincent). His mission on earth accomplished, Grimm is reunited in the hereafter with his sickly grandson William (George Breakston Jr.), whose death is supposed to be a high point in poignancy (and would have been, had not the audience been fully aware from the first reel that the kid was going to eventually kick the bucket). Throughout the final reels, the "ghostly" Peter Grimm is filmed through a gauze-diffused filter, suggesting that someone has smeared Vaseline on the camera lens. ~ Hal Erickson, All Movie Guide

It's the wild and woolly waterfront world of San Francisco in the late 1800s in this rambling tale of an outrageous nightclub owner (Edward G. Robinson) and his efforts at wooing lovely Mary Rutledge (Miriam Hopkins), a lovely Eastern lass left to her own devices in the rowdy port city. The innocent babe loses that innocence when she becomes a kept lady, running the roulette wheel in Robinson's nightclub. The plot matures when Mary falls in love with an honest and upright gold miner. When the lovers are discovered during a fateful tryst, they flee the evil Robinson, hoping to escape as stowaways aboard a departing ship. Robinson is magnificent in this ruffian role. This action-filled adventure is suitable for the whole family. ~ All Movie Guide

Directed by Raoul Walsh, Baby Face Harrington features actor Charles Butterworth as Willie, a meek clerk who unintentionally gets involved with the mob when he misplaces two thousand dollars from the life insurance policy he was forced to cash after losing his job. While searching for the missing money, Willie (Butterworth) is taken hostage by gangsters. After learning his long-suffering wife Millicent (Una Merkel) plans to divorce him shortly, Willie loses all hope and prepares to hang himself. Just before he jumps to his suicide, however, the crime boss shows up and stops him. It turns out that the mob leader is an old school friend of Willie's, and convinces the former clerk that he still has much to live for. Baby Face Harrington also features actors Harvey Stephens, Eugene Pallette, and Ruth Selwyn. ~ Tracie Cooper, All Movie Guide

Mark of the Vampire is Tod Browning's remake of his own 1927 thriller London After Midnight, which unfortunately no longer exists. The sudden appearance of ghostly vampires in a remote mittel-European community is seemingly tied in with an old, unsolved murder case. Police inspector Neumann (Lionel Atwill) and occult expert Prof. Zelen (Lionel Barrymore) investigate, with the full cooperation of leading citizen Baron Otto (Jean Hersholt). For awhile, it looks as though the vampires -- Count Mora (Bela Lugosi) and his chalky-faced daughter Luna (Carroll Borland) -- will continue to hold the community in thrall, but the truth behind their mysterious activities is revealed midway through the film, whereupon the story concentrates on identifying the well-concealed murderer. In the original London After Midnight, Lon Chaney played both Count Mora and Prof. Zelen, which should provide a clue as to the film's incredible outcome. ~ Hal Erickson, All Movie Guide

In this romantic drama a woman with a scandalous past tells all in an autobiography. It seems the woman, an artist, received special favors from a politician in exchange for a few favors from her. The pushy magazine editor who tries to convince her to write her memoirs, despises everything she stands for, yet in the end cannot help falling in love with her. ~ Sandra Brennan, All Movie Guide

This drama presents a dim view of life in a small town populated by back-stabbing, narrow-minded, hypocritical and maliciously gossipy bigots who meet at the town general store to spread their vicious lies. The current slander centers upon a young man who has an innocent crush on another man's wife. The constant snickers and asides of the husband's neighbors cause him to believe that his wife really is involved with the young man. Enraged he tries to kill the young man. This near-tragedy does nothing to stop the gossip-mongers from choosing a new victim, whom they hope to drive to suicide so they can spice up their dull lives. ~ Sandra Brennan, All Movie Guide

The Informer, Liam O'Flaherty's novel of the the Irish "troubles" of the early 1920s, was first filmed in England in 1929, with Cyril McLaglen in the lead. When director John Ford remade The Informer in 1935, the role of the tragic Irish roisterer Gypo Nolan went to Cyril's brother Victor McLaglen. The scene is Dublin, during the Sinn Fein rebellion. Gypo has tried to join the IRA, but has been bounced because he lacked full commitment to the cause. Gypo's best friend is Frankie McPhillip (Wallace Ford) a fugitive from the British "Black and Tans" with a price on his head. Hoping to start a new life with his streetwalker girlfriend Katie Madden (Margot Grahame), Gypo informs on Frankie, collecting the twenty-pound reward. Frankie is cornered and killed by the British troops; Gypo briefly suffers the pangs of conscience, but is too simple-minded to grasp the full impact of his betrayal. Suspecting that Gypo has turned in Frankie, IRA commander Gallegher (Preston Foster) orders his men to keep tabs on the big lout. As Gypo stupidly squanders his money on food, drink and entertainment, Gallegher's lieutenants keep tab of every penny spent. Finally dragged before the rebel court, Gypo tries to bluff his way out of trouble, fingering another man (Donald Meek) as the informer, but this subterfuge quickly falls apart. Sobbingly, Gypo confesses his treachery. Before his execution can be carried out, he escapes, but his hiding place is given away inadvertently by Katie. Regretfully, because they realize Gypo is too childish to be fully responsible for his actions, the IRA members shoot the man down. With his last ounce of strength, Gypo drags himself into the church where Frankie's mother (Una O'Connor) prays for his son's soul. "Twas I informed on your son, Mrs. McPhillip," Gypo weeps, "Forgive me." "Ah, Gypo, I forgive you," the grieving mother replies. "You didn't know what you were doing." Exultantly, Gypo looks heavenward, and, just before succumbing to his wounds, bellows "Frankie! Frankie! Your mother forgives me!" The Informer earned Victor McLaglen an Oscar, as well as several other nominations; the film did poorly at the box office, but John Ford had anticipated this reaction, reportedly waiving his considerable salary just to make certain that picture--a labor of love for the director, who was himself a native of Ireland--would be completed. The film was remade in 1968, relocated to the black ghetto of Los Angeles and retitled Uptight!. ~ Hal Erickson, All Movie Guide

"I'll See You in My Dreams" could well have been the theme music of Peter Ibbetson, the second film version of George du Maurier's 1891 novel. Peter Ibbetson (Gary Cooper) is an architect who, while working on a restoration job for the British Duke of Towers (John Halliday), discovers that The Duchess of Towers (Ann Harding) is actually Mary, his childhood sweetheart. The jealous duke pulls a gun on Ibbetson, but Peter kills him. He is sent to prison for life, certain that he'll never meet his Mary again. But both lovers are reunited in one another's dreams, which connect them spiritually. The years pass, but the aging Peter and Mary remain ever youthful in their dreams. Upon their deaths, they are reunited in the afterlife. Somehow this fragile fantasy works, thanks to the steady guiding hand of director Henry Hathaway. ~ Hal Erickson, All Movie Guide

When he's shipped off to prison on a tax-evasion charge, millionaire Van Dyke (Walter Connolly) breathes a sigh of relief: at least he'll be free of his dizzy, spendthrift wife (Billie Burke) and spoiled-rotten daughter Carol (Joan Bennett). Once behind bars, Van Dyke strikes up a friendship with amiable reformed bootlegger Ricardi (George Raft). Since Ricardi is to be sprung first, Van Dyke suggests that the ex-crook take on the task of "taming" the incorrigible Carol. Unwilling to be stifled by a former jailbird (even a good-looking one), Carol decides to get even by persuading one of Ricardi's former cohorts, a shady character named Tex (Lloyd Nolan) to stage a fake kidnapping. Trouble is, Tex kidnaps the girl for real, obliging Ricardi to race to her rescue -- but only after deliberately breaking every traffic law known to man, so that he'll be pursued by a veritable battalion of motorcycle cops (this hilarious finale was later re-used in the 1941 Buster Keaton two-reeler So You Won't Squawk). A heady blend of screwball comedy and crime melodrama, She Couldn't Take It is one of the fastest and funniest films of 1935. ~ Hal Erickson, All Movie Guide

Dying New England millionaire Cabot Barr (George Arliss) doesn't trust any of his relatives as they flock to his bedside, and not without justification. Barr realizes that there's a few roses among the thorns, notably his good-hearted granddaughter (Charlotte Henry) and his likeable adopted nephew (Frank Albertson), but the rest of the batch are whining, greedy and manipulative. With the covert aid of his secretary (Ralph Morgan) and his Runyonesque valet (Edward Ellis), Barr decides to teach his family a few lessons by manipulating them to do the opposite of what he pretends he wants them to do. As a result, the granddaughter and the nephew fall in love, while the less-appealing relatives are enmeshed in their own webs of deceit. The best, however, is saved for last. After Barr's death, the family discovers that he's left behind a "living will:" a reel of film in which the old gent jovially announces his bequests -- and with equal joviality settles a few old scores. This climactic "gimmick," later repeated in such films as 1979's Cat and the Canary and 1985's Brewster's Millions, is the highlight of this consistently charming and delightful George Arliss vehicle. ~ Hal Erickson, All Movie Guide

Frequently and misleadingly advertised as a W.C. Fields vehicle, Mrs. Wiggs of the Cabbage Patch confines the Great Man's appearance to the final two reels. The rest of the picture is a ploddingly paced adaptation of the hoary old Anne Hagan Rice novel about how wonderful it is to be poor. In a rare movie appearance, the great stage star Pauline Lord plays Mrs. Wiggs, the impecunious but ever-optimistic matriarch of a large, fatherless brood. Though creditors constantly hound Mrs. Wiggs, she remains firmly confident that all family problems will be resolved when her long-missing husband (Donald Meek) returns from his unexplained odyssey. It's quite a chore for our heroine to put on a happy face, especially after the death of the sickliest Wiggs child (George Breakstone), but she does -- and miracle of miracles, her faith in the elusive Mr. Wiggs turns out to be well-founded (though not intentionally so). W.C. Fields is cast as touring actor Mr. Stubbins the "mail-order husband" of Mrs Wiggs' spinsterish friend Miss Hazy (ZaSu Pitts). Once Fields shows up on screen, demanding a gourmet meal from poor Miss Hazy (who's never cooked anything in her life!) all the film's shortcomings and maudlin passages can be forgiven. W.C.'s best line: "The theatre was so packed, the audience couldn't applaud this way?" (claps sideways) "?They had to applaud this way." (claps up and down). Previously filmed in 1914 and 1919, Mrs.Wiggs of the Cabbage Patch was remade with Fay Bainter in 1942. ~ Hal Erickson, All Movie Guide

Ginger Rogers and Francis Lederer share equal billing -- and near-equal screen time -- in this amiable RKO programmer. Lederer plays Karel Novak, an incredibly naïve Czech immigrant who is taken under the wing of streetwise New York chorus girl Sylvia Dennis (Rogers). With the help of lovable cop-on-the-beat Murphy (J. Farrel McDonald), Sylvia hides Karel from the immigration authorities and ultimately falls in love with him. In addition to Karel's illegal-alien status, the plot is complicated by a crooked lawyer (Arthur Hohl) and a group of well-meaning welfare workers who endeavor to place Sylvia's kid brother Frank (Jimmy Butler) in a foster home. Usually cast in insincere roles, Francis Lederer is at his most sympathetic and likable in Romance in Manhattan. ~ Hal Erickson, All Movie Guide